War-time exhibition: Yaacov Dorchin’s iron angels and sculptural language

Renowned Israeli sculptor Yaacov Dorchin, recipient of the 2004 Emet Prize and the 2011 Israel Prize for Visual Arts, opened his latest exhibition "Decapitated Fish and Additional Sculptures" at the Gordon Gallery in Tel Aviv on March 12, 2026—his 80th birthday and two weeks into the war with Iran. The exhibition, held without a large opening night due to the conflict, features about 15 sculptures spanning from 1993 to the present, including works in iron, steel, basalt, and other industrial materials. In an interview interrupted by an air raid siren, Dorchin discussed his approach to sculpting, the lyrical names of his heavy works, and how he reorganized the exhibition to create dialogues between older and newer pieces.

Review: “Maya Blue” at the San Antonio Museum of Art

The San Antonio Museum of Art is presenting "Maya Blue: Ancient Color, New Visions," an exhibition curated by Kristopher Driggers that explores the ancient Maya pigment known as Maya blue. The show features eight earthenware artworks and one stucco piece dating from 550 to 1,500 years ago, alongside five modernist and contemporary works that highlight the enduring influence of Indigenous knowledge. Objects on view include figurines, a censer, and jade pieces, many bearing traces of the distinctive blue pigment, which was difficult to produce and held sacred significance in Maya culture.

A Milano c’è una mostra di un importante artista australiano in cui si ragiona sul rumore

Marco Fusinato, the Australian artist who represented his country at the 59th Venice Biennale, returns to Italy with a solo exhibition at the Padiglione d’Arte Contemporanea (PAC) in Milan. Titled "The only true anarchy is that of Power," the show brings together installations, performances, and sound recordings from recent years, all centered on the concept of noise. Curated by Diego Sileo, the exhibition features three ongoing projects, including the monumental performance-installation DESASTRES, first presented at the Venice Biennale in 2022 and later staged at festivals such as Berlin Atonal and Unsound Krakow. The work combines randomized sound and images, using electric guitars, mass amplification, and intense feedback to create an immersive, hallucinatory experience where chaos and control coexist.

The Myth of Sandokan on Display in Monza Between History and Imagination. The Curators Speak

Il mito di Sandokan in mostra a Monza tra storia e immaginario. Parola ai curatori

A new exhibition titled "Sandokan. La Tigre ruggisce ancora" has opened at the Reggia di Monza, exploring the enduring myth of the fictional pirate Sandokan, who first appeared in Italian serialized fiction in 1883. Curated by Francesco Aquilanti and Loretta Paderni, the show brings together ethnographic materials, costumes from the 1970s television series, weapons, books, illustrations, and archival items, including the original Dayak collection donated by Sir Charles Brooke to the King of Italy. The exhibition traces Sandokan's evolution across literature, comics, film, and television, presenting him as a layered, ambivalent hero—both ruthless pirate and justice fighter—whose story remains relevant today.

Marie Antoinette Fashion at Museum Exhibitions [PHOTOS]

A photo essay showcases fashion and decorative arts associated with Marie Antoinette, drawn from multiple museum exhibitions in France. Images include an English-style dress and skirt (circa 1780-1790) from the Palais Galliera-Paris Musées, a shoe from 1895 at the Musée des Beaux Arts de Caen, a pug on a cushion from the Berlin Manufactory (circa 1760) courtesy of Les Arts Décoratifs, and a painting titled "The Bad News" by Jean-Baptiste-Marie Pierre. The collection also features a French-style dress (circa 1755-1765), a formal corset attributed to Queen Marie Antoinette (circa 1770-1780), and a view of the exhibition "Fashion in the 18th Century: A Fantasized Legacy" at the Palais Galliera fashion museum in Paris.

Resisting Death: Glitches and Ornaments at CASTLE

An exhibition titled "Resisting Death: Glitches and Ornaments" is on view at CASTLE in Los Angeles from March 21 to May 2, 2026. Curated by Oriane Durand, the show features works by artists Ull Hohn, Bod Mellor, and Bruno Pélassy, presenting 22 images and no videos in the documentation.

Why Contemporary Photographers Are Rejecting the Camera

Contemporary photographers are increasingly rejecting traditional cameras in favor of alternative, camera-less techniques such as photograms, cyanotypes, and chemigrams. These artists draw inspiration from early scientific experiments with light-sensitive materials, like those of Johann Heinrich Schulze and Thomas Wedgwood, who created temporary images using silver nitrate and sunlight before photography was formally invented.

Gagosian Opens a New Ground-Floor Flagship at 980 Madison Avenue with Duchamp-Rauschenberg Double Header

Gagosian is opening a new ground-floor flagship gallery at 980 Madison Avenue in New York, moving from its former upper-floor space in the same building. Designed by Caplan Colaku Architects, the 12,000-square-foot, two-level space consolidates three storefronts into a continuous layout with restrained materials like Portland Taupe stone and brushed stainless steel. The inaugural exhibition pairs a major Marcel Duchamp show with six early works by Robert Rauschenberg on loan from the Cy Twombly Foundation, coinciding with a Duchamp retrospective at MoMA and referencing a 1965 Duchamp exhibition held in the same building.

