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This week's art industry roundup covers major personnel shifts, fair announcements, and institutional news. Phillips named Robert Manley chairman for Modern and contemporary art and Miety Heiden chairman for private sales after the departures of Cheyenne Westphal and Jean-Paul Engelen. Art Basel Paris announced 203 galleries for its October fair at the Grand Palais, while Kiaf Seoul will host 176 exhibitors in September. Tony Karman is stepping down as director of Expo Chicago after 14 years. Pace Gallery added Friedrich Kunath, Galerie Nordenhake signed Naufus Ramírez-Figueroa, and Sylvia Kouvali now represents Luigi Zuccheri. Ariel Pittman is launching a new Los Angeles gallery, Official Welcome. The Louvre will return 258 works from Adèle de Rothschild's bequest to the Fondation des Artistes. President Trump dismissed Smithsonian National Portrait Gallery director Kim Sajet over DEI support, though his authority is questioned. The Centre Pompidou announced a new $240 million outpost in Brazil. The Art Institute of Chicago confirmed director James Rondeau will return after a flight incident. The Pérez Art Museum Miami appointed Karen H. Bechtel as board president. Frieze and Deutsche Bank detailed their 2025 Emerging Curators Fellowship. A rare Gustav Klimt portrait of an African prince was offered for €15 million.

Museum acquisitions round-up: Andy Warhol in an apron, a solid-silver relief and Christo's luggage rack

Major international institutions have secured significant new acquisitions, ranging from intimate photographic archives to monumental silver reliefs. The Smithsonian’s Archives of American Art received over 400 stereoscopic slides by Ronnie Cutrone documenting Andy Warhol’s Factory, while the Germanisches Nationalmuseum acquired Luigi Valadier’s final silver masterpiece, 'Lamentation of Christ'. Additionally, the Christo and Jeanne-Claude Foundation donated 14 works to the City of Paris, including the early sculpture 'Package on a Luggage Rack' for the Musée d’Art Moderne de Paris.

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Italy's largest contemporary art fair, Artissima, opened its 32nd edition in Turin's Oval Lingotto arena with 176 international galleries from 36 countries. The fair is the first major international art event in Italy since the government slashed VAT on art sales from 22% to 5% in July, a move long sought by galleries and dealers. Early sales included works by João Gabriel, Silvia Capuzzo, and Simon Pasieka, and the fair attracted top curators like Hans Ulrich Obrist and Massimiliano Gioni, as well as prominent Italian collecting families. However, some gallerists noted a lack of American collectors, echoing trends seen at Art Basel in Switzerland.

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Hazel Knapp, a self-taught artist with Charcot-Marie-Tooth disease, painted Vermont landscapes from her wheelchair between the 1930s and 1940s, often with her mother Elsie by her side describing the terrain. Knapp exhibited at the 1939 Museum of Modern Art show alongside Grandma Moses and Morris Hirshfield, was profiled in Sidney Janis's book *They Taught Themselves*, and sold ten paintings to Gertrude Stein, who planned an unrealized Paris exhibition. Despite this promising start, Knapp fell into obscurity after her mother's death.

art guide new york exhibitions

The article reviews the joint exhibition "Hunks" at Bureau gallery in New York, featuring works by painter Julia Rommel and photographer Lucas Blalock. Rommel's post-minimalist abstract paintings, created through folding and stapling canvases, explore color and texture with a personal touch, while Blalock's digitally manipulated photographs blend studio effects and surreal editing. The show runs through February 21, 2026, at the gallery's 112 Duane Street location.

At MAXXI L'Aquila, exhibition dedicated to Ai Weiwei recounts catastrophes and memory

From April 29 to September 6, 2026, MAXXI L'Aquila presents "AI WEIWEI: Aftershock," an exhibition curated by Tim Marlow featuring approximately seventy works by Chinese artist, architect, and activist Ai Weiwei. The show spans his entire career, focusing on themes of earthquakes, wars, political repression, and memory. The centerpiece is the installation "Straight" (2009–2012), made from 150 tons of steel rods recovered from schools that collapsed in the 2008 Sichuan earthquake, displayed across three rooms. The exhibition is held at Palazzo Ardinghelli, a Baroque building that houses MAXXI L'Aquila and was itself restored after the 2009 L'Aquila earthquake, creating a dialogue between the works and the building's history of recovery.

