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taipei art week taiwan market review 1234758632

The second edition of Taipei Art Week has drawn a large crowd, anchored by Art Taipei—Asia's longest-running art fair—and the 14th Taipei Biennale. Galleries have raised their ambitions, with pop-up shows, talks, and collectors' parties filling the city. However, Taiwan's art market faces significant headwinds: art imports fell 15.2% in 2024, Ravenel's spring auction sales plummeted from $14.6 million in 2020 to $3.6 million in 2025, and Taipei Dangdai announced it would cease operations after its sixth edition. Geopolitical tensions with China have reduced Chinese collector participation and visitor numbers at the National Palace Museum.

Must-see exhibitions in 2026: APAC

The article highlights a curated selection of must-see art exhibitions across the Asia Pacific region in 2026. Key shows include Zao Wou-Ki's printmaking retrospective at M+ in Hong Kong, a major Cartier jewelry exhibition at the National Gallery of Victoria in Melbourne, and a survey of Western landscape art from the Centre Pompidou collection. Other notable exhibitions feature ancient Egyptian treasures at the Hong Kong Palace Museum, as well as shows dedicated to Klimt, Van Gogh, and Vermeer in Taipei and Japan.

4 takeaways art business conference hong kong 2717346

Hong Kong's inaugural Art Business Conference brought together government officials, legal experts, and financiers to examine the city's strategic advantages as an art trading hub. Key takeaways included the need to maintain cultural exchange as a national strategy under China's 14th Five-Year Plan, with the West Kowloon Cultural District receiving over $6.5 billion in government funding. The Art Basel and UBS Survey of Global Collecting 2025, authored by Clare McAndrew, revealed that ultra-wealthy collectors are now allocating up to 20 percent of their wealth to art, up from 15 percent in 2024, as an estimated $83 trillion in intergenerational wealth transforms art trading into a sophisticated professional network.

Ukrainian Dreamers from Kharkiv: photography exhibition of the Radvila Palace Museum of Art – on courage to dream and create

The Radvila Palace Museum of Art in Vilnius, Lithuania, has opened a major exhibition titled 'Ukrainian Dreamers: The Kharkiv School of Photography.' The show, created in collaboration with the Museum of Kharkiv School of Photography, presents the work of 33 artists and groups across four generations, featuring hundreds of photographs, videos, and archival objects. It traces the school's evolution from its rebellious origins in the 1970s under Soviet censorship through Ukraine's independence and up to the present day of ongoing Russian military aggression.

nanjing museum alleged art theft probe 1234768108

Chinese authorities have launched multiple investigations into allegations that staff at the state-run Nanjing Museum secretly removed cultural treasures from the collection and sold them on the open market. The scandal erupted after a 16th-century Ming dynasty painting, *Spring in Jiangnan* by Qiu Ying, appeared in a Beijing auction catalog with an estimate of 88 million yuan ($12.5 million), despite being part of a 1959 donation by collector Pang Laichen. The museum claimed the work and four others were deemed forgeries in the 1960s, deaccessioned in 1997, and sold to a provincial relics store in 2001 for 6,800 yuan. An 80-year-old retired employee, Guo Lidian, accused former museum director Xu Huping of orchestrating a large-scale theft and smuggling operation, including falsely certifying authentic works as replicas. Xu has denied involvement.

Two Monet paintings have arrived in Hong Kong and entry is completely free

The Hong Kong Museum of Art (HKMoA) has opened a new free exhibition titled 'Blooming: The Art of Gardens in East and West', featuring over 100 paintings and artefacts. A major collaboration between the Palace Museum in Beijing, the Art Institute of Chicago, and the Palace of Versailles, the show includes masterpieces by Claude Monet—specifically 'Water Lilies' (1906) and 'Water Lily Pond' (1900)—on loan from Chicago, alongside works by Chinese artists such as Leng Mei, Wen Zhengming, and Zhang Daqian. The exhibition explores garden imagery across cultures, from the royal grounds of King Louis XIV to the imperial retreats of Emperor Qianlong, and runs until July 29, 2026, with free admission.

Blooming: The Art of Gardens in East and West | Hong Kong Museum of Art | Art in Hong Kong

The Hong Kong Museum of Art has opened 'Blooming: The Art of Gardens in East and West,' a major exhibition featuring over 100 rare artifacts and paintings from the Palace Museum in Beijing, the Art Institute of Chicago, and the Palace of Versailles. Highlights include Claude Monet's 'Water Lilies' (1906) and 'Water Lily Pond' (1900) on loan from Chicago, alongside works by Chinese masters Zhang Daqian and Wen Zhengming, plus an immersive digital recreation of the Orchid Pavilion Gathering.

