Cash-Strapped Hong Kong Arts Hub Saved—Plus a Rundown of the Latest in Asia’s Art World
Hong Kong's financially struggling West Kowloon Cultural District, a major arts hub, has been rescued from its cash crisis. This development was part of a broader Asia art world update that also included leadership changes at Japan's Art Collaboration Kyoto and the announcement of a new art fair in Shenzhen.
Albright College in Reading, Pennsylvania, is selling over 500 works from its art collection via an online auction at Pook & Pook Inc. scheduled for July 16, in an effort to address a $20 million deficit. The sale, titled "Fine Art from an East Coast Educational Institution," includes works by Bridget Riley, Jasper Johns, Romare Bearden, and Jacob Lawrence, and is expected to raise around $200,000. The college has also laid off staff and sold non-contiguous properties to cut costs. Donors, including the daughters of late collector Doris C. Freeman, have opposed the move, arguing it violates the original intent of the gifts.
Harrison Kinnane Smith's exhibition "Tracings and Arrangements" is on view at Emmelines, a small gallery tucked inside a former newsstand in the Fifth Avenue & 53rd Street MTA station in New York, directly beneath the Museum of Modern Art and the building formerly known as 666 Fifth Avenue. The show features two works by Louise Lawler on consignment from Sprüth Magers—"Bulbs (traced), 2005/06/19" and "(Bunny) Sculpture and Painting (traced), 1999/2019"—which are black-and-white traced decals of her earlier photographs, displayed in the gritty, fluorescent-lit subway mezzanine. Kinnane Smith, at 28, frames Lawler's works as his opening gesture in a conceptually recursive chain that extends her critique of art's circulation through commerce, collecting, and institutional contexts.
The Texas Historical Commission announced that buildings repurposed by minimalist artist Donald Judd in Marfa, Texas, have been added to the U.S. National Register of Historic Places. Approved by the National Park Service in May 2025, the designation expands the existing Fort D.A. Russell Historic District to include 15 buildings and a large-scale installation, all altered or created by Judd between 1973 and his death in 1994. The properties are managed by the Chinati Foundation and the Judd Foundation, which operate as separate entities. This is the second Judd-linked historic district in Marfa, following the Central Marfa Historic District’s designation in 2022.
The Mississippi Museum of Art (MMA) has acquired Fountainhead, a Frank Lloyd Wright-designed Usonian home in Jackson, Mississippi, for $1 million. The residence, built in 1954 for oilman J. Willis Hughes, is one of only four Wright homes in the state and the only one listed on the National Register of Historic Places. It was sold by the estate of late architect Robert Parker Adams, who had restored the property after purchasing it in 1980. The museum plans to preserve the home and open it to the public as a cultural destination.
The article reviews several notable art events and exhibitions from 2025, beginning with Cameron Rowland's controversial work "Replacement" at the Palais de Tokyo in Paris, where the French flag was replaced with the flag of Martinique, leading to the artwork being deemed potentially illegal. It also covers Johanna Fateman's review of Rowland's "Properties" at Dia Beacon, Ross Simonini's reflection on Joseph Beuys and the Eaton fire in Los Angeles, John Vincler's critiques of Cady Noland at Gagosian and Nicole Eisenman at 52 Walker, and Fateman's year-end roundup including figures like Anne Imhof, Laura Owens, and Jack Whitten.
This article from Cultured magazine is a gallery exhibition guide for New York, highlighting four major shows in the Hudson Valley, Meatpacking District, and Tribeca. It features Stan Douglas's retrospective at the Hessel Museum of Art, Cameron Rowland's "Properties" at Dia Beacon, Christine Sun Kim's mid-career survey "All Day All Night" at the Whitney Museum, and EJ Hill's endurance performance at 52 Walker. Each entry includes a brief critical description of the artist's work and themes, with details on dates and locations.
Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.
