A critical review of the 2026 Whitney Biennial argues that the exhibition is timid and fails to directly confront the urgent political crises of the moment, including domestic authoritarianism, state violence, and immigration policies. The reviewer finds the show somber, fearful, and overly focused on mood and introspection, suggesting it represents a retreat from meaningful political engagement.
Miart, Milan's international modern and contemporary art fair, is launching its 30th-anniversary edition in a new, larger venue, the Allianz MiCo South Wing. The 2026 edition, themed "New Directions: Miart, but different," will host 160 galleries from 24 countries across three levels, featuring sections like Emergent for new voices, Established for historical dialogue, and a special film project called Movements.
New York City Mayor Zohran Mamdani and his wife Rama Duwaji will reportedly skip the 2025 Met Gala, breaking a long-standing tradition of mayoral attendance at the Metropolitan Museum of Art’s premier fundraiser. Sources suggest the decision stems from a conflict between Mamdani’s socialist political platform and the event's association with billionaire sponsors, specifically Jeff Bezos and Lauren Sánchez-Bezos.
Akinsanya Kambon’s work is featured as a highlight in a curated guide of six must-see exhibitions during the EXPO Chicago 2026 art fair. The selection spans a diverse range of media and venues, including Josh Brainin’s frantic two-channel video installations at Tala and a thematic exploration of urban infrastructure hosted at the Chicago Cultural Center.
"Im Moment ist die Verunsicherung auf dem Kunstmarkt extrem"
Prominent Cologne gallerist Gisela Capitain is celebrating her 40th anniversary amid a period of significant market volatility. In recent interviews, she reflects on her career—defined by long-term artist relationships like that with Martin Kippenberger—while critiquing the current state of the art world. She notes that buyers have become increasingly hesitant and deliberate, describing the current level of uncertainty in the art market as extreme and calling for reforms to institutions like Art Cologne.
The Pinakothek museums in Munich have restituted a painting by German-Jewish Impressionist Lesser Ury to the heirs of its original owner, Berlin banker Curt Goldschmidt. The work, 'Interior with Children (The Siblings),' was sold at a forced auction in the 1930s after the Goldschmidt family bank collapsed under Nazi economic policies.
HUMANS MACHINES AND POSSIBLE FUTURES THE LAST 100 YEARS AT NEW MUSEUM
The New Museum has launched "New Humans: Memories of the Future," a massive exhibition spanning its entire building and featuring over 200 international contributors. The show traces a century of artistic, scientific, and social evolution, pairing 20th-century masters like Constantin Brâncuși and Salvador Dalí with contemporary commissions from artists such as Hito Steyerl and Wangechi Mutu. By exploring themes of automated labor, artificial intelligence, and mechanized warfare, the exhibition frames the relationship between humanity and technology as a series of cyclical leaps and reversals rather than linear progress.
James and Kathryn Murdoch, through their respective organizations Lupa Systems and Futurific, are partnering with MCH Group, the parent company of Art Basel, to create a new major festival called the Futurific Institute. The event, set to launch in Basel, Switzerland in the summer of 2028, aims to be a cross-disciplinary gathering focused on art, culture, technology, and future-oriented problem-solving, drawing comparisons to world's fairs and events like TED Talks.
Hampshire College, the experimental liberal arts institution in Massachusetts, has announced it will permanently close after nearly sixty years of operation. The college's board cited insurmountable financial pressures and a failure to meet regulatory requirements as the primary drivers behind the decision, noting that progress toward a stable financial foundation fell short of expectations.
The Art Gallery of Peterborough is set to host "Elizabeth Thompson Advises," a multimedia exhibition by Cavan-based artist JoEllen Brydon running from April to June 2026. The show centers on the work of Brydon’s late mother, Jean Armstrong Brydon, who wrote a progressive advice column for The Globe and Mail under the pseudonym Elizabeth Thompson between 1966 and 1978. The exhibition integrates original letters and columns with JoEllen’s bold paintings, audio recordings, and short films to bring these mid-century narratives to life.
Industrieträume der DDR
The exhibition "Robotron – Arbeiterklasse und Intelligenz" has opened at the Hartware Medienkunstverein (HMKV) in Dortmund, following its initial run in Leipzig. Centered on the history of the GDR’s largest computer manufacturer, the show features 20 artistic positions including photography, film, and sculpture, alongside a significant five-meter oil sketch by Socialist Realist painter Werner Tübke. The presentation bridges East and West German industrial histories by juxtaposing state-commissioned propaganda with progressive, unofficial works by artists like Ruth Wolf-Rehfeldt and A.R. Penck.
The 16-year tenure of Viktor Orbán has come to an end following a landslide victory for Péter Magyar’s Tisza Party in the 2026 Hungarian parliamentary election. The shift in power has sparked widespread celebration among Hungary’s progressive art community, which has long felt stifled by Orbán’s nationalist and socially conservative agenda. Figures from major Budapest galleries and the contemporary art scene report a profound sense of relief, signaling a potential departure from the "illiberal democracy" that dominated the country for nearly two decades.
