Malaysia Showcases Recovered 1MDB Artworks, From Picasso to Miró

Four artworks recovered from the 1MDB scandal—by Picasso, Miró, Balthus, and Maurice Utrillo—have gone on public display for the first time at the Malaysian Anti-Corruption Commission headquarters in Putrajaya. The paintings were repatriated from New York after being traced through Sotheby’s and shipped back to Malaysia on April 14. They are part of a broader art trail linked to the massive financial fraud, with Malaysian officials framing the display as an act of restitution rather than an art event.

8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

'You paint too pretty' exhibit continues at Saint Mary's College

An exhibition titled "You Paint Too Pretty – My Art Journey" by Saint Mary's College alumna Mary Ann Roach Butkovich is on display at the Moreau Gallery on the college's campus in South Bend from April 23 to June 6, 2026. Butkovich, who graduated from Saint Mary's College in 1964 with a degree in art, has furthered her studies at the Art Academy of Cincinnati and the University of Cincinnati, and her work has been shown at venues including the Cincinnati Art Museum and The Contemporary Art Center in Cincinnati. She draws inspiration from nature, music, and personal experiences, and admires artists such as Helen Frankenthaler, Paul Jenkins, and Morris Louis. A closing in-gallery talk is scheduled for June 6.

Paris exhibition celebrates the visionary world of Hilma af Klint, an artist ahead of her time

A major exhibition at Paris's Grand Palais presents Hilma af Klint's visionary abstract series "Paintings for the Temple" (1906–1915) for the first time in France. The show features works like "The Ten Largest" (1907), which predate the abstract art of Kandinsky, Mondrian, and Malevich by several years. Curated by Pascal Rousseau, the exhibition highlights Af Klint's pioneering use of spirals, geometric forms, and spiritual themes, created in seclusion and long hidden from public view.

Musée d’Orsay displays Renoir and Degas works looted by Nazis

The Musée d’Orsay in Paris has opened a new gallery dedicated exclusively to artworks suspected of being looted or forcibly sold during the Nazi occupation of France. Among the 13 works on display is Edgar Degas's *Dinner at the Ball* (1919), originally owned by Jewish collector Fernand Ochsé, who was deported to Auschwitz with his wife in 1941. The painting passed through multiple hands before being identified as one of over 100,000 artworks plundered by the Nazis. The museum has assembled a team of six provenance researchers to spend three years tracing the original owners of these works, which are part of the "MNR" (Musées nationaux récupération) collection—some 2,200 pieces deemed too important to sell but whose owners remain unknown.

Au musée de l’Image d’Épinal, les talents multiples de Frans Masereel, entre autres inventeur du roman graphique

The Musée de l'Image d'Épinal is presenting a comprehensive exhibition on Belgian artist Frans Masereel (1889–1972), widely credited as the inventor of the graphic novel in 1918 with his wordless narratives composed of black-and-white woodcuts. The show, curated by Samuel Dégardin, brings together loans from major institutions and a private collection to reveal the full breadth of Masereel's practice, which spanned drawing, animation, painting, theater, ceramics, tapestry, and satirical press illustration. It highlights his pacifist activism during World War I, his collaborations with writers such as Stefan Zweig and Romain Rolland, and his humanist vision of a unified Europe.

Annonce de chercheurs : Exposition Maurice Utrillo, de Montmartre à Angoulême

The Musée d'Angoulême will host the exhibition "De Montmartre à Angoulême, Maurice Utrillo intime…" from April to September 2027, focusing on the artist's lesser-known years in the Charente region. Curators Pamela de Montleau and Philippe Cassereau are seeking archives, correspondence, photographs, testimonies, and paintings to illuminate Utrillo's two-year stay in Angoulême (1935–1937), where he married painter and writer Lucie Valore. The show will also feature works by his painter friends, including Maurice de Vlaminck, Alphonse Quizet, and others.

Story of Stampé is the new social atelier in Turin: art gallery, workshop, laboratory of ideas and participation

Storia di Stampé è il nuovo atelier sociale di Torino: galleria d’arte, bottega, laboratorio di idee e di partecipazione

Stampé, a new community atelier in Turin, Italy, has opened at Via Stampatori 5, a historic street once home to printers. The space is a hybrid cultural hub combining an art gallery, a workshop, a showroom for artisanal and food products, and a social enterprise incubator. It launched with a group exhibition featuring seven cultural associations and the communication agency Hello Tomorrow, showcasing works by emerging artists and graphic artworks from past events. The initiative is part of the "Piani Generativi 2" social enterprise development project, funded by the city of Turin and the Compagnia di San Paolo foundation.