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nicolas partys new miniature paintings are a hit will they reset his struggling auction market 2737867

Nicolas Party's exhibition "Dead Fish" at Karma gallery in Chelsea, New York, features approximately 40 postcard-sized oil-on-copper works and a mural of three dead fish, a departure from his usual large-scale pastel paintings. Only 10 of the works were for sale, priced between $165,000 and $205,000, and all sold quickly. The show includes replicas of his earlier compositions, described as a "retrospective in miniature," with many pieces drawn from his archive and not available for purchase.

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This week's art industry roundup covers a range of developments: a new wave of younger, deliberate collectors is reshaping the art market, as reported from Art Basel; the Independent art fair will relocate to Pier 36 in New York in 2026; Riga Contemporary, a new fair, launches in Latvia; and the inaugural Arrival art fair took place in North Adams, Massachusetts. In auctions, seven never-before-seen Picasso ceramic plates sold in Geneva for nearly double their estimate, while a Giacometti sculpture made the top 10 sales list. Galleries news includes Nara Roesler now representing Asuka Anastasia Ogawa, a new gallery called Open Studio opening in New York, and Andrew Edlin Gallery relocating. In museums, a government watchdog found the Trump Administration broke the law by withholding funding for the Institute of Museum and Library Services, and UC Irvine and the Orange County Museum of Art plan to merge. A legal battle over an El Greco painting withdrawn from Christie's auction is advancing, with the owner revealed as Russian billionaire Dmitry Rybolovlev.

rhea dillon joyce joumaa baloise art prize art basel 1234745326

The Baloise Art Prize, worth $36,800, has been awarded to artists Rhea Dillon and Joyce Joumaa at Art Basel. Dillon's "Leaning Figures" sculptures, made from soap and molasses, were presented by London's Soft Opening gallery. Joumaa's installation "Periodic Sights," shown by Montreal's Eli Kerr Gallery, features photographs of Tripoli and Beirut commenting on energy crises in Lebanon. The prize is given annually to two artists in the fair's Statements sector.

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Post-Fair will return to Santa Monica from February 26–28 for its second edition, bringing 30 galleries and 31 total exhibitors to the Art Deco former post office that helped define its identity. Founded by Los Angeles dealer Chris Sharp, the fair debuted last year as a low-cost alternative to Los Angeles's expensive fair scene, offering single-artist presentations at a flat fee. This year's edition expands internationally with new participants from Europe and Asia, including Edouard Montassut (Paris), Lovay Fine Arts (Geneva), MISAKO&ROSEN (Tokyo), and P21 (Seoul), alongside additions like Anton Kern (New York), Eli Kerr (Montreal), and White Columns.

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Rebecca Manson has opened a new solo exhibition, "Rebecca Manson: Time, You Must Be Laughing," at Jessica Silverman gallery in San Francisco. The show features some of her most ambitious works to date, including the large-scale, four-piece ceramic and glass sculpture *Exploding Butterfly (2025)*, and continues her investigations into nature, materiality, and themes of time and change.

Toleen Touq to curate next MOMENTA Biennale

MOMENTA Biennale d’art contemporain in Montreal has appointed curator and educator Toleen Touq to organize its 20th edition, scheduled for 2027. The biennial will be titled 'The Long Now' and will focus on interrogating concepts of time and duration.

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

guy cogeval obituary former director musee dorsay paris 1234761988

Guy Cogeval, the former director of Paris's Musée d'Orsay, died on November 13 at age 70 after a long illness. A specialist in 19th-century art and the Nabis, Cogeval led the Musée d'Orsay from 2008 to 2017, overseeing a major renovation of 80 percent of its galleries and merging it with the Musée de l'Orangerie. He previously directed the Montreal Museum of Fine Arts and the National Museum of French Monuments, and curated acclaimed exhibitions including "Hitchcock and Art" and "Édouard Vuillard, Master of Post-Impressionism."

