A renewed focus on rigour and connection at Expo Chicago

The 2026 edition of Expo Chicago marks a strategic shift under the leadership of new director Kate Sierzputowski, featuring a leaner roster of 130 galleries at Navy Pier. The fair has introduced a more spacious layout and a new curatorial role, filled by Essence Harden, to deepen institutional ties and scholarly rigor. Notable participants include local mainstays like Monique Meloche Gallery and Gray, alongside international exhibitors from South Korea, South Africa, and Nigeria, as well as high-profile New York newcomers like Karma.

Post-Mortemism: An Autopsy of “Nigerian Modernism: Art and Independence” at Tate Modern.

A critical essay by Ayọ̀ Akínwándé performs a forensic 'autopsy' of the Tate Modern exhibition 'Nigerian Modernism: Art and Independence.' The review dissects the show's structure, arguing it fails in its curatorial framework by isolating Nigerian artists within a regional category, using ethnographic display methods, relying on incomplete research, and excluding key artists and historical context.

A Conversation with Milwaukee Art Museum’s New Director

Kim Sajet has been appointed as the new director of the Milwaukee Art Museum, bringing an international perspective shaped by her birth in Nigeria, upbringing in Australia, and Dutch citizenship. In an introductory interview, Sajet discusses her extensive leadership background—having previously run two museums in Australia—and how her personal history, including her relationship with her disabled brother, influenced her path toward art history and museum studies.

1815, a Key Year for the Question of Art Restitution at the Heart of an Enlightening Book

1815, année clé de la question des restitutions d’œuvres d’art au cœur d’un ouvrage éclairant

Art historian Bénédicte Savoy has released a new book, "1815, le temps du retour," which examines the massive wave of art restitutions following the collapse of the Napoleonic Empire. Between 1794 and 1811, French revolutionary and imperial forces seized thousands of artworks and cultural objects from across Europe to fill the Louvre under the guise of creating a universal museum. After Napoleon's defeat in 1815, the subsequent return of these works sparked a global debate involving intellectuals and politicians regarding national identity, cultural property, and the legal status of looted heritage.

Statues Also Breathe: A Chorus of Clay and Memory, Where the Missing Return as Form.

The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.

Damola Adepoju Evokes Hope With ‘Light’, His Solo Exhibition

Nigerian artist Damola Adepoju has opened his third solo exhibition, titled 'Light', at Mydrim Gallery in Lagos. The show, curated by Idowu Bankole to commemorate Adepoju's 50th birthday, features 30 paintings and mixed-media works created between 2015 and the present, focusing on Lagos cityscapes and employing his signature technique of newspaper prints, acrylic, and soft gold on a grey palette.

'Echoes of Home' at Christopher Moller Gallery, Cape Town, South Africa on 28 May–2 Jul 2026

Christopher Moller Gallery in Cape Town is set to host "Echoes of Home," a group exhibition featuring the works of Mpho Feni, Lionel Mbayiwa, and Olamide Ogunade. The show explores the evolving concept of identity and heritage across the African continent, contrasting traditional ancestral knowledge with contemporary lived experiences. Each artist provides a unique lens: Mbayiwa focuses on Shona cosmology, Ogunade utilizes introspective symbolism to capture the fragility of memory, and Feni documents the communal rituals of everyday family life.

Gregorian Art Exhibition Debuts in Lagos in Honour of Bruce Onobrakpeya

The inaugural Gregorian Art Exhibition opened at Jubilee Hall, St. Gregory’s College, Ikoyi, Lagos, honoring renowned artist Bruce Onobrakpeya. Organized by the St. Gregory’s College Old Boys Association, the three-day event runs from April 25 to April 27, 2026, under the theme “Celebrating Legacy, Excellence and Continuity.” It features an intergenerational mix of artists including Victor Uwaifo, David Dale, Mike Omoighe, and others, and attracted Nigeria’s cultural, political, and religious figures. Speeches by Dr. Michael Omolayole and Francis Oluwole Kudayah highlighted the exhibition as a cultural tradition and platform for mentorship, with plans for an annual art clinic and a digital “Gregorian Art Mart” to support alumni welfare and the college endowment fund.

Soyinka, others to grace Onobrakpeya art exhibition in Lagos

The St. Gregory’s College Old Boys Association is set to host 'The Gregorian Art Exhibition' in Lagos, a landmark event honoring the legendary Nigerian master artist Bruce Onobrakpeya. Running from April 25 to 27, 2026, the showcase will feature a high-profile opening ceremony attended by Nobel laureate Wole Soyinka, the Obi of Onitsha, and various prominent traditional rulers and political figures.

Soyinka, Obi of Onitsha for Onobrakpeya art exhibition

A major retrospective and group exhibition titled “The Gregorian Art Exhibition” is set to take place at St. Gregory’s College in Lagos, Nigeria, from April 25 to 27, 2026. The event honors the legendary Nigerian modernist Bruce Onobrakpeya and will feature works by him alongside other notable alumni and artists including the late Victor Uwaifo and David Dale. The opening is expected to draw high-profile figures such as Nobel laureate Wole Soyinka and the Obi of Onitsha, Igwe Nnaemeka Alfred Achebe.

Berlin Museum to Return Almost 600 Skulls

Berliner Museum will fast 600 Schädel zurückgeben

The Prussian Cultural Heritage Foundation in Berlin has announced plans to repatriate hundreds of human skulls to West African nations following a multi-year provenance investigation. The research identified the origins of 574 skulls, with 336 linked to present-day Cameroon, 151 to Togo, 23 to Ghana, and one to Nigeria, while 63 could not be precisely located. The skulls were part of a historical anthropological collection transferred from Berlin's Charité university hospital in 2011.