Mega-gallery Hauser & Wirth is acquiring the historic Palazzo Forcella De Sata in Palermo, Sicily, as confirmed by president and cofounder Iwan Wirth. The property, a 19th-century eclectic architectural landmark that hosted Manifesta 12 in 2018, was purchased in mid-November, though Sicilian authorities and Italy’s Ministry of Culture have a two-month window to preempt the sale due to historical monument restrictions. The gallery plans to use the main floor as exhibition space, with renovations potentially completed by 2030.
Newly released documents from the Justice Department's Epstein files reveal that New York art collector and Galerie magazine founder Lisa Fayne Cohen and her husband, real estate developer Jimmy Cohen, were in close contact with financier and convicted sex offender Jeffrey Epstein in 2015 and 2016. The emails show Cohen seeking Epstein's advice and arranging to photograph his Paris apartment for her magazine, which later featured the residence anonymously in its second issue.
Albright College, a liberal arts institution in Reading, Pennsylvania, is selling its entire art collection of mostly works on paper to address a $20 million budget shortfall. The online-only sale, held on July 16 at Pook & Pook auction house, includes 524 lots featuring works by artists such as Karel Appel, Romare Bearden, Jasper Johns, Jacob Lawrence, and Bridget Riley. College administrators, including vice-president James Gaddy, describe the collection as "not core to our mission" and estimate the consigned pieces are worth $200,000, while the cost of maintaining the gallery and collection exceeds $500,000 annually. The sale is part of broader cost-cutting measures that have already included laying off 53 employees and selling non-contiguous properties.
Ruth Pastine's painting "Violet (Yellow), Color Space Series" (2021) is being offered for sale through Louis Stern Fine Arts in West Hollywood, listed on Artsy. The work is an oil on canvas on beveled stretcher, measuring 30 × 60 inches, and is part of her Color Space Series. Pastine, an American artist born in 1964, holds a B.F.A. from The Cooper Union and an M.F.A. from Hunter College, and has exhibited widely, including a museum survey at MOAH Museum of Art and History and a show at CAM Carnegie Art Museum. Her work is held in major collections such as SFMOMA, MCASD, and the Achenbach Foundation.
The Portland Museum of Art (PMA) has finalized a $14 million acquisition of a downtown building and two adjacent parking lots from MaineHealth. Located on Free Street next to the museum's current campus, the facility will house administrative offices, allowing the museum to convert existing office space into new public galleries.
The article, written by an art critic for Cultured, opens by describing recent U.S. government actions under Executive Order 14253, including the National Park Service's restoration of a monument to Confederate General Albert Pike and a White House letter to Smithsonian Secretary Lonnie G. Bunch III ordering a review of Smithsonian programming to align with a directive to "celebrate American exceptionalism." The critic notes Bunch's balancing act of cooperating while asserting the Smithsonian's independent authority. The piece then pivots to the state of art criticism, referencing Domenick Ammirati's essay on the perpetual "crisis in criticism," and highlights Marco Brambilla's exhibition "Limit of Control" at bitforms gallery as the year's most under-appreciated show, praising its use of AI to explore political violence and protest.
A fake listing on Zillow claimed that Frank Lloyd Wright's Walser House in Chicago was for sale for $350,000, prompting widespread attention. The Frank Lloyd Wright Building Conservancy investigated and confirmed the listing was fraudulent, warning it may have been an attempt to defraud potential buyers. The 123-year-old house, which is uninhabitable and requires at least $2 million in restoration, is actually owned by Fannie Mae after a foreclosure and is not currently on the market.
A retired General Services Administration official, Mydelle Wright, has accused the Trump administration of attempting to demolish four historic federal buildings in Washington, D.C., including the Wilbur J. Cohen Federal Building. The allegation was made in a supplemental declaration filed in a lawsuit brought by preservation groups. Wright claims the White House is soliciting demolition bids without GSA involvement, which she says has sole authority over such processes. The Cohen building houses significant New Deal-era murals by Ben Shahn, Philip Guston, and Seymour Fogel, and has been described as "the Sistine Chapel of the New Deal." The Trump administration has halted a planned green renovation and listed the building for accelerated disposition, raising fears of demolition and loss of the artworks.
