Mexico’s art community calls for greater transparency in management of treasured collection

Over 350 Mexican cultural professionals have signed an open letter demanding greater transparency from the Instituto Nacional de Bellas Artes y Literatura (INBAL) regarding the management and export of the Gelman Collection. The collection, recently acquired by the Zambrano family and rebranded as the Gelman Santander Collection, includes 18 works by Frida Kahlo and other major 20th-century Mexican artists, with 30 pieces designated as national artistic monuments requiring state oversight.

the first homosexuals queer art show 2637891

An exhibition titled "The First Homosexuals" has opened at Wrightwood 659 in Chicago, curated by queer art historian Jonathan David Katz and associate curator Johnny Willis. Spanning over 300 artworks, the show traces how the coining of the term "homosexual" by Hungarian writer Karl-Maria Kertbeny in 1868 reframed artistic expressions of identity and sexuality, featuring works by artists such as Hokusai, Utamaro, Bertel Thorvaldsen, George Catlin, Saturnino Herrán, Richmond Barthé, Romaine Brooks, and Tamara de Lempicka. The exhibition includes sections on pre-colonial indigenous cultures, colonialism and resistance, and queer art icons.

The 10 Most In-Demand Artists on Artsy in 2025, from David Lynch to Amy Sherald

Artsy has released its list of the 10 most in-demand artists of 2025, based on year-over-year surges in artwork inquiries on its platform from January to November. Topping the list is filmmaker and artist David Lynch, whose inquiries surged 2,940% following his death in January, followed by Spanish painter Guim Tió Zarraluki (1,350% increase) and British painter Danny Fox (1,210% increase). Other artists include Amy Sherald, whose inquiries rose 710% after her 2018 portrait of Michelle Obama. The article notes that demand often spikes due to major publications, institutional shows, art fairs, or career milestones.

María Jesús Valenzuela: Winter Flowers

MARÍA JESÚS VALENZUELA: FLORES DE INVIERNO

María Jesús Valenzuela presents her solo exhibition "Flores de Invierno" (Winter Flowers) at Galería NAC in Santiago, Chile. The exhibition showcases a multidisciplinary approach to the natural world, featuring hand-embroidered cotton paper, color pencil drawings, and fine art photography. Valenzuela’s work acts as a contemporary field notebook, documenting landscapes ranging from the mangroves of Caddo Lake to the forests of Curaumilla, utilizing both ancient techniques like embroidery and modern digital printing.

È morto Paolo Masi. La lunga ricerca dell’artista fiorentino sulla trasformazione dei materiali poveri

Paolo Masi, the Florentine artist known for his lifelong exploration of poor materials and their transformation, died in Florence on Wednesday, May 6, just days before his 93rd birthday. His career spanned from informal experiments in the 1950s through a rigorous investigation of materials in the 1960s, including his first solo show at the Strozzina in 1960. He joined the aesthetic research group Centro F/Uno alongside Baldi, Lecci, and Nannucci, and later co-founded the collective spaces Zona (1974) and Base (1998) with Mario Mariotti and Maurizio Nannucci. Masi participated in the Venice Biennale (1978) and the Rome Quadriennale (1986), and his works are held by major museums and foundations internationally. His later years saw significant retrospectives at the Museo MAGA in Gallarate (2018) and at Le Murate in Florence (2018), as well as a 2023 solo show at Florence's Galleria Frittelli, which remembered him as an extraordinary artist and dear friend.

art new york museum exhibition guide winter

Cultured magazine has published a winter exhibition guide for New York museums, highlighting six major shows running through early 2026. Featured exhibitions include Ayoung Kim's "Delivery Dancer Codex" at MoMA PS1, a survey of UFO-themed works at The Drawing Center, a Ruth Asawa retrospective at MoMA, Renoir drawings at the Morgan Library & Museum, Robert Rauschenberg's photography at the Museum of the City of New York, and Alexander Calder's circus at the Whitney Museum of American Art. Each entry provides dates, curatorial context, and visitor tips.

Losing Frida Kahlo in "The Making of an Icon"

The article critiques the Museum of Fine Arts, Houston's (MFAH) exhibition "Frida: The Making of an Icon," arguing that it perpetuates a fetishized, commercialized view of Frida Kahlo by focusing on her biography—her marriage to Diego Rivera, her affairs, her accident—rather than her artistic skill. The author contrasts this with a visit to the Museo de Arte Moderno (MAM) in Mexico City, where the exhibition "Relatos modernos. Obras emblemáticas de la Colección Gelman Santander" presents Kahlo's work alongside other Mexican masters in a quiet, understated manner that allows viewers to appreciate her technical abilities without overwhelming narrative.

