Lu Yang's solo exhibition "Electromagnetic Brainology" opened at Kunsthalle zu Kiel, running from January 30 to March 15, 2026. Curated by Muriel Meyer, the show features a new body of work from the Shanghai-based multimedia artist, known for immersive installations blending digital avatars, neuroscience, and pop culture iconography.
The Kunsthalle Mannheim is presenting "Dollhouse – A Retrospective," a major posthumous exhibition dedicated to the work of American artist Kaari Upson. The show brings together her sculptures, installations, videos, and drawings, which explore memory, identity, and social reality through the lens of her personal biography.
Following the recent electoral defeat of Viktor Orbán’s Fidesz-KDNP coalition by the opposition party Tisza, the Hungarian art world faces a monumental task of institutional restoration. For 16 years, the regime’s 'System of National Cooperation' (NER) systematically co-opted cultural institutions, installing loyalists in leadership roles at major venues like the Kunsthalle and Ludwig Museum to promote an ethno-nationalist agenda. This period was marked by the exodus of independent curators, the occupation of museums by activists, and a fractured ecosystem where state funding was tied to political compliance.
Kunsthalle Mainz vor dem Aus?
The Kunsthalle Mainz is facing potential closure by the end of the year following the withdrawal of funding by the Mainzer Stadtwerke. The crisis is compounded by the departure of director Stefanie Böttcher, who is moving to the Kunsthalle Kiel, and the fact that her position has not been advertised for replacement. Despite its international reputation and successful recent exhibitions, such as the current Britta Marakatt-Labba retrospective, the institution lacks a secured financial future and a leadership succession plan.
Kunsthalle Friart Fribourg presents "Passages," a group exhibition exploring the fluid boundaries of matter and form. The show investigates the existential transition points where materials coalesce into recognizable shapes and, conversely, where those forms begin to dissolve or mutate. By focusing on the inherent instability of physical objects, the curated selection of works challenges traditional perceptions of permanence in contemporary art.
Artist Otobong Nkanga has unveiled a major new installation titled 'I Dreamt of You in Colours' at the Kunsthalle Basel. The immersive, site-specific work explores themes of memory, landscape, and the extraction of natural resources through a complex tapestry of textiles, drawings, and sculptural elements.
Portikus in Frankfurt is presenting a solo exhibition by Saodat Ismailova, featuring new and existing works. The show includes video installations, photographs, and other media that explore themes of memory, spirituality, and Central Asian cultural heritage.
Kunsthalle Bern is hosting a significant solo exhibition of the late artist Lin May Saeed, running from March 6 through May 10, 2026. The presentation features a comprehensive selection of Saeed’s signature styrofoam reliefs and sculptures, documented through extensive installation photography by David Aebi in collaboration with the artist's estate and Jacky Strenz gallery.
The artist duo Bárbara Wagner & Benjamin de Burca have opened a new exhibition titled "The Tunnels We Dig" at the Schirn Kunsthalle Frankfurt. The show combines three of their collaborative film and installation works, which are the result of their decade-long practice of working in dialogue with other artists and collectives.
The working collective Atelier dell’Errore has opened a new exhibition titled "PINKING UP" at the Ar/Ge Kunst art gallery in Bolzano, Italy. The show features a collaborative project by a large group of artists, each identified by a pseudonym, presenting a unified artistic statement.
Gala Alica, a prominent contemporary artist, has been appointed as the new Artistic Director of the prestigious Kunsthalle Basel. The interview details her vision for the institution, which includes a renewed focus on interdisciplinary projects and supporting emerging artists from underrepresented regions.
German Iraqi artist Lin May Saeed (1973–2023) is the subject of a posthumous exhibition at Kunsthalle Bern. The show presents her drawings and sculptures, which critically examine the relationship between humans and animals, positioning non-human creatures as active protagonists rather than symbols or decorative elements.
Finnish artist Pilvi Takala has opened a solo exhibition titled 'Breaking Ranks' at Kunsthall Trondheim in Norway. The show, which runs from February 19 to May 10, 2026, is documented with 28 images and is accompanied by guides in both English and Norwegian.
CISCO MEREL: LA CHANTIN
Kunsthalle Lissabon in Lisbon, Portugal, is presenting 'La Chantin,' the first solo exhibition in the country by Panamanian artist Cisco Merel. The exhibition features a site-specific installation exploring the house as an open, collective, and evolving system, inspired by the mobile, wooden 'shanty' structures built by the Afro-Caribbean diaspora during the construction of the Panama Canal.
Gemalte Screenshots aus Träumen
The Staatliche Kunsthalle Baden-Baden is presenting a comprehensive retrospective of Berlin-based painter Katharina Wulff, titled 'Arabesken in Arabesken'. Curated by Christina Lehnert, the exhibition features around 40 works that explore dreamlike, enigmatic spaces blending reality, memory, and the unconscious, with paintings like 'Landschaft für glückliche Hexen' (2008) and 'Der Waldspaziergang' (2002) exemplifying her unique style.
Hat die Neue Nationalgalerie Gefühle?
The Kunsthalle Bremen has opened "Remix. Photographie – Fiktion und Wahrheit," an exhibition drawn from its permanent collection that explores the tension between reality and artifice in photography. The show traces a lineage from Heinrich Zille’s unvarnished turn-of-the-century street scenes to the objective industrial typologies of Bernd and Hilla Becher, eventually moving into the postmodern manipulations of the Düsseldorf School, including works by Thomas Ruff and Thomas Struth.
Comment | Time for a rethink: women artists were never meant to merely be canon fodder
The art world is increasingly moving beyond simply adding women to the existing art historical canon, a practice long criticized by feminist historians like Griselda Pollock. Instead of merely 'expanding' the canon, new institutional approaches aim to 'difference' it by using the work of women to fundamentally re-evaluate and subvert established narratives. This shift suggests that the inclusion of previously marginalized artists should change how we perceive the masters they are often compared to.
52 Walker, the Tribeca kunsthalle-style space founded by Ebony L. Haynes under David Zwirner in 2021, has quietly transitioned from a standalone venue into a standard David Zwirner gallery space. The change followed Haynes's promotion to global head of curatorial projects last fall. The final exhibition at 52 Walker as a dedicated physical space was a presentation by Nicole Eisenman. Haynes will continue to curate under the 52W banner as a nomadic, project-based initiative across Zwirner's global locations, with the next show being an Isa Genzken exhibition titled 'Vacation' opening in March.