“Primary Structures,” Turns 60

On April 28, 1966, The New York Times published a review by conservative critic Hilton Kramer of the Jewish Museum's exhibition “Primary Structures,” organized by curator Kynaston McShine. Kramer, disdainful of contemporary art, described the 42 American and British artists as rejecting personal expression and subjective inflection, yet he acknowledged the show as the first comprehensive glimpse of a style that would define the 1960s. The exhibition featured then-little-known artists including Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, John McCracken, Larry Bell, Robert Smithson, Judy Chicago, Philip King, Michael Bolus, and David Annesley, and is now recognized as the ur-survey of Minimalism—a term McShine deliberately avoided.

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Sam Barsky, a self-taught knitter who learned from a library book in 1999 after dropping out of nursing school due to chronic illness, creates intricate pictorial sweaters entirely freehand without patterns. His sweaters depict landscapes and landmarks—such as Central Park, the London Bridge, and the Twin Towers—and he often photographs himself wearing them at the actual sites. His first museum solo exhibition, “It’s Not the Same Without You,” recently closed at the John Michael Kohler Arts Center in Wisconsin, and his work also appeared in the group show “R U Still Painting???” in Manhattan alongside artists like assume vivid astro focus and Uri Aran.

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Curator Cecilia Alemani has organized the latest edition of the SITE Santa Fe International, titled "Once Within a Time," inspired by Godfrey Reggio's 2022 film of the same name. The exhibition, which opened in 2025, centers on storytelling and features Reggio's trippy 55-minute film alongside works by over a dozen artists, including Helen Cordero, D.H. Lawrence, Louise Bonnet, Norman Zammitt, Joseph Yoakum, John McCracken, Karla Knight, and Ali Cherri. The show extends beyond SITE Santa Fe to multiple venues across New Mexico, such as the New Mexico Military Museum, a hotel, and a cannabis shop, weaving together themes of eros, energy, the military, and the state's archetypes like UFOs, Land art, and Native spirituality.

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The Morgan Library and Museum in New York will open "Caravaggio’s Boy with a Basket of Fruit in Focus" on January 16, centered on a landmark loan of Caravaggio's titular painting from the Galleria Borghese in Rome. The exhibition, organized through the Foundation for Italian Art and Culture (FIAC) led by Alain Elkann, features 13 artworks by artists who preceded and succeeded Caravaggio, curated by John Marciari to provide context on the artist's influences and legacy.

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The National Portrait Gallery in London and the J. Paul Getty Museum in Los Angeles have jointly acquired Joshua Reynolds's 1776 painting *Portrait of Omai* for an estimated £50 million ($62 million). This marks the first time museums in the UK and US have partnered on a single acquisition, with each institution paying half and sharing ownership of the artwork, which will be displayed alternately in both countries. The painting depicts Mai (Omai), a young Tahitian man who visited Britain in 1774 with explorer James Cook, and had never before been held in a museum collection.

What does winning an arts prize really mean?

The article examines the history and impact of major art prizes, including the Turner Prize (established 1984), the John Moores Painting Prize (nearly 70 years old), and the Loewe Foundation Craft Prize (annual award). It traces the origins of art prizes back to 19th-century Paris salons and highlights how these awards provide cash, recognition, and career acceleration for artists. Specific examples include Rose Wylie, who won the John Moores Prize at age 80 and later joined David Zwirner and secured a Royal Academy solo show, and Samuel Ross, who used his Hublot Design Prize winnings to start his own company.

In Geneva, John M Armleder’s Stunning Lesson in Art History

À Genève, la renversante leçon d’histoire de l’art de John M Armleder

The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.

2026 Guggenheim Fellowships Go to Sonya Clark, John Miller, and American Artist

The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows, awarding 223 scholars and artists across 55 disciplines for 2026. Selected from a pool of nearly 5,000 applicants, the new cohort includes prominent visual artists such as Sonya Clark, John Miller, American Artist, and Kota Ezawa. The fellowships provide significant financial grants to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.