Explore HKMoA's large-scale exhibition "Blooming: The Art of Gardens in East and West" Starting April 24

The Hong Kong Museum of Art (HKMoA) opens its large-scale exhibition "Blooming: The Art of Gardens in East and West" on April 24, featuring over 100 sets of paintings and artefacts from the Palace Museum in Beijing, the Art Institute of Chicago, the Palace of Versailles, and HKMoA's own collection. Works include paintings, prints, lacquerware, sculpture, ceramics, and glassware, with highlights such as Claude Monet's "Water Lilies" and "Water Lily Pond," Zhang Daqian's "Entrance of Bade Garden," and a Ming dynasty bowl with garden scenes. The exhibition also includes a scenographic recreation of the Orchid Pavilion Gathering enhanced with technology for an immersive experience.

looted 14th century english jug loan kumasi museum 1234764598

The British Museum is reportedly considering a long-term loan of the Asante Ewer, a rare 14th-century English bronze jug, to the Manhyia Palace Museum in Kumasi, Ghana. The ewer, which was looted by British forces from the Ashanti royal palace during the Fourth Anglo-Asante War in 1896, is the largest extant medieval English bronze vessel and was likely made for King Richard II. Ghana is expected to make a formal request for the loan, which would be long-term, and is not anticipated to demand full repatriation.

British Museum's looted ewer set for return to Ghana on long-term loan

The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.

Reimagining communities: inside the Hong Kong International Cultural Summit

The Hong Kong International Cultural Summit returns on March 22-23, gathering cultural leaders from 14 countries in the West Kowloon Cultural District to discuss how institutions can reimagine their relationship with communities. Key figures like M+ Museum Director Suhanya Raffel, Hong Kong Palace Museum Director Louis Ng, and WestK CEO Betty Fung highlight the district's cross-disciplinary, audience-focused approach.

Large outdoor artworks at Hong Kong Palace Museum to draw 500,000 visitors

Hong Kong Palace Museum has launched its first outdoor public art exhibition, featuring six large-scale installations by local artists including architect Rocco Yim Sen-kee, who designed the museum building. The year-long display, themed on traditional Chinese garden aesthetics, will occupy the museum's plaza from Saturday until November 2 next year, with free public access.

From silk murals to jade inlays: Forbidden City’s Qianlong Garden reopens after 25-year conservation project

The Qianlong Garden in Beijing's Palace Museum (Forbidden City) has reopened to the public after a 25-year, $20 million conservation project in partnership with the World Monuments Fund (WMF). The 1.6-hectare garden, built between 1771 and 1776, features 27 buildings across four courtyards with elaborate decorations including rare silk trompe l'oeil murals, jade inlays, and bamboo thread marquetry. Restoration began in 2002 with the Juanqinzhai pavilion and later focused on structures such as Fuwangge, Zhuxiangguan, and Yucuixuan. The project also involved recreating traditional materials and techniques that had fallen out of practice.

From silk murals to jade inlays: Forbidden City’s Qianlong Garden reopens after 25-year conservation project

The Qianlong Garden in Beijing's Palace Museum (Forbidden City) has reopened to the public after a 25-year, $20 million conservation project in partnership with the World Monuments Fund (WMF). The 1.6-hectare garden, built between 1771 and 1776, features 27 buildings with elaborate decorations including rare silk trompe l'oeil murals, jade inlays, and bamboo thread marquetry. The restoration began with the Juanqinzhai pavilion in 2002 and was completed in 2008, followed by work on three other structures. The project also involved recreating traditional materials and techniques that had fallen out of practice.

From silk murals to jade inlays: Forbidden City’s Qianlong Garden reopens after 25-year conservation project

The Qianlong Garden in Beijing's Palace Museum (Forbidden City) has reopened to the public after a 25-year, $20 million conservation project in partnership with the World Monuments Fund (WMF). The 1.6-hectare garden, built between 1771 and 1776, features 27 buildings with elaborate decorations including rare silk trompe l'oeil murals, jade inlays, and bamboo thread marquetry. Restoration began in 2002 with the Juanqinzhai pavilion and was completed in 2008, followed by work on structures such as Fuwangge, Zhuxiangguan, and Yucuixuan. The project also includes an exhibition on the garden's history and a larger show at the Meridian Gate Gallery marking 100 years since the Forbidden City opened to the public.

In pictures: jewellery through history and cultures on show in Hong Kong

The Metropolitan Museum of Art's Costume Institute has sent approximately 200 pieces from its jewellery collection to Hong Kong for a major exhibition titled 'Jewels, Gems, and Treasures: Adornment in World Cultures'. The show, hosted at the Hong Kong Palace Museum, spans 5,000 years and includes items from ancient Egypt, Imperial China, Renaissance Europe, and modern designers, highlighting the universal human impulse for adornment.