climate activist hurls pink paint at picasso painting at montreal museum 1234745777

On Thursday, an environmental activist from the group Last Generation Canada hurled bright pink paint at Pablo Picasso's 1901 painting *L’hetaire* at the Montreal Museum of Fine Arts. The protester, identified as 21-year-old Marcel, was arrested and later released pending a court appearance; two accomplices who filmed the act were detained and released without charge. The group cited the record-breaking heat wave in Winnipeg and Manitoba as a motivation, arguing that art is meaningless on a dead planet.

why this french city just trademarked cezanne 2664940

The city of Aix-en-Provence has trademarked the name of Paul Cézanne and the phrase “Cézanne chez lui” as part of a major cultural tourism initiative called “Cézanne 2025.” The city has invested €30 million ($35 million) in a summer-long program of events, centered on a monumental retrospective of 130 works at the Musée Granet, titled “Cezanne au Jas de Bouffan.” The exhibition focuses on the artist’s family home, Bastide du Jas de Bouffan, which has undergone recent conservation and now allows visitors to see murals Cézanne painted on the walls in his twenties. Other highlights include the reopening of his first studio and the restored Atelier des Lauves, his last studio.

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Katsushika Hokusai's iconic woodblock print "The Great Wave" (officially *Under the Wave off Kanagawa*) is examined through three lesser-known facts. The article notes that the print, created between 1830 and 1832, is surprisingly small—less than 15 inches wide—and that its vivid blue pigment, Prussian blue, was a recent European import that revolutionized Japanese ukiyo-e prints. It also highlights Hokusai's practice of adopting over 30 different names throughout his career, which now helps scholars periodize his work.

Dallas Museum of Art acquires six works at 2026 Dallas Art Fair

The Dallas Museum of Art acquired six works from the 2026 Dallas Art Fair, held April 16–19 at the Fashion Industry Gallery in the Dallas Arts District. The acquisitions, made possible by the Dallas Art Fair Foundation + Dallas Museum of Art Acquisition Fund, include pieces by Nicole Eisenman, Gloria Klein, Caroline Monnet, Hasani Sahlehe, and Raymond Saunders. Selections were made by DMA curators including Dr. Vivian Li, Ade Omotosho, Dr. Emily Friedman, Dr. Nicole R. Myers, and director Brian Ferriso. This marks the tenth year of the fund, which has added 78 works to the museum's permanent collection since 2016 through over $1 million in donations.

Lies, Virtual Reality, and Conceptual Art—Spring/Summer 2026 Exhibitions at PHI

PHI in Montreal presents two spring/summer 2026 exhibitions: "Come See, Lies Lies" by Paola Pivi and "Other Worlds" by Jakob Kudsk Steensen. Pivi's show features surreal installations including wall-mounted shoes, suspended velvet mattresses, and a metal house with TV screens broadcasting false statements, blending fairy tale and satire. Steensen's exhibition comprises six major works from the past decade, using virtual reality, video games, and sound installations to explore ecological themes and digitized environments like Bora Bora and volcanic seabeds. Both exhibitions open April 23, 2026, and run through September 13, 2026.

The best Denver art exhibits of 2025 (including four you can still see)

The article recaps the most memorable Denver art exhibitions of 2025, highlighting five standout shows from Front Range galleries and museums. Featured exhibits include Kent Monkman's provocative retrospective "History is Painted by the Victors" at the Denver Art Museum, Bruce Price's "Harmonious Dissonance" at Redline Art Center, Black Cube Nomadic Museum's tenth-anniversary show "What We Hold On To," the textile group exhibition "Rosas y Revelaciones" at Museo de las Américas, and Melissa Furness's mid-career retrospective "Embedded" at the Arvada Center. Several of these exhibits remain on view through early January 2026.

