can slimmed down expo chicago still throw weight around 1234779786

The 15th edition of Expo Chicago, scheduled for April 9–12, marks a significant transition as the fair's first outing under new director Kate Sierzputowski and its third since being acquired by Frieze. The upcoming edition features a streamlined roster of approximately 130 galleries, a 25 percent decrease from previous years. While blue-chip giants like Gagosian and Zwirner are absent, the fair maintains a strong lineup including Karma, Michael Rosenfeld Gallery, and local mainstays like Monique Meloche, complemented by satellite events and a high-profile benefit directed by Maurizio Cattelan.

Our Guide to New York Art Week 2026

New York Art Week 2026 brings a major convergence of art events across the city, including several prominent art fairs such as Frieze New York, Independent New York, TEFAF New York, and NADA New York. The week also features gallery openings spanning from Tribeca to the Upper East Side, as well as auction previews ahead of key sales at Sotheby’s, Christie’s, and Phillips.

Anna Zemánková Estate Joins Gladstone Gallery, Sándra Vasquez de la Horra Joins Tanya Bonakdar Gallery, and More: Industry Moves for April 29, 2026

The article reports a series of industry moves in the art world as of April 29, 2026. Key developments include Gladstone Gallery taking on the estate of Anna Zemánková, Sándra Vasquez de la Horra joining Tanya Bonakdar Gallery, Elijah Wheat Showroom opening a new location in Beacon, New York, and Mariane Ibrahim now representing Leasho Johnson. Additionally, Denniston Hill launches its 2026 residency season with 30 artists, the Minneapolis Institute of Art receives restoration funding from TEFAF, Charlie White is appointed dean of the Sam Fox School, and Jesús Hilario-Reyes and Tichacoco are named inaugural recipients of the Clemente Center’s Van Lier Fellowship. The article also notes a whistleblower claim of $3 million missing from the Palm Springs Art Museum’s investment account, and a New York Times essay by Robin Givhan on Derrick Adams.

Dealer Matthew Brown More Than Doubles His Los Angeles Space with Move to Hollywood Media District: ‘I Really Believe in LA’

Los Angeles art dealer Matthew Brown is relocating his gallery to a significantly larger, 13,000-square-foot former warehouse in the Hollywood Media District. The new space, designed by architect Markus Dochantschi, more than doubles his exhibition area and includes offices, viewing rooms, and storage. The inaugural exhibition will feature artist Mimi Lauter, marking her first Los Angeles show in eight years.

Miami Beach’s Bass Museum picks architect for new pavilion

The Bass Museum of Art in Miami Beach has appointed the Los Angeles-based architecture firm Johnston Marklee to design a new 22,000-square-foot pavilion. The expansion, funded in part by a $20.1 million municipal bond, will occupy a site currently used for parking and will feature an elevated gallery designed to withstand South Florida’s environmental challenges, alongside an outdoor patio and performance stage.

10 Art Shows to See in Los Angeles This May

Hyperallergic's May guide for Los Angeles highlights ten art shows, including a posthumous exhibition of Celeste Dupuy-Spencer's paintings at Jeffrey Deitch, Yoko Ono's first solo museum show in Southern California at The Broad, and a survey of Richard Mayhew's abstract landscapes at Karma. Other notable shows include Joe Brainard's matchbook miniatures at Chris Sharp Gallery, Gordon Parks's musical output at the California African American Museum, and a two-venue presentation of Magdalena Suarez Frimkess's ceramics and drawings.

Desperate, Scared, But Social at UC Irvine Langson Orange County Museum of Art

The group exhibition "Desperate, Scared, But Social" at the UC Irvine Langson Orange County Museum of Art (Langson IMCA) explores the complexities of contemporary social dynamics and collective anxiety. The show brings together diverse artistic perspectives to examine how individuals navigate a landscape defined by political instability, environmental concerns, and the pervasive influence of digital connectivity.

Exhibition | William Turnbull, 'Origins (1946–1959)' at Karma, Chelsea, New York, United States

Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.

Manoucher Yektai at Karma

art agosto machado obituary whitney

Agosto Machado, a legendary downtown New York artist, archivist, and activist, died on March 21, 2026, at an estimated age in his 80s. The article recounts his life through a personal tribute, describing a drag performance in Chicago honoring him, and details his decades-long career as a street queen, Warhol-era fixture, and participant in the Stonewall uprising and first Gay Liberation March. Machado performed in Off-Off-Broadway plays, created solo shows, and amassed an extensive archive of ephemera, art, and photographs of his friends and community.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

William Turnbull Origins Exhibition Spotlights Elemental Forms in New York

William Turnbull Origins, an exhibition dedicated to the Scottish-born artist William Turnbull, is now on view in New York, highlighting his early and mid-career works that emphasize elemental, abstract forms. The show focuses on his sculptures and paintings from the 1940s through the 1960s, drawing attention to his exploration of primitive and organic shapes.

EXPO CHICAGO 2026 Opens With Local Enthusiasm and Strong Institutional Sales

EXPO CHICAGO 2026 has launched at Navy Pier with a streamlined, highly curated format that emphasizes quality over quantity. The fair’s opening days have been defined by robust institutional engagement, with several major museums acquiring works for their permanent collections. This year’s edition features a diverse array of artists and galleries, reinforcing its position as the premier contemporary art platform in the American Midwest.

