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Michael Heizer has unveiled a major exhibition titled "Negative Sculpture" at Gagosian’s West 21st Street gallery in New York. The installation features two massive works, Convoluted Line A and Convoluted Line B, which consist of steel liners filled with crushed red granite embedded into a raised gallery floor. To achieve the artist's vision of negative space without excavating the building's foundation, the gallery undertook a complex two-year engineering project to elevate the entire floor surface, matching the specific concrete hue of Heizer’s Nevada studio.

uk government slaps export ban on howard hodgkin work after bonhams sold it for a record 1 7 m 1234776717

The UK government has issued a temporary export ban on Howard Hodgkin’s painting "Mrs Acton in Delhi" (1967–71) following its record-breaking £1.7 million sale at Bonhams. The Department for Culture, Media, and Sport (DCMS) intervened after the buyer applied for an export license, triggering a deferral period that allows British museums or galleries until June 4 to match the auction price and keep the work within the country.

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The article explores the challenge of articulating olfactory experiences in art, focusing on Norwegian artist Sissel Tolaas, who has dedicated her career to scent as a medium. Tolaas has collected over 15,000 smell molecules for her SMELL RE_searchLab in Berlin and invented a language called NASALO to describe scents more precisely. The piece also highlights the Kunstpalast Düsseldorf's exhibition "The Secret Power of Scents," which integrates smell into its permanent collection display, and references historical and contemporary artists like Ernesto Neto, Mike Kelley, and Oswaldo Maciá who have used scent in their work.

10 exhibitions you can still see after Berlin's Gallery Weekend

10 Ausstellungen, die Sie auch nach dem Gallery Weekend in Berlin sehen können

The Monopol editorial team highlights ten standout exhibitions from Berlin's Gallery Weekend, including Jiyoon Chung's installation "Dead End" at Anton Janizewski, which uses subtle triggers to explore perception and anxiety; Giorgio Griffa's retrospective at Walter Storms Galerie, featuring his poetic abstract paintings on raw linen; Walid Raad's narrative-driven show at Galerie Thomas Schulte, referencing the Lebanese civil war with a crashed VW Beetle and bomb graffiti; and Thomas Demand's new works at Sprüth Magers, printed on copper plates to create a shimmering aura. The article provides a curated tour of these shows, many of which remain open after the weekend.

10 Ausstellungen, die Sie zum Gallery Weekend nicht verpassen sollten

The article highlights ten must-see exhibitions during Berlin's Gallery Weekend, curated by the editorial team of Monopol magazine. Featured shows include Jiyoon Chung's installation "Dead End" at Anton Janizewski, which explores perception and anxiety through subtle triggers; Giorgio Griffa's retrospective at Walter Storms Galerie, showcasing his poetic abstract paintings on un-stretched linen; Walid Raad's "Like a Rubber Rung on a Ladder" at Galerie Thomas Schulte, referencing the Lebanese Civil War with a crashed VW Beetle and graffiti; and Thomas Demand's exhibition at Sprüth Magers, where his photographs printed on copper plates reflect on current events like the Gaza war and climate change.

Trevor Paglen’s New Book Says AI Is Rewriting What Images Do

Artist Trevor Paglen has published a new book, *How to See Like a Machine: Images After AI*, which argues that generative AI and computer vision are fundamentally changing how images function in culture. Drawing on his decade-long practice, Paglen contends that images are no longer merely representations for human interpretation but have become operational tools—'activations' that trigger automated responses and shape reality. He cites examples such as surveillance cameras at grocery stores, the Samsara navigation system in trucks, and the ImageNet database to illustrate how machine vision systems normalize surveillance in service of capital, a phenomenon he terms 'machine realism.'

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Julian Cox, the deputy director and chief curator of the Art Gallery of Ontario (AGO), will step down from his position this April after an eight-year tenure. While the museum's official statement praised Cox for expanding the collection and establishing the Department of Global Africa & the Diaspora, it offered no specific reason for his departure, and Cox himself was not quoted in the announcement.

