Maspeth gallery showcases SoCal artist’s works through May 2

Los Angeles-based artist Molly Bounds makes her New York solo debut at Mrs. gallery in Maspeth, Queens, with the exhibition "The Light That Loses, The Night That Wins." The show features a series of psychological portraits and cinematic scenes rendered in oil and acrylic, capturing figures in moments of solitude, internal conflict, and escapism. Following her presentation with the gallery at The Armory Show in 2025, this exhibition highlights Bounds' transition from printmaking to complex, mood-driven painting.

Santiago Yahuarcani: The Beginning of Knowledge

SANTIAGO YAHUARCANI: EL PRINCIPIO DEL CONOCIMIENTO

The Museu de Arte de São Paulo (MASP) is hosting "El principio del conocimiento," the first solo exhibition in Brazil for Peruvian artist Santiago Yahuarcani. Curated by Amanda Carneiro, the show features approximately 35 paintings on llanchama (tree bark) that explore the Uitoto worldview. The exhibition is organized into five thematic sections that navigate the sensory experience of the Amazon, the spiritual significance of sacred plants like coca and tobacco, and the brutal historical memory of colonial extraction.

LA CHOLA POBLETE PRESENTS HER FIRST SOLO SHOW IN BRAZIL

The Museu de Arte de São Paulo (MASP) is presenting the first Brazilian solo exhibition of Argentine artist La Chola Poblete, titled 'Pop andino,' from March 6 to August 2, 2026. The show features works that reimagine Pop Art through a Latin American lens, including her 'Chola Virgins' watercolor series and the 'Manifesto Pop Andino' sound piece, curated by MASP's Adriano Pedrosa and Leandro Muniz.

MASP Contested Narratives Between Replica and Weaving

MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING

The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.