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Art shows how Shirley Cards and race shaped photography | Opinion

Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.

"Ganesha" Art Exhibition: 2 Artists, 2 PerspectivesExploring Beauty of Faith through Cracks and Passage of Time

Inspiration Space in Bangkok presents "Ganesha," a dual-artist exhibition running from 9 May to 5 July 2026, curated by Kullaya Kassakul. The show features paintings by Piya Charoenmuang, who created thousands of Ganesha works daily during the COVID-19 lockdown (2021–2024), exploring faith, success, and imperfection through mixed media and texture. It also includes a ceramic Ganesha sculpture by Yonkwan Thanyaset (Paint), fired at high temperatures and repaired with Kintsugi, highlighting cracks as beauty. The exhibition unfolds in two phases: Piya's paintings from 9 May, with the full ceramic installation joining from 6 June.

Istanbul exhibition features artist voice via art at Karaköy Palace | Daily Sabah

The Kültür Medeniyet Vakfı (KÜME) opened its ArtıKÜME 2025 and ODAK exhibitions at Karaköy Palas in Istanbul on Saturday, featuring 25 projects across disciplines from digital art to calligraphy under the theme 'Mümkün' ('Possible'). The exhibition transforms the historic Karaköy Palas into a platform for experimental and process-driven works, with artists like Muharrem Dalhan presenting interactive installations such as 'Threshold,' which critiques algorithm-driven media environments. The ODAK project was also introduced as a platform tracking cultural production across Türkiye, with its first publication, the ODAK 2025 book, launched alongside the exhibition.

'Presence of Color.' How race shaped photography | Opinion

The Fayetteville Observer explores the historical racial bias embedded in photographic technology through the lens of "Shirley Cards." These reference tools, used by film developers for decades to calibrate color balance, were based exclusively on the skin tones of white female models, resulting in poor image quality and distorted representations for Black and dark-skinned subjects.