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Liz Collins created two monumental 16-foot-long tapestries for the 2024 Venice Biennale, titled *Rainbow Mountains: Moon* and *Rainbow Mountains: Weather* (both 2023). Initially conceived as a single 40-foot weaving, the project proved too ambitious and was split in two. Collins worked at the TextielLab in Tilburg, Netherlands, switching to a lighter yarn after a failed trial, and ultimately brought the finished works to New York in duffel bags before curator Adriano Pedrosa selected them for the Biennale. The textiles depict mountain ranges emitting rainbows through dark skies, exploring themes of duality—danger and joy, precarity and euphoria.

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Justin Vivian Bond, a multidisciplinary artist and performer, is profiled in ARTnews as part of their Newsmakers series. Bond, who received a MacArthur Foundation “genius grant” in 2024, discusses their upcoming performances at Joe’s Pub in New York, including a show titled “Well, Well, Well” inspired by lesbian singer-songwriters and the novel *The Well of Loneliness*. They also mention resurrecting their duo Kiki & Herb in London, and reflect on their 2017 exhibition at the New Museum, “Trigger: Gender as a Tool and a Weapon,” whose wallpaper is now installed at the V&A East Storehouse.

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Sotheby's will auction a rediscovered early Jean-Michel Basquiat painting from 1981, unseen for 36 years, with a $10–15 million estimate at its Contemporary Evening Auction in New York this May. The sale also features major works from three tightly held private collections: the estate of Barbara Gladstone, the Roy Lichtenstein Foundation, and Daniella Luxembourg's 'Im Spazio' group, alongside top lots by Lucio Fontana, Robert Rauschenberg, Frank Stella, and Ed Ruscha. The Modern Evening Auction includes a Pablo Picasso musketeer portrait and a Georgia O'Keeffe painting, with combined estimates for both sales reaching up to $525.2 million.

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President Donald Trump’s return to office has triggered a sweeping overhaul of the American cultural landscape through executive orders and the newly formed Department of Government Efficiency (DOGE). Key actions include the dissolution of diversity, equity, and inclusion (DEI) offices at the Smithsonian, the cancellation of thousands of National Endowment for the Humanities (NEH) grants, and the removal of high-profile Biden appointees from the U.S. Holocaust Memorial Museum board. These measures are accompanied by new tariffs and immigration policies that threaten the international art trade and cross-border collaborations.

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An inmate in a Virginia prison has had the July/August issue of the Humanist magazine rejected by prison censors because it contains a reproduction of Peter Paul Rubens's painting of Adam and Eve, in which Eve's breasts are visible despite fig leaves covering the couple's genitals. Attorney Jeffrey E. Fogel filed a federal lawsuit on August 31 on behalf of the American Humanist Association, arguing that the rejection violates the First and Fourteenth Amendments and has caused financial harm to the publisher. The article in question, titled "Everything You Know about Sex is Wrong," aims to challenge binary gender concepts.

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Artists Brian Eno and Beatie Wolfe have announced a collaborative music project titled *Lateral* and *Luminal*, two albums set for release on June 6, 2025. The albums, recorded intermittently over 2024, reflect distinct moods: *Lateral* is described as “Space music” led by Eno, while *Luminal* is “Dream music” headed by Wolfe. Early singles include “Suddenly” from *Luminal* and “Big Empty Country” from *Lateral*. The duo first met at the South by Southwest Festival in 2022, where they discussed art and climate, and later reconnected while holding exhibitions at separate London galleries. Their collaboration extends beyond music to a conceptual framework that names specific emotions—such as “fèath,” “pronoia,” “dor,” and “mono no aware”—to make feelings more tangible.

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A shipment of artworks by artist Sam Ghantous, destined for a New York exhibition at YveYang Gallery, has been detained at Newark Airport by U.S. Customs. The works, which include prints on silicon wafers, contain materials similar to those used in microchips, leading to potential confusion over trade regulations. The exhibition, titled "your golf course made my GPU," explores the global supply chain of sand and raw materials used in technology. Gallery manager Erica Kyung reported the delay, and the artist noted that the wafers are non-functional and cannot be used in computers.