10 Shows Around Venice Not to Miss During the Biennale

ARTnews has published a guide to 10 exhibitions in Venice worth seeing during the 2026 Biennale, beyond the central show "In Minor Keys" curated by the late Koyo Kouoh and the national pavilions. Highlights include a major survey of Lee Ufan at the San Marco Art Centre (SMAC Venice), organized by the Dia Art Foundation and curated by Jessica Morgan; "Helter Skelter: Arthur Jafa and Richard Prince" at Fondazione Prada, curated by Nancy Spector; and "Strange Rules" at Palazzo Diedo, conceived by Hans Ulrich Obrist with Mat Dryhurst and Holly Herndon, introducing the concept of "Protocol Art." Other venues include the Gallerie dell'Accademia, Pinault Collection, Berggruen Arts & Culture, Fondazione Sandretto Re Rebaudengo, and a three-night-only performance at Teatro Goldoni.

Venice Biennale’s 2026 Golden Lion Jury to Be Led by Videobrasil Founder

The Venice Biennale has announced the five-member jury for its 2026 edition, which will award the prestigious Golden Lion prizes. The jury president is Solange Oliveira Farkas, founder of the Videobrasil Biennial, and she will be joined by curators and academics Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi.

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Art-world consultants Chen & Lampert present a satirical quiz for contemporary art curators who came of age in the mid-2000s and now face the challenges of middle age—mortgages, school-age children, and dwindling energy for the nightlife that once fueled their careers. The quiz poses ten multiple-choice questions testing whether a curator can stay relevant without partying every night, touching on topics like referencing artists in talks, responding to young artists, and keeping up with art news and trends.

How Caravaggio’s Dark Masterpieces Mirror the Crimes in Netflix’s Ripley

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The Netflix series Ripley, an adaptation of Patricia Highsmith’s novel, utilizes the works of Caravaggio as a central narrative and aesthetic device. The show follows Tom Ripley, a grifter who travels to Italy and eventually adopts the identity of a wealthy acquaintance after committing murder. Throughout the series, Ripley encounters several of Caravaggio's masterpieces, including The Seven Acts of Mercy and David with the Head of Goliath, which serve as dark mirrors to his own descent into violence.

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The article reveals little-known secrets about the Metropolitan Museum of Art, including that its first home was not on Fifth Avenue but at 681 Fifth Avenue, and later the Douglas Mansion, before moving to its current location in 1879. It also notes that the museum's original red-brick facade is barely visible today, hidden within the Robert Lehman Wing, and that its first director, Luigi Palma di Cesnola, controversially mixed and matched parts of ancient sculptures to create composite works, while also misrepresenting their provenance.

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Artnet News has published a ranking of Leonardo da Vinci's surviving paintings, focusing on completed, stand-alone works and excluding frescos like *The Last Supper* and unfinished pieces. The article evaluates paintings such as *Annunciation* (c. 1472–76), *Madonna of the Carnation* (1478–80), and *Ginevra de' Benci* (c. 1474–78), considering factors like attribution certainty, historical context, and unique traits—for instance, *Ginevra de' Benci* is the only Leonardo painting in a public collection in the Americas.

art venice biennale gallery exhibition guide

Cultured magazine has published a guide to art exhibitions during the Venice Biennale, highlighting several major shows across the city. Featured exhibitions include "If All Time Is Eternally Present" at Palazzo Nervi-Scattolin with works by Tai Shani, Meriem Bennani & Orian Barki, and Kandis Williams; "Michael Armitage: The Promise of Change" at Palazzo Grassi; "Amoako Boafo: It doesn’t have to always make sense" at Palazzo Grimani; "Transforming Energy" by Marina Abramović at Gallerie dell’Accademia; and "Helter Skelter" by Arthur Jafa and Richard Prince at Fondazione Prada. The guide provides details on dates, locations, and curatorial themes for each show.