SACHA INGBER: TWO

Brazilian artist Sacha Ingber presents 'Two,' a solo exhibition at Uffner & Liu in New York, featuring works in pigmented resin, ceramics, and functional objects that explore themes of pairing, connection, and codependence. The show includes paired notebooks, ceramic figures sharing handles, and a backgammon board designed for two players, all emphasizing the relational space between objects and bodies.

Refreshing Turn to Craft at AIPAD’s Photography Show

The AIPAD Photography Show, a major fair dedicated to fine art photography, took a refreshing turn by emphasizing craft and handmade processes. The event featured a notable shift away from purely digital and commercial photography, highlighting works that incorporate traditional techniques such as cyanotypes, photogravures, and hand-applied color. Galleries presented pieces that blurred the line between photography and other media, including mixed-media works and artist books, reflecting a growing interest in the tactile and artisanal aspects of the medium.

Jan Staller Photographs the Nuts and Bolts of Manhattan's Urban Symphony

Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.

London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.

Long-Hidden Keith Haring Artworks Come to Auction

A collection of rare Keith Haring artworks, gifted to his childhood friend Kermit Oswald over nearly three decades, is coming to auction at Sotheby’s Breuer Building in May 2025. The trove includes a self-portrait from 1985 (estimated at $3–5 million), a painted crib and dresser ($250,000–350,000), a carved wood sculpture from 1983 (up to $800,000), and other early works on wood, fabric, and paper. These pieces trace Haring’s artistic evolution before his subway drawings and international fame, and were kept by Oswald, who was Haring’s best friend since kindergarten and later installed his shows.

'Evidence of Us' by E. Tyler Burton at the County Museum

The San Bernardino County Museum presents 'Evidence of Us,' a new exhibition by artist E. Tyler Burton, running from May 9 through September 6. The show features sculptures, projections, textile installations, cyanotypes, and participatory elements that explore the material record of contemporary life, using everyday items like plastic bottles, clothing, and packaging as artifacts. An opening reception will be held on May 9 from 3–6 p.m.

Opening Reception of Anastasia Travieso-Diaz Solo Art Exhibition

Studio Russo Gallery, in collaboration with Artvocate, is hosting the opening reception of "Disintegration Regeneration," a solo exhibition by artist Anastasia Travieso-Diaz. The show features works that explore themes of rupture and renewal, using layered compositions and material experimentation to examine cycles of loss, resilience, and transformation.

Exhibition | Nick DOYLE, 'Collective Hallucinations' at Perrotin, New York, United States

Perrotin gallery in New York presents 'Collective Hallcinations', an exhibition of new works by Brooklyn-based artist Nick Doyle. The show features wall-mounted denim collages and an immersive installation of a psychic parlor, including Doyle's first use of artificial intelligence. The works explore the fraught relationship between land and technology, progress and destruction, using denim as a material that evokes Americana, capitalism, and masculinity. The centerpiece, 'Mirror, Mirror', is a denim-clad structure housing an AI avatar named Ava, who offers sardonic commentary on the American dream and the digital frontier.

Primal field. Interval

LewAllen Galleries in Santa Fe presents 'Primal field / Interval,' an exhibition of new paintings and monotypes by San Francisco-based artist Henry Jackson, running from May 15 to June 20, 2026. Jackson’s work blends Bay Area Figuration with Abstract Expressionism, using masonry trowels and scrapers to build and excavate layers of oil paint and cold wax, creating elemental fields where the human figure emerges from abstraction. The show also includes oil-based monotypes derived from spontaneous material happenings on the plate.

Gallery Jupiter presents "The Immersive Landscape" - works by Christie Scheele

Gallery Jupiter in Little Silver, New Jersey, presents "The Immersive Landscape," a solo exhibition of paintings by artist Christie Scheele, running from April 30 through June 11, 2026. The show features Scheele's open vista landscape paintings and her new Place Series assemblages, which incorporate foraged natural materials like stones, bark, and seaweed. An opening reception is scheduled for April 30. In conjunction with Earth Day, Scheele also collaborated with artist Kathleen Sweeney and designer Dominick Santise on EcoAction Cards, a set of activity cards aimed at inspiring environmental action.

In love with trees, sculptor Lélia Demoisy elevates nature through hybridization

Amoureuse des arbres, la sculptrice Lélia Demoisy sublime la nature par l’hybridation

Lélia Demoisy, a French sculptor born in 1991, creates hybrid works that blend wood with animal elements, such as a yew wood sculpture covered in fox fur or a suspended skeleton made from naturally curved thuya branches. She lives in a small village in the Yvelines region, where she works with wood and metal herself, often sourcing materials locally, and recently participated in the Maif pour le vivant committee as the only artist on the jury.

