An exhibition titled 'Proximities,' featuring over 110 works by 47 UAE-based artists, opened at the Seoul Museum of Art (SeMA) in December and closed on March 29. The show, co-curated by Maya El Khalil and SeMA's Eunju Kim, aimed to present nuanced, everyday perspectives of life in the UAE through sections organized by artist-curators like Farah Al Qasimi and Mohammed Kazem, moving beyond stereotypes of gilded excess.
The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.
Archaeologists from Mexico’s National Institute of Anthropology and History (INAH) have discovered a 1,000-year-old Toltec altar during salvage work for a new high-speed rail line between Mexico City and Querétaro. The stone structure, known as a momoztli, dates back to AD 900-1150 and was found with four human skulls and leg bones arranged at its base, suggesting ritual or sacrificial use. Located near the ancient site of Tula Chico, the find also included ceramic objects and obsidian artifacts within a compound likely belonging to the local elite.
The Cleveland Museum of Art has opened "Epic of the Northwest Himalayas: Pahari Paintings from the ‘Shangri’ Ramayana," an exhibition featuring 40 rare paintings from a 1700s royal commission. These works, which depict the life of the Hindu deity Rama, have been reunited from 12 different lenders after being dispersed globally for centuries. The display is augmented by digital stations that animate over 100 additional paintings to illustrate the narrative's themes of virtue and heroism.
The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.
The article presents a curated list of seven contemporary artists whose work shares aesthetic or thematic connections with the painter Cecily Brown. It highlights artists like Jenna Gribbon, known for intimate, luminous portraits; Issy Wood, who blends Old Master techniques with contemporary malaise; and others such as Flora Yukhnovich, Doron Langberg, Louis Fratino, Maia Cruz Palileo, and Somaya Critchlow, each exploring figuration, sensuality, and painterly abstraction in distinct ways.
An exhibition titled 'Xa jun ruk’oxomal qanima—A Shared Heartbeat' at La Nueva Fábrica in Guatemala brings together the work of two Kaqchikel Maya artists, Rosa Elena Curruchich and Angélica Serech, for the first time in their homeland. It features over 100 paintings by the late Curruchich, a pioneering self-taught painter, alongside recent and newly commissioned textile sculptures by Serech, creating a dialogue between painting and weaving.
The In Between Art Film Foundation has announced "Canicula," the final installment of its "Trilogy of Uncertainties," set to open at the Ospedaletto Complex during the 2026 Venice Biennale. Curated by Alessandro Rabottini and Leonardo Bigazzi, the exhibition features eight international artists, including Peruvian video artist Maya Watanabe, whose work investigates memory and the politics of representation. The show utilizes the unique architecture of the Ospedaletto’s church and music hall to create immersive environments exploring themes of environmental and political pressure.
The San Antonio Museum of Art is presenting "Maya Blue: Ancient Color, New Visions," an exhibition curated by Kristopher Driggers that explores the ancient Maya pigment known as Maya blue. The show features eight earthenware artworks and one stucco piece dating from 550 to 1,500 years ago, alongside five modernist and contemporary works that highlight the enduring influence of Indigenous knowledge. Objects on view include figurines, a censer, and jade pieces, many bearing traces of the distinctive blue pigment, which was difficult to produce and held sacred significance in Maya culture.
Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.
Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.
Artist Nancy Lupo is preparing a new exhibition titled "Meow Meow Real Estate" at the Nicoletta Fiorucci Foundation in London. The show shares its name with a novel she is writing, both projects emerging from a period of personal displacement and a fixation on finding a home. The exhibition continues a trajectory of shows that serve as interconnected, physical manifestations of her literary and emotional exploration of place.
The Cleveland Museum of Art has unveiled "Epic of the Northwest Himalayas: Pahari Paintings from the ‘Shangri’ Ramayana," an exhibition reuniting a widely dispersed 18th-century pictorial series. The show features 40 physical paintings alongside digital animations that reconstruct the original episodic sequences of the Hindu epic. This presentation is part of a larger collaborative initiative involving the Cincinnati Art Museum and the Smithsonian’s National Museum of Asian Art to study and display works from the Catherine Glynn Benkaim and Ralph Benkaim Collection.