art fall new york gallery guide

Cultured's 'What's On' column presents a curated guide to fall art exhibitions in New York's Chinatown, Little Italy, and SoHo neighborhoods. Featured shows include Zoe Leonard's black-and-white photography of medieval armor at Maxwell Graham, Ohad Meromi's cigarette-themed sculptures and paintings at 56 Henry, Ambera Wellmann's hallucinatory paintings and charcoal mural at Company Gallery, and Sam McKinniss's portrait of Luigi Mangione at Deitch. The guide draws from the publication's Critics' Table coverage, offering neighborhood-by-neighborhood recommendations.

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Sam McKinniss's new exhibition "Law and Order" at Jeffrey Deitch in New York presents paintings of viral and iconic figures, including Jeremy Meeks, Luigi Mangione, Chuck Bass from Gossip Girl, and riderless horses running through urban streets. The show explores how social media blurs the lines between advertising, entertainment, and politics, capturing the experience of scrolling through online content. The article, part of ARTnews's Link Rot column by Shanti Escalante-De Mattei, examines McKinniss's attempt to illustrate the feeling of living in contemporary America through curated images of law enforcers and law breakers.

Locating Luigi Ghirri

Fashion photographer Alessio Bolzoni and film director Luca Guadagnino have collaborated on 'Felicità', a new book and exhibition at Thomas Dane Gallery featuring 45 previously unseen color photographs by the late Italian master Luigi Ghirri. The project is divided into two portfolios: the first focuses on intimate, abstract details of found objects and surfaces in Modena, while the second expands into larger vistas and populated spaces across Italy during the 1980s.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

In Venice For the Biennale? Don’t Miss These 15 Shows Around the City

The article is a guide to 15 art exhibitions taking place in Venice during the Biennale, curated by CULTURED magazine. It highlights shows such as "If All Time Is Eternally Present" at Palazzo Nervi-Scattolin, featuring film works by Tai Shani, Meriem Bennani & Orian Barki, and Kandis Williams; "Michael Armitage: The Promise of Change" at Palazzo Grassi; "Amoako Boafo: It doesn’t have to always make sense" at Palazzo Grimani; "Transforming Energy" by Marina Abramović at Gallerie dell’Accademia; and "Helter Skelter" by Arthur Jafa and Richard Prince at Fondazione Prada. Each entry includes location, dates, and curatorial context.

The Nearly Sixty-Year Career of Legendary Gallerist Enzo Cannaviello: A Wide-Ranging Interview

I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo

Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.

Gae Aulenti's 'Tavolo con ruote': A Radical Icon on Wheels

La « Tavolo con ruote » de Gae Aulenti : une icône radicale comme sur des roulettes

Gae Aulenti’s 1980 'Tavolo con ruote' (Table with wheels) remains a definitive icon of postmodern design, characterized by its radical simplicity. Created during Aulenti's tenure as artistic director of FontanaArte, the piece features a thick glass slab bolted to four industrial trolley wheels, a concept inspired by the factory carts used to transport glass. The table's enduring popularity is highlighted by its recent corporate history, as FontanaArte was acquired by Nemo Lighting in 2024 and subsequently integrated into the Spanish group Kettal in early 2026.

Milan’s contemporary art credentials further bolstered by arrival of Paris Internationale

Paris Internationale, the influential non-profit art fair, has announced its inaugural Milan edition featuring a lineup of 34 galleries. Scheduled to coincide with Milan Art Week, Miart, and the Salone del Mobile, the fair includes prominent participants such as Jocelyn Wolff, kaufmann repetto, and Sylvia Kouvali. The move signals a strategic expansion for the French organization into a city increasingly recognized for its intersection of art, design, and high-level production.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

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Photographer Dan Bannino has created a series titled "Still Diet," in which he photographs bizarre celebrity fad diets in the style of Old Master still life paintings. The series features diets associated with figures such as Gwyneth Paltrow, Charles Saatchi, Beyoncé Knowles, Henry VIII, and others, using carefully arranged food items and props to mimic classical compositions.