A painting in Japan's Tokushima Modern Art Museum, originally attributed to French Cubist Jean Metzinger and purchased in 1999 for 67.2 million yen ($426,000), has been confirmed as a forgery by notorious German forger Wolfgang Beltracchi. The museum withdrew the work, titled *At the Cycle-Race Track 55*, from an upcoming exhibition after experts identified synthetic pigments from after the mid-20th century. The Osaka-based seller agreed to a refund and return, completed in October and November 2024, and the painting has been removed from the prefectural government's inventory.
Preservationists are petitioning to save Washington, D.C.'s Wilbur J. Cohen Federal Building, known as the 'Sistine Chapel of New Deal Art' for its 20th-century murals by Philip Guston and Ben Shahn. The Trump administration has listed the building for sale under an 'accelerated disposal' program, raising fears it could be demolished. The nonprofit Living New Deal launched a petition demanding transparency and public participation, as the building is one of 45 federal properties slated for swift sale. The structure, completed in 1940, houses ten New Deal-era artworks including frescoes, relief sculptures, and murals, and has been home to Voice of America since 1954.
The Chelsea townhouse of the late gallerist Barbara Gladstone sold for $13.1 million, over $1 million above its $11.99 million asking price, in an all-cash deal that closed on August 27. The 19th-century Greek Revival row house at 344 W. 22nd St was purchased by an unnamed buyer, with brokers Scott Hustis and Mark Jovanovic of Compass reporting the sale set a record per square foot for a Chelsea townhouse. Gladstone, who founded the Gladstone Gallery in 1980 and became one of New York's most prominent dealers, died in June 2024 at age 89. She had bought the property in 2011 for $6.3 million. Architect Annabell Selldorf designed the current iteration of the 4,395-square-foot home, and Piet Oudolf designed its garden. The home featured gallery-like Venetian plaster walls and white oak floors that showcased works from Gladstone's private collection.
A rare, clamshell-shaped VOLU Dining Pavilion designed by architect Zaha Hadid and Patrick Schumacher is heading to auction at Hermitage Fine Art in Monaco. The prefabricated outdoor structure, originally created for the 2015 Design Miami fair, is expected to fetch between €900,000 and €1.1 million. This marks only the second time a completed edition of this pavilion has been offered at auction.
Five new art hotels opened in 2025, including Hotel Saint Augustine in Houston, Texas, and Capella Taipei in Taipei, Taiwan. Hotel Saint Augustine, located near the Menil Drawing Institute, features minimalist interiors by Post Company with custom furnishings and Art Deco-style lighting, while Capella Taipei boasts an art program curated by The Artling, showcasing works by artists such as Chen-Lin Lee, Jasper Huang, Tara Vaughan, Joel Escalona, and Etan Pavavalung. Both properties emphasize craftsmanship and cultural connection through curated art and design.
An Oklahoma bankruptcy court ruled on April 28 that Frank Lloyd Wright's Price Tower in Bartlesville, Oklahoma, will be sold for $1.4 million to McFarlin Building LLC. The sale concludes a two-year legal saga involving previous owner Cynthia Blanchard, who acquired the building for $10 in 2023 but failed to follow through on promised renovations, leading to a bankruptcy auction with no additional bids beyond McFarlin's baseline offer. The new owner, Macy Snyder-Amatucci, plans to revive the building as a hotel and residences.
A new public art gallery called "art house" has opened in downtown Calgary, occupying a temporary exhibition space previously used by the Glenbow Museum in the Edison office building. The gallery is a collaboration between Aspen Properties and the Alberta Arts Foundation (AFA), featuring the foundation's extensive collection of 9,600 artworks by over 1,700 Alberta artists. It opened on September 10 and is currently open Tuesday to Friday from 12 to 4 pm. The space was originally created as a museum-grade gallery during the Glenbow's renovation, and after the Glenbow vacated to prepare for its reopening as the JR Shaw Centre for Arts & Culture in late 2026, the Alberta Foundation for the Arts stepped in to keep the gallery active.