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Miami-Dade County has granted permission to the Miami Marlins, led by CEO Derek Jeter, to move Red Grooms's massive kinetic sculpture *Homer* from its original location inside Marlins Park to a new outdoor plaza called the Marlins Park Art Walk. The 73-foot-tall, $2.5 million artwork, which activates with water jets and spinning figures after every Marlins home run, has been opposed by the 81-year-old artist, who argues the un-weatherized piece will be damaged by the elements. Grooms and his wife have publicly appealed to keep the sculpture in place, but the county's Art in Public Places board approved the relocation, with the team facing a $2,000-a-day fine if the work is not reinstalled by January 1, 2020.

How a midlife crisis led artist Julia Dault to embrace the hyper-local

Acclaimed Canadian abstract artist Julia Dault is shifting her focus from the international blue-chip art circuit toward community-based engagement. Following a period of personal reflection, Dault established Hot Pizza, a community art studio in Toronto dedicated to the motto "art for everyone," while simultaneously debuting her latest solo exhibition, "Primary Information," at Bradley Ertaskiran in Montreal.

High-Profile Montreal-Based Art Gallery Opening in Wynwood This Summer

Montreal-based Galerie de Bellefeuille, a commercial gallery founded in 1980 that represents over 100 artists including Damien Hirst, Robert Indiana, Jeff Koons, and Alexander Calder, has announced it will open a 4,000-square-foot location at 136 NW 25th St. in Miami's Wynwood neighborhood this summer. The expansion comes shortly after the gallery's planned U.S. flagship in Midtown New York, and marks the latest in a wave of international galleries establishing a presence in Miami.

“Berthe Weill, Art Dealer of the Parisian Avant-garde” in Montreal

The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.

Artist Qualeasha Wood Says Viral ‘BedRot’ Performance Copied Her Work

Artist Qualeasha Wood has publicly accused another artist, known as Aphex Redditor, of copying her performance art piece. Wood staged a performance called 'Attention Economy' in March 2025 at London's Pippy Houldsworth Gallery, where she lay in bed scrolling through her phone for an extended period, a concept the gallery's release described as 'bed rotting.' A similar performance by Aphex Redditor, titled 'BedRot,' went viral on social media after she scrolled through Instagram Reels for 24 hours at Montreal's Eastern Bloc art center.

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A survey exhibition titled "Françoise Sullivan: Le temps du geste" is on view at Galerie Simon Blais in Montreal, showcasing the multidisciplinary career of French Canadian artist Françoise Sullivan. The show spans works from the 1940s to the present, including painting, sculpture, photography, and choreography, and highlights dialogues between different phases of her practice. Sullivan, who signed the Refus Global manifesto in 1948, is the only active member of that group, and the exhibition features pieces such as the watercolor "Sans titre – Turquie, Ruines de Commagène à Nemrut Dağ" (1996) and the geometric abstraction "Les damiers no. 4" (2018). The exhibition runs through June 14, 2025.

shooting washington dc jewish museum 2648407

A shooting outside the Capital Jewish Museum in Washington, D.C., on Wednesday night killed two Israeli embassy staff members, Yaron Lischinsky and Sarah Milgrim, in what authorities have called an antisemitic attack. The gunman, Elias Rodriguez of Chicago, opened fire as the victims exited a diplomatic event hosted by the American Jewish Committee, then entered the museum where he was detained by security. Police reported that Rodriguez shouted “free, free Palestine” after being taken into custody. The museum expressed heartbreak and condemned the violence, while the Israeli embassy mourned the loss of the couple, who were engaged to be married.

At the Venice Biennale, Canada’s entry blooms with unease

Montreal artist Abbas Akhavan's installation "Entre chien et loup" transforms the Canadian pavilion at the 2026 Venice Biennale into a living climate system, featuring a humid, Amazon-like environment with a pond of Victoria water lilies. The seeds were sourced from the Royal Botanic Gardens, Kew, and germinated at the Orto Botanico di Padova, with the lilies growing and blooming over the course of the biennale.

