The Big Review | Venice Biennale 2026: In Minor Keys ★★★½

The Venice Biennale 2026, titled "In Minor Keys," was curated posthumously following the death of artistic director Koyo Kouoh in May 2025. A team of five curators and advisors—Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayi—executed her vision across the Giardini and Arsenale venues. The exhibition features 110 artists, with a strong emphasis on new commissions, and is structured around themes of procession, resistance, and joy. Key works include Big Chief Demond Melancon's "Amistad Takeover" (2026), Nick Cave's "Amalgam (Origin)" (2025), and Otobong Nkanga's rewilded columns at the Central Pavilion.

5 Trends Shaping the 2026 Venice Biennale

The 2026 Venice Biennale has opened to the public, featuring the main exhibition 'In Minor Keys' conceived by the late Cameroonian Swiss curator Koyo Kouoh, who died unexpectedly in May 2025. Kouoh, the first African woman appointed to lead the Biennale, had her curatorial team—including Rasha Salti, Marie Hélène Pereira, and Gabe Beckhurst Feijoo—carry forward her vision of art as a 'shared and sustaining force.' The opening was weighted with politics and emotion.

8 Must-See Art Exhibitions in Tokyo This May

This article, published by Tokyo Weekender, lists eight art exhibitions opening in Tokyo during May. The featured shows span a range of venues and styles, including a solo presentation by Yayoi Kusama at the National Art Center, a group show of contemporary Japanese photography at the Tokyo Photographic Art Museum, and an installation by teamLab at their borderless digital art museum. Other highlights include a retrospective of the Gutai movement at the Museum of Contemporary Art Tokyo and a showcase of emerging artists at the Mori Art Museum.

KAWS | BEAUTIFUL LOSERS EXHIBITION POSTER (2004) | Art & Prints

An auction listing for KAWS's "Beautiful Losers Exhibition Poster" (2004) is featured on a digital marketplace, with bidding having ended. The work is an offset lithograph in color, measuring 17 × 11 inches, published by the Contemporary Arts Center, Cincinnati. The listing includes a detailed biography of KAWS (born Brian Donnelly), highlighting his career from street art subversion in the 1990s to high-profile brand collaborations with Nike, Uniqlo, and Dior, and his record auction sale of $14.8 million at Sotheby's in 2019.

At Tokyo's National Museum of Modern Art, the anti-action art of Japan’s women artists finds a new lease of life

The National Museum of Modern Art, Tokyo (Momat) is presenting "Anti-Action: Artist-Women’s Challenges and Responses in Post-war Japan," an exhibition that highlights the work of women artists in 1950s and 1960s Japan. Curated by Hajime Nariai, the show features Yayoi Kusama alongside figures like Atsuko Tanaka, Tsuruko Yamazaki, and Hideko Fukushima, as well as ten lesser-known artists whose names have been largely forgotten. The exhibition uses the term "anti-action," coined by art historian Izumi Nakajima, to describe these artists' shared determination to resist the dominant masculine ethos of action painting and Eurocentric art trends, instead forging their own unique practices.

KAWS | The Nature of Need (2012) | Available for Sale

The Brooklyn-based artist KAWS has listed an offset lithograph titled 'The Nature of Need' (2012) for sale through Kumi Contemporary. The work, priced at £350, features the artist's signature synthesis of pop culture animation and street art aesthetics, presented as an unsigned edition on smooth paper.

Venice’s Chicest Invite This Week? A Pizza Party Where the Artists Chose the Ingredients

Diana Campbell, Chomwan Weeraworawit, and Paris-based art advisors Samy Ghiyati and Nicolas Nahab of NG Partners organized a pizza party called Pizzalo Mundo during the Venice Biennale. Each artist contributed an ingredient from home: Rirkrit Tiravanija brought a Penang coconut base, Precious Okoyomon added flowers, Daria Kim wild honey, Tarek Atoui za'atar on hummus, Miet Warlop artichoke hearts, Tori Wrånes self-grown potatoes, and Alexa Kumiko Hatanaka fig leaf oil with yuzu salt. The event drew a crowd of curators, directors, and collectors from institutions including Tate, Musée d'Orsay, Guggenheim Abu Dhabi, MoMA, and Centre Pompidou.

Venice Diary Day 2: “In Minor Keys” Is a Major Statement on Perseverance and Play

The article is a diary entry from the 2026 Venice Biennale, focusing on the exhibition "In Minor Keys" curated by the late Koyo Kouoh. The author describes an emotional experience, beginning with a poem by Refaat Alareer on the Arsenale wall, and highlights works by Guadalupe Maravilla, Alexa Kumiko Hatanaka, and others that address themes of perseverance, healing, and survival. Maravilla's sculptures reference a child kidnapped by ICE, while Hatanaka's linocuts explore bipolar disorder as an adaptive trait. The show also features artist-led collectives like Denniston Hill and fierce pussy, emphasizing institution-building and world-making.

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

Urgent Request from Participating Artists and Curators of the 61st Venice Biennale

第61回ヴェネツィア・ビエンナーレ参加アーティストおよびキュレーターによる緊急要請

A group of 73 artists and curators participating in the 61st Venice Biennale, including Yoshiko Shimada and Bubu de la Madeleine, have issued an urgent demand to the Biennale's board to revoke Israel's participation. The collective specifically objects to the decision to relocate the Israeli pavilion to the Arsenale, arguing that its presence contradicts the curatorial vision of Artistic Director Koyo Kouoh, which emphasizes the dignity of all life. They contend that the military and police presence required for the pavilion introduces an atmosphere of violence and fear that undermines the exhibition's integrity.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

Meet the Canadian artists heading to Venice Biennale

Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.

Kazuhito Kawai & Alexa Kumiko Hatanaka "Tsuitayo: Becoming by Making" @ KOTARO NUKAGA (Roppongi)

川井雄仁&アレクサ・クミコ・ハタナカ「ついたよ：Becoming by Making」@ KOTARO NUKAGA（六本木）

Artists Kazuhito Kawai and Alexa Kumiko Hatanaka are presenting a joint exhibition titled "Tsuitayo: Becoming by Making" at KOTARO NUKAGA in Roppongi, Tokyo. Running from March 14 to April 10, 2026, the show features Kawai’s expressive ceramic sculptures alongside Hatanaka’s textile-based works, including her signature "Noren" and "Tabi" pieces. The exhibition highlights a dialogue between Kawai’s tactile, often grotesque ceramic forms and Hatanaka’s exploration of heritage and craft through traditional Japanese materials.

Signs of Life: Kunel Gaur’s Immersive Solo Exhibition at Method Delhi

Artist Kunel Gaur presents his solo exhibition "Signs of Life" at Method Delhi, running from December 11, 2025 to January 25, 2026. The show features immersive works that explore contemporary life through architectural materials like wood, concrete, metal, and acrylic, with series including "Colour Field Studies," "Interface Portraits," "KUMI," and "Tile Assemblies." Gaur's practice draws on graphic design, architecture, and brutalist influences to examine how identity, memory, and emotion are filtered through technology and industrial systems.