The solo exhibition "Mapped by Tide and Time" has opened in Mumbai, showcasing over three decades of work by Indian artist Vishakha Apte. Curated by Ina Puri, the show features a diverse range of mediums including painting, printmaking, paper constructions, and ceramics. The collection highlights Apte’s career-long investigation into tactile depth and material dialogue, moving away from artistic spectacle in favor of quiet, process-led inquiry.
川辺ナホ「Flos Filicis：羊歯の花」@ WAITINGROOM
The Tokyo gallery WAITINGROOM is hosting "Flos Filicis: Flower of the Fern," a solo exhibition by Naho Kawabe featuring new installations, photo collages, and drawings. The exhibition centers on the paradoxical concept of the "fern flower" to explore the relationship between fossil fuels, industrial infrastructure, and the myth of progress. Kawabe utilizes materials like charcoal and electrical components alongside research-based lithographs to examine the history of Japanese migrant coal miners in Germany and the broader ecological impact of energy consumption.
Somersfield Academy recently hosted its DP2 Visual Arts Graduate Exhibition at the Rock Island Café, showcasing the final portfolios of students Nico Bean, Hayden Smith, and Excell Jordan. The event marked the conclusion of a two-year International Baccalaureate (IB) creative journey, featuring a diverse range of works including acrylic pour paintings, marine-inspired dot paintings, and detailed anatomical illustrations of dinosaurs.
Architect Desmond Williams, known for designing modern Catholic churches, has died at age 93. His work, which includes four listed churches, was celebrated for its innovative integration of liturgical function, architectural ambition, and artistic collaboration, placing him among the leading figures of postwar British architecture.
Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition rather than linear progression. Drawing inspiration from the Quilombola philosopher Nêgo Bispo, the installation challenges Western colonial structures and highlights the importance of ancestral knowledge and Indigenous cosmologies.
The Greater Rutland Central Supervisory Union recently launched its third annual student art celebration at the Vermont State University Castleton Bank Gallery. The exhibition showcases a diverse array of creative works—including paintings, charcoal drawings, pottery, and photography—produced by students ranging from pre-K through high school. The opening reception also integrated live musical performances by local students, creating a multi-disciplinary showcase of regional youth talent.
Artist Henry Wood has created a series of wooden figures depicting doomed explorers on Mars, titled 'We went to Mars and it was a disaster.' Each lanky, meticulously carved figure represents a colonist with a specific tragic history, such as being stranded or buried, imagining a future archaeological dig on the terraformed planet. The work reflects on humanity's ambitious but potentially flawed drive to colonize other worlds, using the medium of wood and ancient relic aesthetics to critique grand narratives of exploration and progress. Wood's process, influenced by travel and traditional techniques, transforms speculative science fiction into tangible artifacts that question the costs of expansion and the stories we tell about our future.
Le Musée des tissus, un projet décousu
The renovation and expansion of the Musée des Tissus et des Arts Décoratifs in Lyon has stalled despite being acquired by the Auvergne-Rhône-Alpes Region seven years ago. Although architect Rudy Ricciotti revised his initial designs to satisfy local urban planning requirements and resident concerns, the project faces significant delays, with no building permit filed and a fluctuating budget that recently dropped from 60 million to 32 million euros. Tensions between the regional leadership and the City of Lyon have further complicated the timeline, leaving the museum closed to the public for four years.
Le Musée Nicéphore-Niépce fait du surplace
The Musée Nicéphore-Niépce in Chalon-sur-Saône remains in a state of stagnation as long-promised modernization plans continue to stall. Despite over twenty-five years of proposals for a new facility or a "Cité de l'image," the project has become a political "sea serpent," hampered by budget cuts, staff reductions, and shifting municipal priorities. Most recently, the city declined to renew the contract of Fannie Escoulen, a former Ministry of Culture official hired to steer the project, further signaling a lack of progress.
The Army Museum in Paris is hosting "Explorations: A State Affair?", a comprehensive exhibition running from April 15 to August 16, 2026. The showcase traces three centuries of French global expeditions, from the aftermath of the Seven Years' War in 1763 through the space race to contemporary missions focused on climate change and resource security. Featuring a diverse array of artifacts including maps, scientific instruments, military uniforms, and paintings, the exhibition highlights the military's central role in scientific discovery, territorial expansion, and state power.
Mineola High School hosted its annual District Art Show on March 26, transforming the campus into a gallery space for the local community. The exhibition featured over 200 original works created by K-12 students from all five schools within the district, ranging from primary school projects to advanced portfolios from AP art students. The collection showcased a wide variety of mediums, including painting, sketching, sculpture, and mixed-media compositions.