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Four previously unseen artworks by Stuart Sutcliffe, the original bassist for The Beatles, have gone on display at the Liverpool Beatles Museum. The exhibition includes a collage and a sketch from his student days at Liverpool College of Art, as well as two monochromatic lithographs created later while he was studying in Hamburg after leaving the band.

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John Moran Auctioneers is holding a Modern and Contemporary Fine Art sale at its Monrovia headquarters, featuring standout works by Deborah Butterfield and Joel Shapiro, alongside pieces by Alice Baber, Sandro Chia, Jonas Wood, Banksy, and Takashi Murakami. Highlights include two horse sculptures by Butterfield—Untitled (Foal) (2015) and Untitled (Large Horse) (2013)—and Joel Shapiro's Untitled (1996), all from the Estate of Herbert and Anne Lucas. The sale also includes works from other notable 20th- and 21st-century artists, positioning it as a key end-of-year auction event.

Inside A Nation of Artists, Philly’s New Must-See Exhibition

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive dual-museum exhibition running through late 2027. The show features over 1,000 works, including the public debut of 120 pieces from the private Middleton Family Collection, owned by Philadelphia Phillies owner John Middleton. While the PMA presents the works chronologically from 1700 to 1960, PAFA offers a thematic exploration, both aiming to integrate underrepresented Black, Indigenous, and immigrant artists alongside canonical figures like Georgia O’Keeffe and Jackson Pollock.

The Art Market Defies Doom and Gloom With Independent, Esther and Future Fair in Full Swing

New York City is hosting an unprecedented concentration of art fairs this week, with over nine fairs running simultaneously, including Independent, Esther, and Future Fair. Independent, held at Spring Place in Tribeca, opened on May 8 and is positioning itself as a boutique, hyper-curated alternative to mega-fairs like Frieze, featuring mostly solo presentations. Early sales were reported by several galleries: Europa sold works by Suyi Xu ($9,000–$20,000), Long Story Short sold six works by Keita Morimoto (up to $26,000), Charles Moffett nearly sold out his booth of Julia Jo ($10,000–$45,000), The Approach sold four works by John Maclean ($13,500 or less), and Copperfield presented works by Ada Patterson ($8,000–$23,000).

Dallas Art Prize winner on pink trees, Texas museums and why ‘it's OK to be kind of hokey’

Massachusetts-based painter John McAllister has been named the winner of the inaugural Dallas Art Prize. The award includes a $20,000 cash prize and the consideration of his work for the permanent collection of the Dallas Museum of Art. McAllister, who is represented by James Fuentes Gallery, is recognized for his vibrant, non-traditional landscapes that utilize a palette of pinks, purples, and yellows to evoke emotional responses rather than literal depictions of nature.

An Insider’s Guide to Dallas Art Fair Week

The Dallas Art Fair returns for its 18th edition from April 16–19, 2026, featuring over 90 international galleries at the Fashion Industry Gallery. Director Kelly Cornell highlights key participants including blue-chip mainstays like Perrotin and OMR alongside newcomers like James Fuentes, who will present works by Dallas Art Prize winner John McAllister. The week also features the Dallas Invitational, a boutique fair at the Rosewood Mansion, and major institutional shows at the Nasher Sculpture Center and The Warehouse.

Dallas Art Fair Returns April 16-19 with 90+ Art Dealers

The 2026 Dallas Art Fair is set to return from April 16–19 at the Fashion Industry Gallery, featuring over 90 national and international dealers. A major highlight of this edition is the introduction of the inaugural Dallas Art Prize, a $20,000 unrestricted award granted to landscape painter John McAllister. The fair is also expanding its scope with a new design crossover featuring Carpenters Workshop Gallery and Sputnik Modern, alongside the debut of the KTX Biennial, Texas’ first biennial dedicated to public art.