At the Venice Biennale, the Armenian Pavilion Transforms into an Artist's Workshop: Works Are Born in Front of the Public

Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico

The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.

Exhibition | Yelena Popova, 'Moments of Grace' at Osnova gallery, Valencia, Spain

Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.

Saudis Renege on Met Opera Financial Aid, Berlin’s Culture Senator Resigns, and More: Morning Links for April 24, 2026

The Metropolitan Opera has announced that Saudi Arabia reneged on a noncommittal memorandum of understanding that would have provided up to $200 million over eight years to the cash-strapped New York institution. Met general manager Peter Gelb said the Saudis blamed the war in Iran and the blocked Strait of Hormuz, but funding had already failed to materialize before the conflict, prompting preemptive layoffs in January. Separately, Berlin culture senator Sarah Wedl-Wilson resigned after a state audit found she illegally authorized €2.6 million for 13 projects meant to combat antisemitism, violating budget regulations. Other news includes President Trump's plan to renovate the Lincoln Memorial reflecting pool, Ontario increasing support for the Art Gallery of Ontario and Royal Ontario Museum, Rome's new photography museum, and the appointment of Thiago de Paula Souza as curator of the eighth Athens Biennale.

Urban Reflections, Daniel Melim on the City as Studio, Archive and Collective Space

Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.

This art exhibition in Delhi evokes nostalgia around the houses we once lived in

An exhibition titled 'Houses I Almost Lived In' is currently on view at Latitude 28 gallery in Delhi's Defence Colony, running until May 25. The show brings together works by five artists—Shalina Vichitra, Pooja Iranna, Raj Jariwala, Samit Das, and Mahen Perera—who explore how architecture, memory, and belonging intertwine. Through layered cartographies, cement grids, stitched forms, and material fragments, the artists evoke nostalgia for the houses and spaces we once inhabited, examining how physical structures persist in personal and collective memory long after they vanish.

First Comprehensive Museum Retrospective For Detroit Artist And ‘Bead Man’ Olayami Dabls

The Museum of Contemporary Art Detroit (MOCAD) will present "Olayami Dabls: Detroit Cosmologies," the first comprehensive museum retrospective for Detroit artist Olayami Dabls, running from April 25 to July 12, 2026. Dabls, who began his career as a curator at the Afro-American Museum in Detroit (now the Charles H. Wright Museum of African American History), traces his artistic journey to a transformative moment in the 1970s when he opened a box of African masks that his colleagues feared to handle. This experience led him to investigate how Hollywood and popular culture had demonized African material culture, associating it with horror movies and voodoo, and inspired decades of work as an artist, storyteller, cultural historian, and civic champion.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

'Two Voices, One Road' show opens at C-Art Gallery

Springfield artists and married couple Randy Bacon and Heidi Herrman are opening a new collaborative exhibition titled "Two Voices, One Road" at their C-Art Gallery on Historic Commercial Street, running from April 29 to July 4. The show was inspired by a restorative road trip along Route 66 they took in 2021 after Herrman's mother died and as the world emerged from the COVID-19 pandemic. Bacon contributes landscape photographs taken as far back as 1992, while Herrman presents new mixed-media works combining her own photographs with vintage handkerchiefs inherited from her mother, printed on mulberry paper and fused with encaustic materials.

'Soulages-Hartung : Affinités électives' at Perrotin, Paris Marais, France on 25 Apr–30 May 2026

Perrotin in Paris Marais is presenting 'Soulages-Hartung: Affinités électives,' an exhibition exploring the friendship and artistic dialogue between Pierre Soulages (1919–2022) and Hans Hartung (1904–1989). The show features a never-before-screened filmed interview from the Fondation Hartung-Bergman, along with archival documents and rarely seen studio tools. It highlights their shared concerns as postwar abstract painters, their mutual support and gift exchanges—such as Soulages's walnut stain piece given to Hartung in 1948—and their contrasting approaches, with Hartung's explosive gestures versus Soulages's measured structures. The exhibition also reveals their lesser-known use of blue in the 1980s.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

The legendary film "Novecento" by Bertolucci in his Parma becomes a major exhibition

Il mitico film “Novecento” di Bertolucci nella sua Parma diventa una grande mostra

A major exhibition titled "Bernardo Bertolucci. Il Novecento" has opened at the Palazzo del Governatore in Parma, Italy, marking the 50th anniversary of Bertolucci's epic film "Novecento" (1976). The show is structured as a visual experience across 25 rooms and four sections, exploring the film's dialectic between collective history and intimate gaze. It features video, drawings, photographs, production materials, and artworks by artists such as Franco Angeli, Renato Guttuso, Taner Ceylan, and Mario Schifano, all drawn from private collections. The exhibition's first room sets the tone with a video juxtaposing the film's opening credits over Pellizza da Volpedo's painting "Il Quarto Stato" and a close-up of the young Olmo holding a frog, encapsulating the tension between political epic and sensory detail.