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Venice’s Chicest Invite This Week? A Pizza Party Where the Artists Chose the Ingredients

Diana Campbell, Chomwan Weeraworawit, and Paris-based art advisors Samy Ghiyati and Nicolas Nahab of NG Partners organized a pizza party called Pizzalo Mundo during the Venice Biennale. Each artist contributed an ingredient from home: Rirkrit Tiravanija brought a Penang coconut base, Precious Okoyomon added flowers, Daria Kim wild honey, Tarek Atoui za'atar on hummus, Miet Warlop artichoke hearts, Tori Wrånes self-grown potatoes, and Alexa Kumiko Hatanaka fig leaf oil with yuzu salt. The event drew a crowd of curators, directors, and collectors from institutions including Tate, Musée d'Orsay, Guggenheim Abu Dhabi, MoMA, and Centre Pompidou.

fashion mary katrantzou bvlgari jewelry

Mary Katrantzou has been appointed as the first-ever creative director of leather goods and accessories at Bvlgari, a role created for her after multiple successful collaborations. She designed the new Icons Minaudière Collection, a series of 10 bags reimagining Bvlgari's iconic symbols such as Serpenti, Divas' Dream, and Monete, using jewelry-making techniques like hand-enameled scales and semiprecious stones.

Henderson City Hall hosts exhibit to preserve siapo art

Henderson City Hall is hosting an exhibition titled 'Siapo: Continuing a Siapo Legacy Art Exhibition,' showcasing the traditional Samoan art of siapo across four generations of artists. The exhibit features works by master artist Kuulei Jakubczak, who learned from her grandmother Mary Pritchard, a key figure in preserving this dying art form. The display includes both freehand siapo mamanu and rubbed siapo 'elei, along with pieces created by students from Liberty High School during a workshop led by Jakubczak.

NEREIDA APAZA MAMANI A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.