Chicago Is The Only City To Host 'The First Homosexuals,' An Extensive Collection Of Queer Art

The article reports that 'The First Homosexuals: The Birth of a New Identity, 1869-1939,' a major international exhibition of queer art, is currently on view at Wrightwood 659 in Chicago's Lincoln Park neighborhood. Curated by art historian Jonathan D. Katz, the show features around 350 works from over 100 lenders, including private collectors and major museums, and runs through July 26. Katz notes that no other institution in the world has agreed to host the exhibition, citing widespread refusals from venues in the United States, Europe, South America, and Asia.

Feeling Nature According to Nicolas Poussin

Ressentir la nature d’après Nicolas Poussin

An exhibition titled "Le sentiment de la nature. L’art contemporain au miroir de Poussin" has opened at the NMNM – Villa Paloma in Monaco. Curated by Guillaume de Sardes, it places Nicolas Poussin's 1651 painting *L'Orage* in dialogue with works by over twenty contemporary artists, including Sarah Moon, Christo and Jeanne-Claude, Thomas Demand, Pierre Thoretton, Ange Leccia, Marine Wallon, and Claudio Parmiggiani.

New Exhibition at Mexico City’s Jumex Museum Draws Parallels Between Soccer and Art

The Jumex Museum in Mexico City has launched a major exhibition titled "Football & Art: A Shared Emotion," timed to coincide with the city's role as a host for the 2026 FIFA World Cup. Curated by Guillermo Santamarina, the show features a diverse array of media including sculpture, photography, and commissioned installations from renowned artists such as Jeff Koons, Graciela Iturbide, and Marta Minujín. Notable works include a sculptural installation by the collective Tercerunquinto using salvaged seats from the Azteca Stadium and an embroidered piece by Sofía Echeverri honoring the 1971 Mexico Women’s National Team.

HARRY CHÁVEZ: DONDE MUERDE EL MITO

Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.

Collecting in Madrid: 50 Ways to Build the Contemporary

COLECCIONAR EN MADRID: 50 FORMAS DE CONSTRUIR LO CONTEMPORÁNEO

The exhibition 'Madrid Colecciona. 50 colecciones de arte contemporáneo' opened at CentroCentro, showcasing a hundred works from fifty private collections in Madrid. It shifts focus from the artwork and artist to the often-opaque figure of the collector, allowing each collector to present two pieces: one of personal significance and one recent acquisition, accompanied by their own explanatory texts.

The Formal Consistency of Marcos López

LA CONSISTENCIA FORMAL DE MARCOS LÓPEZ

The Fundación Larivière in Buenos Aires is hosting a major retrospective of Argentine photographer Marcos López, featuring over 200 works spanning from 1975 to 2025. The exhibition highlights López’s distinct visual language, characterized by the high-saturation color palette of his 'Pop Latino' series and his rejection of traditional black-and-white documentary photography. His work is defined by deliberate staging, using artificial backdrops and theatrical props to create images that function as allegorical documents of Latin American identity.

Guatemala’s Bienal de Arte Paiz nurtures connections across geography and history

The 24th edition of Guatemala’s Bienal de Arte Paiz, titled "The World Tree" and curated by Eugenio Viola, runs until 15 February across 11 venues in Antigua and Guatemala City. It features 46 artists from 30 countries, with 31 commissioned works, making it the largest and longest edition in the biennial's history. The organizing non-profit, Fundación Paiz, has also created its first permanent exhibition venue, which soft-launched with a performance by Cuban artist Carlos Martiel.

GARAICOA AND IBARRA FEATURED IN CAAM S INAUGURAL GROUP SHOW

The Centro Atlántico de Arte Moderno (CAAM) in Gran Canaria has opened a new group exhibition titled 'Construyendo Colección. Últimas adquisiciones,' featuring five recently acquired works. The show highlights pieces by artists Carlos Garaicoa and Karlo Andrei Ibarra, as well as Canarian artists Esther Aldaz, Teresa Arozena, and Yapci Ramos, presenting a mix of photography, sculpture, and site-specific installation.

Venice installation celebrates migrants with 100 large-scale portraits

A large-scale installation titled 'Dreams in Transit' has been unveiled on the facade of the Procuratie Vecchie in Venice’s St. Mark’s Square, featuring 100 black-and-white portraits of migrants photographed from behind. The project, launched on Wednesday in collaboration with Art for Action and The Human Safety Net (a foundation funded by Generali), takes inspiration from French street artist JR’s Inside Out project but reverses the perspective. Inside the building, a complementary exhibition includes works by Leila Alaoui, Lorraine de Sagazan, Anouk Maugein, Ange Leccia, and a sound installation by Sarah Makharine, all focusing on migrants’ dreams and resilience.