A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

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Anna Marie Tendler is presenting her interactive "House of Self Portrait Booth" at the Other Art Fair in Brooklyn, where she photographs fairgoers in a darkly romantic style inspired by her acclaimed 2021 self-portrait series "Rooms in the First House." The booth, which has previously appeared at the fair's Los Angeles and Chicago editions, features props from Tendler's own home, including a horned skull, a gramophone, and Victorian-style lampshades. Tendler's original series emerged from a period of personal struggle following her highly publicized divorce from comedian John Mulaney and an extended stay in a psychiatric hospital.

The Brandywine Museum offers a tiny peek into a Wyeth family Christmas

The Brandywine Museum in Chadds Ford, Pennsylvania, has opened its "Home for the Holidays" exhibition, featuring a custom-made dollhouse built by Ann Wyeth McCoy and her husband John McCoy from a repurposed tool shed. Two of the dollhouse's six modular rooms are on display, showcasing miniature furniture handcrafted by Ann's brother Nathaniel Wyeth and tiny paintings by Andrew Wyeth, Henriette Wyeth, and Jamie Wyeth. The dollhouse includes hidden family references, such as a miniature six-pack of Coca-Cola and a bottle labeled "Lucy Juice," a nod to benefactor Lucy Farnsworth.

Remembering John Morgan, radical typographer and designer who transformed the Church of England's books

John Morgan, a radical typographer and designer known for transforming the Church of England's books, has died. His funeral in September featured a story about his redesign of the Book of Common Worship, which a panel of commissioners brutally tested for durability. Morgan also designed graphics for the 2012 Venice Architecture Biennale, signage for Tate Britain, and identities for Raven Row gallery and ArtReview magazine. He worked with architects like David Chipperfield and artists including Edmund de Waal, Helen Marten, Juergen Teller, and Christian Marclay.

In Prague, the long-term future of Alphonse Mucha’s ‘Slav Epic’ hangs in the balance

Alphonse Mucha’s monumental 20-painting series *Slav Epic*, completed in 1928, has never received the permanent exhibition space in Prague that the artist demanded when he donated the work to the city. For decades the series has been displayed in Moravský Krumlov, and its current loan there was recently extended to 2031. Plans to install the Epic in a vaulted underground space designed by Thomas Heatherwick as part of Crestyl’s Savarin development have stalled due to permitting delays, though Crestyl now expects construction to begin in 2025 and open in 2029. Meanwhile, legal disputes persist: John Mucha (the artist’s grandson) had threatened to revoke the city’s ownership, and another granddaughter, Jarmila Mucha Plocková, has challenged the proposed location as unworthy.

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Art Palm Beach returns for its fourth edition from January 28 to February 1, 2026, at the Palm Beach County Convention Center. The fair features a mix of returning and first-time galleries from the U.S. and abroad, including Gefen Gallery (San Francisco), Onessimo Fine Art (Palm Beach), Oliver Sears Gallery (Dublin), and John Martin Gallery (London). Highlights include Hollis Taggart’s presentation of John Knuth’s fly paintings, Pontone Gallery’s showcase of Matteo Massagrande, and Provident Fine Art’s retrospective ‘Sylvester Stallone: Evolution.’ For the first time, the DIVERSEartPB program presents a large-scale, biennial-style installation curated by Marisa Caichiolo, featuring Chilean artist Eugenia Vargas-Pereira’s participatory work AGUAS (1991).

John Middleton’s secret art collection is coming out of the shadows in a blockbuster two-museum show

John Middleton, managing partner of the Philadelphia Phillies, and his wife Leigh are revealing their previously secret art collection in a major two-museum exhibition titled "A Nation of Artists," opening in Philadelphia in 2026. About 120 paintings, furniture, and decorative arts from the Middleton Family Collection will be split between the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, surrounded by over a thousand other objects from both institutions. The show, billed as the most expansive presentation of American art ever mounted in Philadelphia, coincides with the nation's Semiquincentennial celebration and is being promoted as a cultural highlight of the anniversary.

Maine: A Force Within American Art (1890-2026) At Farnsworth Art Museum

The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.