Three years after, Adelakun takes 45 KókóEwà to Mydrim

Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.

Graduate art and design students exhibit their work at Krannert Art Museum

The Krannert Art Museum is currently hosting the annual Master of Fine Arts Exhibition, showcasing the thesis work of eight graduate students from the University of Illinois Urbana-Champaign School of Art & Design. The exhibition features a diverse range of media, including sculptural 3D collages by Samantha Jones that critique the hypersexualization of Black girlhood, and a mixed-media experimental classroom by Anthony Obayomi that explores social justice and educational metrics. Other works, such as Emily Tomlinson’s text-based drawings, highlight themes of cataloging and observational study.

Art gallery advocates inclusion of special needs children in the society

Oye Art Gallery has officially opened in Nigeria, marking a significant milestone as a space dedicated to the work of Oye Adegbola, an artist with special needs. During the inaugural exhibition, Creative Director Asha Adedayo Samuel emphasized that the gallery's mission is to bridge the social gap between individuals with disabilities and the wider public. The event showcased Adegbola’s award-winning portfolio, challenging the perception of special needs individuals as mere dependents and instead highlighting them as valuable contributors to national development.

Nigeria At Venice: Speaking on Our Own Terms.

Nigeria is preparing for its return to the Venice Biennale in 2028 with a fundamentally different approach, framing its participation as a structural intervention rather than mere inclusion. Curator Richard Vedelago, in conversation with Suzette Bell-Roberts, outlines a strategy focused on ownership, authorship, and building a self-sustaining cultural ecosystem, moving beyond seeking validation from global art structures.

Collecting Now 2: Six Collectors exhbit at the Yemisi Shyllon Museum of Arts (YSMA)

Six prominent Nigerian art collectors are exhibiting selections from their private collections at the Yemisi Shyllon Museum of Art (YSMA) in Lagos. The exhibition, titled 'Collecting Now 2', showcases contemporary African art and highlights the personal tastes and motivations of these influential individuals.

Lagos LuxuryByFeyi Fashion Showroom, Feyiartistery Art Gallery’s pre-launch opening in Ikoyi

LuxuryByFeyi and Feyiartistery Art Gallery recently hosted an exclusive pre-launch event in Ikoyi, Lagos, blending high fashion with environmental advocacy. The showcase featured the 'Circular Economy: Now or Never' SS26 collection, which utilizes sustainable production methods and existing materials to promote slow fashion, alongside an art exhibition titled 'We Are Nature Defending Itself.'

St. Gregory’s College unveils inaugural art exhibition in Lagos

St. Gregory's College in Lagos, Nigeria, launched its inaugural Gregorian Art Exhibition on April 25, 2026, at Jubilee Hall. Organized by the St. Gregory's College Old Boys Association in honor of legendary artist Bruce Onobrakpeya, the three-day event features established and emerging artists under the theme “Celebrating Legacy, Excellence and Continuity.” Speakers included former association chairman Dr. Michael Omolayole and current president Francis Kudayah, who announced plans for an annual art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, who could not attend in person, delivered a vote of thanks reflecting on his career and the school's role in his development.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Coalition’ art exhibition draws massive turnout in Ibadan, eyes Guinness World Records

Over 900 art enthusiasts attended 'The Coalition' art exhibition in Ibadan, Nigeria, held from April 24 to 26, 2026, at the International Institute of Tropical Agriculture (IITA). The three-day event featured more than 600 artworks by 60 Nigerian artists, showcasing abstract works, portraits, and contemporary pieces exploring identity and culture. Organizers, including Constance and Sons Art Gallery founder Dunmade Ayegbayo, reported strong visitor engagement and sales, highlighting the commercial potential of Nigerian art.

College launches Art exhibition to celebrate Onobrakpeya

The inaugural Gregorian Art Exhibition opened on April 25, 2026, at St. Gregory's College, Ikoyi, Lagos, organized by the Old Boys Association to honor renowned Nigerian artist Bruce Onobrakpeya. The three-day event, themed “Celebrating Legacy, Excellence and Continuity,” brought together an intergenerational mix of artists, cultural figures, and stakeholders, featuring speeches from alumni leaders Dr. Michael Omolayole and Francis Oluwole Kudayah, who announced plans for a yearly art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, unable to attend in person, reflected on his decision to remain in Nigeria and credited the school for shaping his artistic identity.

Yinka Ilori: Joy Through Resistance He Who Laughs Last, Laughs Best

The article text is corrupted and unreadable, appearing as garbled binary data. Based on the title "Yinka Ilori: Joy Through Resistance He Who Laughs Last, Laughs Best", it appears to be about British-Nigerian artist and designer Yinka Ilori, likely covering an exhibition or project that explores themes of joy and resistance through his signature colorful, pattern-based work.

600 Art Works on display in Ibadan as ‘the Coalition’ steals the spotlight

Over 600 artworks by 60 artists from across Nigeria were displayed at 'The Coalition' exhibition held at the International Institute of Tropical Agriculture in Ibadan from April 23 to 25, 2026. The show, organized by Dunmade Ayegbayo of Constance and Sons Art Gallery, featured a diverse range of styles including abstract works, portraits, and pieces exploring African identity, family, and everyday life. Notable participating artists included Ogo-Oluwa Christianah, Okunade Olamilekan, and Gobe Joseph.