President Donald Trump has unveiled a rendering for his planned presidential library in downtown Miami, envisioned as a 47-story skyscraper. The proposal features a gold entranceway, a 20-foot-tall golden statue of the former president, and a replica of the Oval Office, alongside a hotel and office space. The project is being designed by architecture firm Bermello Ajamil and is reportedly seeking to raise nearly $1 billion in donations to fund the construction on highly valuable waterfront land.
Archaeologists and geologists have uncovered a Postclassic Maya settlement at the Birds of Paradise field complex in the Rio Bravo floodplain of Belize. Utilizing LiDAR mapping and 20 years of field research, the team discovered exceptionally preserved wooden architecture, stone structures, and domestic artifacts dating from 800–1500 CE. These findings reveal that Maya communities successfully migrated to wetland environments after inland urban centers were abandoned due to prolonged droughts.
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The Obama Presidential Center in Chicago has announced its latest cohort of commissioned artists, featuring high-profile names such as Mark Bradford and Carrie Mae Weems alongside local Chicago talents like Tyanna J. Buie and the duo Sam Kirk + Dorian Sylvain. These site-specific installations will be integrated across the center's 19-acre campus, including a three-story atrium collage by Bradford and a jazz-inflected photo mural by Weems. The project, which has already engaged over two dozen artists including Maya Lin and Julie Mehretu, is overseen by art program leaders Louise Bernard and Virginia Shore with direct input from the Obamas.
The inaugural edition of Art Basel Qatar launched with a unique booth-less format, prioritizing single-artist presentations and regional connections over the typical high-speed frenzy of European fairs. While the pace of transactions was more measured, significant sales were reported, including a $250,000 video installation by Kutlug Ataman sold by Niru Ratnam to an institution and multiple works by regional stars like Ahmed Mater and Ali Cherri. High-value blue-chip items, including a $42 million Picasso, remained tucked away in private viewing rooms to accommodate the region's preference for discretionary collecting.
Three emerging artists—Anisa Mosaiebiniya, Maya Davis-Stokes, and Crow Dillon-Parkin—have secured solo exhibitions at the artist-led space Stryx JQ following their completion of the 'Get Gallery Ready' Bootcamp. The program, delivered by Solihull College & University Centre and funded by the West Midlands Combined Authority (WMCA), was designed by art historian Ruth Millington to provide creatives with professional portfolio-building skills and storytelling techniques necessary for career advancement.
Portugal has repatriated three pre-Columbian artifacts to Mexico, marking the first time the country has returned unlawfully acquired antiquities to the Mexican government. The returned items include a Shaft Tomb Culture female figure, a Maya painted vessel, and a Zapotec funerary urn representing the deity Cocijo. The objects were recovered through the cooperation of Portuguese judicial authorities and the Mexican embassy after being flagged at auctions and in various cities including Lisbon, Guimarães, and Évora.
NYU Abu Dhabi Art Gallery has launched its first Gulf Quinquennial, titled "Between the Tides," featuring around 30 artists from the Gulf Cooperation Council countries. The exhibition presents a coherent selection of videos, installations, paintings, and traditional record-keeping practices, aiming to deepen and complicate the cultural narrative of the Arabian Peninsula by highlighting its diversity, linguistic interactions, and migrant labor.
The Parrish Art Museum in Water Mill, New York, will open the exhibition 'Regeneration: Long Island’s History of Ecological Art and Care' on February 22, 2026. The show, part of the museum's yearlong 'PARRISH USA250' series, features works by eleven artists with ties to Long Island, including Sara Siestreem, Michelle Stuart, and Maya Lin, and will run through June 14.
RichesArt Gallery, the only Black-owned art gallery in Austin, hosted its Rhythms and Poetry open mic night on February 3, featuring slam poetry, rappers, and spoken word performances. The event, organized by poetry director Jonathan Ezemba in collaboration with gallery founder Richard Samuel, operated on a pay-what-you-can basis to keep it accessible. Performers like Maya Edwin shared personal poems about identity, queerness, and Blackness, emphasizing the gallery's role as a safe space for Black artists.