The National Gallery of Canada, commissioner of Canada's participation in the 61st International Art Exhibition - La Biennale di Venezia, unveils the exhibition Abbas Akhavan: Entre chien et loup

The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.

Sculptural works by emerging artists win Baloise Art Prize

The Baloise Art Prize has been awarded to London-based artist Rhea Dillon and Lebanese Canadian artist Joyce Joumaa for their presentations in the Statements section of Art Basel. Dillon, represented by Soft Opening gallery, exhibited *Leaning Figures*, a series of wall-mounted sculptures made from resin mixed with molasses and Jamaican soil, replicating cut-crystal plates. Joumaa, shown with Montreal’s Galerie Eli Kerr, presented *Periodic Sights*, an installation of repurposed fuse boxes illuminated with photographs of everyday scenes from Beirut and Tripoli, addressing Lebanon’s energy crisis. As part of the prize, Dillon’s work was acquired by the Museum für Moderne Kunst (MMK) in Frankfurt, and Joumaa’s by Mudam Luxembourg.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

Surrey Art Gallery spotlights Expo 86 with In the Shadow of the Pavilions, April 18 to June 7

The Surrey Art Gallery is launching "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," a multidisciplinary exhibition running from April 18 to June 7. Curated by Jordan Strom, the show features archival works and documentation from over 40 artists created between 1984 and 1988. It brings together official commissions from the world’s fair alongside unofficial, parallel art initiatives that emerged during Vancouver’s Centennial celebrations, covering media ranging from kinetic sculpture to performance art.

A look behind the scenes of the travelling exhibition on Berthe Weill

The traveling exhibition "Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde" explores the legacy of the pioneering gallerist who first championed artists like Pablo Picasso, Amedeo Modigliani, and Diego Rivera. The show originated at New York University’s Grey Art Museum before traveling to the Montreal Museum of Fine Arts and finally to the Musée de l’Orangerie in Paris. Curators highlight the logistical complexities of such a tour, including the necessity of international partnerships to secure high-profile loans and the role of registrars and conservators in transporting delicate works.

Claws for celebration: Canada’s first cat museum launching with Montreal pop-up exhibition

Canada's first cat museum, Le Miaousée, is launching with a pop-up exhibition in Montreal's Little Italy district from September 12-28, 2025. Founded by cultural entrepreneur Aqeela Nahani, the museum aims to celebrate the bond between cats and humans while supporting rescue cat charities. The debut show, titled 'Miaoutréal: The History of Montreal’s Cats,' will feature archival photographs dating back to the 1860s, cat-themed events, contemporary art by local artists including Sylvain Amblard, Andréanne Lupien, and Linda Luttinger, and a tribute to animal rescue organizations such as the Montreal Society for the Prevention of Cruelty to Animals. A permanent museum is planned for 2026, which will include rotating exhibits, a cat lounge for adoptable cats, and a boutique.

Final Weeks to Experience Kent Monkman: History is Painted by the Victors

The Denver Art Museum is hosting 'Kent Monkman: History is Painted by the Victors,' a major exhibition of the Cree artist's provocative, large-scale paintings that challenge Western art history through an Indigenous lens. The show, co-organized with the Montreal Museum of Fine Arts, runs until August 17 before traveling to Montreal in September. It has drawn widespread critical acclaim and emotional visitor responses, with reviewers praising its blend of humor, beauty, and political urgency.

Climate protester splashes pink paint on Picasso work at Montreal Museum of Fine Arts

On Thursday morning, a supporter of the environmental activist group Last Generation Canada splattered pink paint on Pablo Picasso's 1901 painting *L'hétaïre* at the Montreal Museum of Fine Arts (MMFA). The painting, on loan from the Pinacoteca Agnelli in Turin and featured in the exhibition *Berthe Weill: Art Dealer of the Parisian Avant-garde*, was behind protective glass and showed no immediate damage. The activist, identified only as Marcel, was arrested and charged with mischief under $5,000. The museum reopened the rest of the exhibition after about an hour.