Soulios Gallery to open new space in Nashville.

Soulios Gallery, founded by Steven and Ana Soulios, will open a new space in Nashville's historic Cummins Station on November 12th. The inaugural exhibition, "City of the Mind," features a survey of New York-based artist Arthur Robins, covering over 50 years of his work, including expressionist cityscapes, abstract Tunnel Paintings, and never-before-shown biblical pieces. The gallery focuses on postwar movements such as American Expressionism, overlooked artists, and video, media, and performance art, with future exhibitions planned for artists like Mattias Duwel, Ewald Platte, and Ma Kelu.

"East-Northeast: Charting Moments in Maine" Presents Four Different Exhibitions of Maine-Focused Artists in Summer 2025

The Bowdoin College Museum of Art (BCMA) presents "East-Northeast: Charting Moments in Maine," a series of four exhibitions running in summer 2025 that highlight artists inspired by Maine. The shows include Gordon Parks’s previously unseen 1944 photographs of rural life, John McKee’s coastal series "As Maine Goes" (first public viewing since 1966), Ann Craven’s lunar paintings from 2020 and 2024, and films by Swiss-American artist Rudy Burckhardt. The exhibitions span from June 28 to November 9, 2025, with a keynote lecture by Philip Brookman on June 28.

Top Chicago Art Exhibitions to See: June 2025

This article lists top art exhibitions to see in Chicago during June 2025. Highlights include "Hokusai and Ukiyo-e: The Floating World" at the Cleve Carney Museum of Art, featuring seventeenth-century Japanese art with immersive experiences; Elsa Muñoz's "Dreamwork" at Goldfinch Gallery; "A Beautiful Experience: The Midwest Grotto Tradition" at the John Michael Kohler Arts Center, showcasing Madeline Buol's monumental grotto; Yvette Mayorga's "Pu$h Thru" at moniquemeloche; and "Nuth’n to Hyde: Gertrude Abercrombie and the Hyde Park Ethos 1935-1975" at Corbett vs. Dempsey.

New Orleans Galleries’ Spring Sale Blooms With Modern and Contemporary Works

New Orleans Auction Galleries has announced its upcoming Fine Art and Design sale, featuring 279 lots that span over a century of modern and contemporary art. The auction highlights a diverse range of works, including pieces by Mexican modernist José Clemente Orozco, Abstract Expressionist Grace Hartigan, and Southern Regionalist John McCrady. The selection focuses on themes of identity, social consciousness, and the intersection of text and visual media.

Leading art critic labels NT government gallery plan 'pure madness'

The Northern Territory government is considering partial occupancy or lease-splitting for the near-complete State Square Gallery building in Darwin, after a cost blowout of $100 million. The government has opened expressions of interest for the facility, originally intended for the Museum and Art Gallery of the NT (MAGNT), and told bidders they can propose using single floors or galleries. Leading art critic John McDonald, former head of Australian art at the National Gallery of Australia, has called the plan 'pure madness' and accused the government of 'vandalising' a major cultural asset.

The Phillies Owner’s Other Superstars

John Middleton, the billionaire owner of the Philadelphia Phillies, is channeling his competitive drive into the acquisition of 19th-century American masterpieces. His private collection, which features prominent works by Andrew Wyeth, Winslow Homer, and Thomas Eakins, has quietly become one of the most significant of its kind in the United States. Middleton’s approach to collecting mirrors his sports management style, focusing on "blue-chip" historical significance and technical mastery.

Philadelphia Museum of Art and PAFA team up for a massive American art show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive collaborative exhibition marking the United States' 250th anniversary. Spanning 20,000 square feet across both institutions, the show features over 1,000 works ranging from 18th-century portraiture and Hudson River School landscapes to contemporary pieces by local artists. The exhibition was catalyzed by significant loans from the private collection of Philadelphia Phillies owner John Middleton and his wife, Leigh, which filled critical gaps in the museums' permanent holdings.