Thaddaeus Ropac is opening a new project space in New York and has hired Emilio Steinberger as a senior director. Hauser & Wirth now represents artist Conny Maier in collaboration with Société in Berlin. Zippora Elders Tahalele has been appointed director of the Nederlands Fotomuseum. The Tulsa Artist Fellowship announced its 2026–28 cohort of ten artists and arts workers. The ADAA appointed four new board members: Elizabeth Feld, Bridget Moore, Yancey Richardson, and Melissa Timarchi. Sotheby's second sale in Saudi Arabia, 'Origins II,' totaled $19.6 million, with a record $2.1 million for Safeya Binzagr's work. The article also covers Art Basel Qatar's first edition, with comments from Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani and artistic director Wael Shawky.
David Beckham was a prominent attendee at Art Basel Qatar in Doha, visiting key art venues and installations. He was seen at Thai artist Rirkrit Tiravanija's interactive installation in MIA Park, viewing works by Chung Seoyoung at the Fire Station, and attending a performance by Haroon Mirza alongside major collector Sheikha al-Mayassa. Movie star Angelina Jolie was also spotted at a special project by the performance collective Sweat Variant.
Sheikha al-Mayassa, chair of Qatar Museums and a leading collector, revealed significant cultural initiatives during a talk at the inaugural Art Basel Qatar fair. She announced a new "creative visa" to attract artists, with Egyptian artist Wael Shawky as the first recipient, and confirmed a Gerhard Richter pavilion will open in November as part of the Rubaiya Qatar quadrennial. She also highlighted upcoming institutions like the Art Mill museum and the Lusail Museum.
Art Basel is launching a new fair in Qatar, marking its first foray into the Middle East. This expansion occurs within a landscape already heavily shaped by decades of strategic, state-led cultural investment spearheaded by Qatar Museums and its chairperson, Sheikha Al-Mayassa bint Hamad Al Thani.
This week's art industry roundup covers a postponement, financial losses, legal disputes, and leadership changes. New Jersey's Art Fair 14C has been postponed to May 2027, with organizers citing capacity issues unrelated to market conditions. Bonhams reported a 90% pre-tax loss jump to £213 million in 2024 due to impairment charges. A rediscovered Watteau drawing will be auctioned at Christie's Paris, and personal items of Jimmy and Rosalynn Carter are featured in Christie's 'American Collector' sales. In galleries, Amy Sillman left Gladstone for David Zwirner, Trevor Paglen joined Jessica Silverman, and Maya Hewitt joined Theta. The Louvre partially closed after a staff strike demanding director Laurence des Cars' resignation and reassessment of a renovation plan. Belgium's plan to dismantle Antwerp's M HKA museum has sparked resignations and backlash. New appointments include Will Cary as COO of the Barnes Foundation and Patton Hindle as director of arts at the Knight Foundation. MATHAF museum in Doha announced a campus expansion by architect Lina Ghotmeh. Legal disputes emerged between Gian Enzo Sperone and Angela Westwater over the shuttered Sperone Westwater gallery.
Bad Bunny, the Puerto Rican musician, touched a Mayan stela on display at the National Museum of Anthropology in Mexico City and posted an image of the act on Instagram. Mexico’s National Institute of Anthropology and History (INAH) publicly reprimanded him, stating that physical contact with archaeological property is prohibited and that security staff had repeatedly warned him. The post has since been deleted.
V. Sanjay Kumar's novel *This Garden of Weeds* explores the Indian art world through a murder mystery centered on the death of a mythic artist, Maya. The story follows her daughter Tara as she uncovers Maya's past through flashbacks involving former art-school classmates—an art critic, a reporter, and a performance artist—while also weaving in subplots about a wealthy family's entry into art collecting, a gallerist's shady dealings, and a reality show for artists. The novel satirizes the fusion of gossip, celebrity, and commerce that defines contemporary art culture.
The Obama Presidential Center has announced a new commission by Chicago-based artist Theaster Gates, who will create a large frieze made of photo-printed aluminum using images from the Johnson Publishing Company archives—the publisher of Ebony and Jet magazines—and the work of photographer Howard Simmons. The installation, set to open in 2026, honors the dignity of Black life and the vibrancy of Black culture throughout the 20th century. Gates has been working with 20,000 photographs from the archive since 2016, and the frieze will be visible from Stony Island Avenue, near his own Stony Island Arts Bank. Other high-profile commissions for the center include works by Julie Mehretu, Maya Lin, Lindsay Adams, Nick Cave, Aliza Nisenbaum, Jenny Holzer, and Idris Khan.