Vasari Art Codex

article news schedule Oct 15, 2025 visibility 3 link 4 artists

morning links october 15 2025 1234757199

Taylor Swift's new album and music video for "The Fate of Ophelia" has sparked a surge of visitors to the Wiesbaden State Museum in Hamburg, where Friedrich Heyser's painting "Ophelia" (ca. 1900) is held. Swifties identified the painting as the inspiration for the video's opening scene, leading hundreds of fans to view the Art Nouveau work. Separately, a street mural reading "Black Artists Matter" and a rainbow crosswalk in Austin, Texas, face potential removal under President Trump's directive against DEI initiatives, though the city's mayor has proposed relocating them to city-owned property. Art Basel has renamed its VIP section to "collector and institutional relations," and five of seven stolen 18th-century snuffboxes from the Cognacq-Jay Museum in Paris have been recovered. Chiara Camoni will represent Italy at the Venice Biennale, and a trend of Chinese collectors failing to pay for auction purchases is raising concerns.

newspaper ARTnews open_in_new Read original

article news schedule Oct 15, 2025 visibility 4 link 4 artists

morning links october 15 2025 1234757199

Taylor Swift's music video for her song 'The Fate of Ophelia' has been found to closely reference Friedrich Heyser's painting 'Ophelia' (ca. 1900), held at the Wiesbaden State Museum in Hamburg. Swifties have flocked to the museum by the hundreds to see the Art Nouveau work, surprising and delighting museum director Andreas Henning. Separately, a street mural reading 'Black Artists Matter' and a rainbow crosswalk in Austin, Texas, face removal under President Trump's directive against DEI initiatives, as ordered by Texas Governor Greg Abbott. In other news, Art Basel has renamed its VIP section to 'collector and institutional relations,' five stolen 18th-century snuffboxes have been recovered from the Cognacq-Jay Museum in Paris, and Chiara Camoni will represent Italy at the upcoming Venice Biennale.

newspaper ARTnews open_in_new Read original

article news schedule Oct 15, 2025 visibility 3 link 3 artists

taylor swift fans friedrich heyser ophelia wiesbaden state museum germany 1234757377

Taylor Swift fans have flocked to the Wiesbaden State Museum in Germany to see Friedrich Heyser's painting 'Ophelia' (ca. 1900), which appears in the opening scene of Swift's music video for her song 'The Fate of Ophelia' from her album 'The Life of a Showgirl'. The museum saw hundreds of additional visitors last weekend, with director Andreas Henning expressing surprise and delight at the attention.

newspaper ARTnews open_in_new Read original

article news schedule Oct 15, 2025 visibility 4 link 3 artists

taylor swift fans friedrich heyser ophelia wiesbaden state museum germany 1234757377

Taylor Swift fans have flocked to the Wiesbaden State Museum in Germany to see Friedrich Heyser's painting 'Ophelia' (ca. 1900), which the singer referenced in the opening scene of her music video for the song 'The Fate of Ophelia' from her album 'The Life of a Showgirl'. The museum saw hundreds of additional visitors last weekend, with director Andreas Henning expressing surprise and delight at the attention.

newspaper ARTnews open_in_new Read original

article culture schedule Oct 3, 2025 visibility 4 link 5 artists

taylor swift fate of ophelia painting john everett millais 1234755283

Taylor Swift's new album 'The Life of a Showgirl' includes a song titled 'The Fate of Ophelia,' which references the tragic character from Shakespeare's 'Hamlet.' The article draws a parallel between Swift's song and John Everett Millais's Pre-Raphaelite painting 'Ophelia' (1851–52), which depicts the character before her death. The Tate, which owns the painting, posted about the work to discuss the death of its model, Elizabeth Siddal, in 1862. Swift's album cover, showing her floating in water, has been compared to the Millais painting, but the song reimagines Ophelia's narrative with a happy ending tied to her relationship with Travis Kelce.

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rate_review review schedule Mar 26, 2026 visibility 11 link 4 artists

Frank Bowling: Seeking the Sublime review – shipwrecked Ophelia points the path to freedom

A new exhibition of Frank Bowling's work traces the artist's early struggle to find his voice within the rigid artistic categories of the 1960s. The show features paintings from his student days in London, where he grappled with expectations to be either a political 'Black artist' or a formalist 'artist' free from identity constraints, resulting in works that felt derivative of figures like Francis Bacon.

newspaper The Guardian open_in_new Read original

museum exhibitions schedule Apr 22, 2026 visibility 4 link 7 artists, 1 gallery

19 early-career artists, curators and students to benefit from professional development opportunity at Wales in Venice

The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.

newspaper Arts Council of Wales open_in_new Read original

article culture schedule Aug 6, 2025 visibility 3 link 8 artists, 1 gallery

A brush with… Tai Shani—podcast

Tai Shani, a London-based artist born in 1976, is the subject of a podcast episode in the "A brush with…" series. She discusses her multidisciplinary practice, which draws on cultural forms, historical events, and theoretical ideas to create fantastical, utopian worlds infused with contemporary political and social themes. Shani reflects on the gendered nature of her mediums, the influence of works like John Everett Millais's *Ophelia* and Valie Export's exhibition at Camden Art Centre, and the revolutionary potential of art in an era of right-wing politics. The episode also covers her upcoming exhibitions: *The Spell or The Dream* at Somerset House (August–September 2025), *Gathering* in London (September–November 2025), a sculpture at Dulwich Picture Gallery's new sculpture park, and her High Line commission in New York, on view through March 2026.

newspaper The Art Newspaper open_in_new Read original