The Asian Art Museum of San Francisco has opened "Chiharu Shiota: Two Home Countries," a major exhibition featuring the Japanese-German artist’s signature large-scale yarn installations. The show centers on immersive works like "Diary," which utilizes 20 miles of red thread to suspend historical documents and personal ephemera, and the title installation which explores the artist's dual identity between Japan and Germany. Through sculptures and performance videos, the exhibition navigates themes of memory, trauma, and the biological realities of the human body, including Shiota’s personal battles with cancer.
The Farnsworth Art Museum, Colby College Museum of Art, and Brandywine Museum of Art are launching a collaborative exhibition titled "By Design: The Worlds of Betsy James Wyeth." This landmark show is the first to focus exclusively on the creative legacy of Betsy James Wyeth, the wife of Andrew Wyeth, highlighting her work as a designer of immersive environments and her role in restoring historic properties like the Olson House and Brinton’s Mill. The exhibitions will feature Andrew Wyeth’s paintings alongside Betsy’s archival materials, maps, and collected objects.
Tracey Emin is facing a £160,000 bill to address structural defects at Arlington House, a landmark Brutalist tower block in Margate. The artist, who owns four properties in the building, is among 142 leaseholders required to pay £40,000 per flat to replace cladding following an assessment by the UK government’s building safety regulator. Emin has publicly criticized the charges, questioning why recent buyers are being held financially responsible for decades of alleged maintenance neglect by the building's owner, Freshwater.
This episode of The Art Newspaper's podcast 'The Week in Art' covers three main stories. Host Ben Luke discusses the mood at the Frieze art fairs in London with art market editor Kabir Jhala, amid ongoing debate about the health of the art market. The episode also explores Hypha Studios, a UK initiative that provides free exhibition and studio space to unrepresented artists in vacant properties, which has just launched an online sales platform called Hypha Curates. Finally, the podcast features a 'Work of the Week' segment on a Renoir drawing from the 1880s, a study for 'The Great Bathers,' now on view at the Morgan Library & Museum in New York as part of the exhibition 'Renoir Drawings.'
London art dealer Ben Hunter is bucking the trend of gallery closures by expanding his gallery into a full townhouse at 44 Duke Street in St James’s, set to open this October. Hunter, who previously worked for Old Master dealer Derek Johns and sculpture specialist Robert Bowman, founded his gallery in 2018 and has gradually taken over more space in the building as other tenants left. The historic townhouse was originally where Jay Jopling launched White Cube in 1993. Hunter cites the need to match the ambition of his artists and seize opportunities as key reasons for the expansion, despite the challenging market.
US President Donald Trump claimed on his Truth Social platform that he has fired Kim Sajet, director of the National Portrait Gallery (NPG), alleging she is a "highly partisan person" and a supporter of diversity, equity, and inclusion programs. Sajet, who became the first woman to lead the NPG in 2013, has not commented, and the Smithsonian declined to comment. It remains unclear whether Trump has the legal authority to fire Smithsonian employees, as the institution is governed by a board of regents and receives partial federal funding.
Shanti Escalante-De Mattei launches a new column called "Link Rot" in ARTnews, exploring the intersection of art, technology, and the internet. The first edition focuses on the fragility of digital and new media art, which faces rapid obsolescence as hardware and software evolve. New media art dealer Kelani Nichole, founder of Transfer Art Gallery (2013), has launched the Transfer Data Trust, a data cooperative designed to preserve digital artworks for up to 100 years. The Trust uses a combination of network-attached storage, decentralized file storage (IPFS, Filecoin), and a user-friendly browser to archive artist intent and conservation data, with pooled sales proceeds funding conservation efforts.