Must-See National Pavilions at the 61st Venice Biennale

The 61st Venice Biennale features standout national pavilions from Japan, the Philippines, Timor-Leste, Singapore, and India. Japan presents Ei Arakawa-Nash's 'Grass Babies, Moon Babies,' an interactive exhibition with hand-sewn baby dolls and sound pieces exploring queer parenthood and collective care. The Philippines showcases Jon Cuyson's 'Sea of Love / Dagat ng Pag-ibig,' a solo show using 'mussel thinking' to highlight Filipino seafarers. Timor-Leste's 'Across Words' brings together three artists addressing ethnolinguistic diversity and cultural memory, while Singapore presents Amanda Heng's 'A Pause,' a feminist performance on vulnerability and resilience. India's pavilion features Ranjani Shettar's work, supported by Talwar Gallery.

Andrew Cranston’s Paintings of Dreamlike Domesticity

Scottish artist Andrew Cranston has opened a new solo exhibition titled 'I’m going in a field' at Modern Art gallery in London. The show features eleven paintings that blend landscape, memory, and domestic scenes, drawing inspiration from the artist's childhood in Hawick, Scotland, and his reflections on activities like golf, which he views as a form of landscape experience.

Merlin Carpenter “Warning Signs” at Karma International, Zurich

Merlin Carpenter presents "Warning Signs" at Karma International in Zurich, featuring his latest paintings that evolve from his earlier "anti-painting" style. The artist reflects on how his early 2000s work, characterized by a semi-finished, indifferent aesthetic, had become decorative by the time of his 2013 POLICE show, prompting him to update his approach.

"Freedom Dreams" on view through August 9 at the Barnes Foundation

The Barnes Foundation in Philadelphia presents "Freedom Dreams," an exhibition exploring Black freedom through moving images, curated by Maori Karmael Holmes and James Claiborne. The show features five works by intergenerational artists including David Hartt, Ja'Tovia Gary, Garrett Bradley, Tourmaline, and Arthur Jafa, with pieces that draw on historical films, literature, and activism to examine Black identity, joy, and radical imagination. The exhibition runs through August 9, 2026.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.

India at Venice Biennale 2026 curtain raiser: Many voices, one resonance

India has announced its participation in the 61st Venice Biennale with the India Pavilion exhibition titled 'Geographies of Distance: Remembering Home,' curated by Amin Jaffer. The exhibition, presented by the National Gallery of Modern Art and the Ministry of Culture, will feature works by five artists: Alwar Balasubramaniam, Ranjani Shettar, Sumakshi Singh, Skarma Sonam Tashi, and Asim Waqif. It will run from May 9, 2026, with previews from May 6-8. The pavilion is supported by Isha Ambani, chairperson of the Nita Mukesh Ambani Cultural Centre, and Sunil Munjal, founder of Serendipity Arts Foundation. Additionally, on May 8, Kochi-Muziris Biennale president Jitish Kallat will announce the curator for its seventh edition.

Exhibition | Shota Nakamura, 'Apple' at Karma, Los Angeles

Shota Nakamura's exhibition 'Apple' at Karma in Los Angeles presents a series of new paintings that explore familiar subjects—fruit, shells, sailboats, landscapes—through a dreamlike, tonally nuanced lens. The Berlin-based Japanese artist focuses on the tonality of light, using closely-valued hues to investigate relationships between color, luminosity, and illusion. Works such as 'Landscape with Apples' (2026), 'A Black Dog', and 'Violin Player' demonstrate his method of combining personal photographs, memory, and art historical references into compositions that balance representation with formal abstraction, often referencing modern Japanese painters like Zenzaburo Kojima and Morikazu Kumagai as well as Mark Rothko.

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Genuine Fake Premium Economy review – brilliantly obnoxious millennial rage at a rigged financial world

The exhibition "Genuine Fake Premium Economy" at a London gallery features works by American artists Jenna Bliss, Buck Ellison, and Jasmine Gregory, all born in the mid-1980s. Their pieces—including Bliss's shaky videos of New York's financial district, Ellison's fictional bank advertisements pairing classical paintings with cynical taglines, and Gregory's luxury watch ads stripped of watches—collectively express millennial rage at a rigged financial system and the aftermath of the 2008 crash.

This ICA Exhibition Skewers Art’s Culture of Capitalism

The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.

RISD Museum Puts Spotlight on Diversity

The RISD Museum in Providence is spotlighting diversity through a series of exhibitions and programs in spring 2026. Highlights include the third Black Biennial, titled "Please Catch Me When I Fall," organized by students Karma Johnson, Khalil McKnight, and King Meulens, featuring over 50 works by Black artists from the school and local community. Other exhibitions range from "A Shared Journey: The Barkan Contemporary Ceramic Collection" to "Natchiq | Onkeehq | Isuwiq: Indigenous Artists Honor the Seal" and "The Artistry and Reunion of Two Surimono Albums," alongside ongoing displays like "Shimmering Beauty: Kingfishers in Art and Poetry."

‘Like a Rising River’ explores Nepali women through art

The art exhibition ‘Like a Rising River: Stories of Women and Change’ recently opened in Nepal, showcasing the results of a collaborative project between Srijanalaya, UN Women Nepal, and the Government of Finland. The initiative sent 15 Nepali artists to four provinces—Sudurpaschim, Bagmati, Sarlahi, and Madhesh—to document the lived experiences, social struggles, and resilience of local women through various artistic mediums, including textiles, mixed-media animation, and storytelling.