‘The government understands what is at stake’: Italian art world weighs in on tax cut at Artissima

The Italian parliament reduced VAT on art sales from 22% to 5%, the lowest rate in Europe, a move announced by Prime Minister Giorgia Meloni's government. The tax cut was celebrated at the 30th anniversary dinner of the Fondazione Sandretto Re Rebaudengo in Turin, where politician Federico Mollicone noted it had been over 30 years in the making. The contemporary art fair Artissima, holding its 32nd edition in Turin, became the first Italian fair to test the new tax policy. Italian dealers reported positive effects, including easier deal closures and increased sales to both Italian and European collectors, with some galleries experiencing their best opening day ever.

“Atlante” at Thomas Dane Gallery, Naples

Claudio Parmiggiani’s seminal 1970 portfolio, "Atlante," is the focal point of a new exhibition at Thomas Dane Gallery in Naples. The show highlights a pivotal moment in 1968 when Parmiggiani began experimenting with cartographic imagery, including painting continents onto cows and encasing globes in glass, all documented through the lens of fellow artist Luigi Ghirri.

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Italy slashed VAT on art sales from 22% to 5% in July 2024, the lowest rate in the European Union, after two decades of lobbying by the Apollo Group. The tax cut took effect just before Artissima, Italy's largest contemporary art fair, which saw strong turnout and reported sales increases for many of its 73 Italian galleries, with prices ranging from $2,200 to nearly $20,000. ARTnews interviewed Artissima director Luigi Fassi about the impact of the new rate on the Italian art market and the broader cultural ecosystem.

A Vienna una grande mostra dedicata a Daumier, l’artista della satira

The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.

In Perugia, Giotto and the Giotteschi to celebrate the 800th anniversary of the death of Saint Francis

A Perugia Giotto e i Giotteschi per celebrare gli 800 anni dalla morte di San Francesco

The Galleria Nazionale dell'Umbria in Perugia has opened the exhibition "Giotto e san Francesco. Una rivoluzione nell'Umbria del Trecento" to mark the 800th anniversary of the death of Saint Francis of Assisi. Curated by Veruska Picchiarelli and Emanuele Zappasodi, the show brings together major international loans to reunite works by Giotto and his Umbrian and Sienese followers, exploring the artistic revolution sparked by Francis's life and Giotto's break from Byzantine tradition toward naturalism.

Vincenzo Trione's new book aims to redefine the concept of the avant-garde (reviews by his students)

Il nuovo libro di Vincenzo Trione vuole ridefinire il concetto di avanguardia (le recensioni dei suoi allievi)

On March 9, 2026, at IULM University in Milan, Vincenzo Trione presented his new book *Rifare il mondo. Le età dell’avanguardia* (Einaudi, 2025). The event was part of the cultural program *Leonardo alla IULM*, which also featured pages from the Codex Atlanticus on loan from the Biblioteca Ambrosiana. Trione, a professor at IULM, discussed the book with four of his students: Anna Luigia De Simone, Vincenzo Di Rosa, Anna Calise, and Alessia Scaparra Seneca. The talk, titled "Nessuna parola caratterizza l’arte contemporanea più di avanguardia," explored the concept of the avant-garde, its historical legacy, and its contemporary reactivation through movements, manifestos, collectives, and cultural phenomena.

The Art Gallery Doing Urban Regeneration South of Milan (After Doing It in New York)

La galleria d’arte che fa rigenerazione urbana a sud di Milano (dopo averla fatta a New York)

Scaramouche Gallery has opened a new space in Milan's Scalo Romana district, marking its third location after establishing itself in New York's Chelsea and Lower East Side neighborhoods. The gallery, founded by gallerist Daniele Ugolini, is part of a wave of cultural institutions, including Fondazione Prada and Fondazione ICA, driving the urban regeneration of this former agro-industrial zone near the 2026 Winter Olympic Village.