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Defying Soft Power: “Proximities” at SeMA

The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.

British Museum did not remove Palestine from labels due to pressure campaign, museum sources say—as backlash continues

Over 200 cultural figures, including musician Brian Eno and writer Laleh Khalili, have signed an open letter condemning the British Museum for allegedly removing the word "Palestine" from labels in its Ancient Levant gallery. The letter, published in March, accuses the museum of historical revisionism and links the action to pressure from the advocacy group UK Lawyers for Israel, while also criticizing the museum's broader ties to Israel.

Exhibition of Emirati art in Seoul becomes a relic of pre-war UAE life

An exhibition titled 'Proximities,' featuring over 110 works by 47 UAE-based artists, opened at the Seoul Museum of Art (SeMA) in December and closed on March 29. The show, co-curated by Maya El Khalil and SeMA's Eunju Kim, aimed to present nuanced, everyday perspectives of life in the UAE through sections organized by artist-curators like Farah Al Qasimi and Mohammed Kazem, moving beyond stereotypes of gilded excess.

‘We refuse_d’: rehearsing refusal as method, memory, and possibility.

Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.

‘We’re attached to this land like a tree is rooted in soil’: unexpectedly timely exhibition speaks up for the people of south Lebanon

An exhibition titled 'Forget Me Not: South Lebanon in Memory and Motion' was held at London's Palestine House earlier this month. It featured archival news footage from 2000, photographs, audiovisual materials, and children's drawings to document the history, culture, and resilience of southern Lebanon, a region experiencing renewed conflict.

The Irresistible Force of Thinking and Acting Together

Guest curator Greg de Cuir Jr. interviews five prominent artist duos—including Joana Hadjithomas and Khalil Joreige, and OJOBOCA—to explore the mechanics of collaborative practice and shared life. The participants discuss the origins of their partnerships, ranging from the necessity of navigating new environments like Berlin’s analog film scene to the shared political and aesthetic urgency following the Lebanese Civil Wars.

Alserkal Art Month: Your step-by-step guide to Weekend 2

Alserkal Art Month in Dubai continues with Weekend 2, featuring the headline exhibition 'Déjà Vu' opening at Concrete on Saturday, April 25. The weekend includes a kids' art workshop led by Lucy Jung, a majlis talk series curated by Nadine Khalil, a slow art walk with Natalya Konforti, a film screening of 'Ghanati Man' by Al Reem Al Beshr, a performance workshop by Dirwaza Curatorial Lab and Ammar Al Attar, and a music performance by Bull Funk Zoo curated by Ratish Chadha.

London’s Mosaic Rooms, dedicated to art from the Arab region, reopens after expansion

London's Mosaic Rooms, a non-profit gallery dedicated to art and culture from the Arab world, reopens on February 18 after a year-long refurbishment and expansion. The renovation, funded by the Al-Qattan Charitable Trust, added new facilities including a recording suite, a salon, a family playroom, and an expanded bookshop. A permanent stained-glass window commission by Dima Srouji, 'Four Moons from Home (2026)', greets visitors, and the reopening is inaugurated with a solo exhibition by French-Moroccan artist Bouchra Khalili exploring the Arab Workers' Movement.

Art Smiley Gallery officially opens, welcoming government and diplomatic guests

Art Smiley Gallery officially opened its first physical location in Al Quoz 2, Dubai, on September 5, 2025, with the launch of the "Global Art Odyssey—Where Art Meets the World!" exhibition. The hybrid-format show features 35 artists from 16 countries and runs through October 5, 2025. Distinguished guests included Khalil Abdul Wahid, fine art director from Dubai Culture Authority; Emirati artist Ahmed Al Awadhi; and Sultana Faroua Kazim, global ambassador for UNESCO IAA. The opening also included a virtual component via Art Smiley's upgraded website.

Art Smiley Gallery officially opens, welcoming government and diplomatic guests

Art Smiley Gallery officially opened its first physical location in Al Quoz 2, Dubai, on September 5, 2025, with the launch of the hybrid exhibition “Global Art Odyssey—Where Art Meets the World!” The event featured 35 artists from 16 countries and attracted distinguished guests including Khalil Abdul Wahid, fine art director from Dubai Culture Authority, and Sultana Faroua Kazim, UNESCO IAA global ambassador. The exhibition runs through October 5, 2025, and is accessible both in-person and virtually via the gallery's upgraded website.

Marcello Dantas Named Curator of 2027–29 Vancouver Biennale

The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.

“Lighting” exhibition by Mohamed Abdalla Otaybi at Swailam gallery is not to be missed

This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.

Running from one image to another, from one time to another, from one hope to another: at Circolo, in Milan, an exhibition on the contemporary Lebanese scene

The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.

After a turbulent period of reorganisation, the 18th Istanbul Biennial favours futurity over futility

The 18th Istanbul Biennial, titled "The Three-Legged Cat," has opened after a turbulent period of reorganization. Curated by Christine Tohmé, the biennial unfolds over three years instead of the usual two, featuring 47 artists—only six from Turkey, with many from the Middle East. The exhibition spans eight venues, including a former cone factory and a French orphanage, and includes works such as Naomi Rincón-Gallardo's video installation on opossum resilience and Khalil Rabah's site-specific intervention with oil barrels and saplings. The biennial's budget was raised from €2m to €6.5m, mostly funded by Koç Holdings, following controversy over the initial appointment of curator Defne Ayas, which was rejected by the Istanbul Foundation for Culture and Arts (IKSV), leading to Tohmé's eventual selection.

mahmoud khalil nan goldin market tanked palestine activism 1234751605

Artist Nan Goldin and Palestinian activist Mahmoud Khalil discussed Khalil's 104-day ICE detention, the 'Palestine Exception' to free speech, and the backlash faced by pro-Palestinian activists in a conversation published in Dazed magazine. Khalil was arrested in March 2024 after serving as a negotiator during Columbia University protests, with the Trump administration alleging he undermined foreign policy and later claiming he failed to disclose information on his green card application. Goldin compared her own experience leading the activist group PAIN, which successfully pressured museums to cut ties with the Sackler family over the opioid crisis, noting that pro-Palestinian activism has faced far greater criminal and professional repercussions.