Basquiat's monumental work on paper sells for US$16.3m, leading Sotheby's contemporary sale in New York

On May 15, Sotheby's held The Now and Contemporary Evening Sale in New York, achieving a total of US$127.1 million. The top lot was an untitled 1981 work on paper by Jean-Michel Basquiat, which sold for US$16.3 million after a five-minute bidding battle. The sale included 41 lots with a 92.6% sell-through rate, and all nine works from the collection of Roy and Dorothy Leichtenstein were sold, contributing US$29 million to the total.

Regional strength helps insulate Art Dubai from tariff-related turbulence

Art Dubai, running until 20 April, opened as the first major art fair since US President Trump announced global tariffs that nearly triggered a financial crisis. Sales were solid, with most works priced in the low six figures or thousands, insulating the fair from market anxieties. A divide emerged between regional SWANA galleries—which presented the strongest booths—and international galleries from the US, Europe, and Latin America, which seemed uncertain about what to bring. Notable sales included works by Rana Begum, Mehdi Ghadyanloo, Ali Cherri, and Shaikha Al Mazrou, while galleries like Sfeir-Semler, Vigo Gallery, and Experimenter reported strong results.

Tschabalala Self sculpture of two Black lovers will adorn exterior of New York's New Museum when it reopens

Tschabalala Self's sculptural relief "Art Lovers" (2025) will be installed on the façade of the New Museum in New York when it reopens this autumn with a new 60,000 sq. ft expansion designed by OMA. The 13ft-tall artwork depicts a Black couple kissing in a swirling embrace, inspired by Self's 2022 painting "Madly" and the architectural "kiss point" where the new building meets the original Sanaa-designed structure. The commission continues the museum's façade sculpture programme, which previously featured works by Chris Burden, Isa Genzken, and Glenn Ligon.

Philadelphia Museum of Art Rebrands Again as "PhArt"

The Philadelphia Museum of Art has announced a rebranding to "PhArt," following the discovery of a long-lost Marcel Duchamp readymade—an early prototype of a whoopee cushion titled "Le rire"—in its archives. The institution is dropping "Museum" from its name to signal a commitment to art that transcends traditional boundaries, and the new branding will be featured prominently on social media.

fbi recovers paintings university new mexico harwood museum art 1234744684

The FBI has recovered two paintings stolen 40 years ago from the University of New Mexico's Harwood Museum of Art in Taos. Victor Higgins's oil painting *Aspens* (c. 1932) and Joseph Henry Sharp's portrait *Oklahoma Cheyenne aka Indian Boy in Full Dress* (c. 1915) were taken in March 1985, when the building housed a public library with a museum on the second floor. The recovery was triggered by a late 2023 tip from investigative reporter Lou Schachter to museum executive director Juniper Leherissey, who then led an Art Recovery Task Force. The paintings had been sold in 2018 by the Scottsdale Auction House under altered titles, and were located, recovered, and returned to the museum on May 12, 2025, with a public unveiling on June 6.

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The Bavarian Parliament has unanimously ordered a comprehensive investigation into revelations that the state returned Nazi-looted artworks to the families of high-ranking Nazi officials instead of their rightful Jewish owners. A report by the Commission for Looted Art in Europe (CLAE) exposed that state-owned museums in Munich profited from these stolen works for decades, in some cases selling them back to Nazi descendants at nominal prices or keeping them in public collections.

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The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

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Hilda Trujillo Soto, the former longtime director of the Museo Frida Kahlo (Casa Azul), has alleged that numerous artworks by Frida Kahlo are missing from the museum's collection and may have been sold at auction in the U.S. to private collectors. In a blog post, she accused the Casa Azul board of ignoring evidence of missing art uncovered during her 18-year tenure, and claimed that the sale or transfer of works from the Diego Rivera inventory would violate both the artist's bequest to the people of Mexico and Mexican law. Several missing works, including the painting *Peoples' Congress for Peace* (1952), which sold for $2.66 million at Sotheby's in 2020, appear to have passed through Mary-Anne Martin Fine Art in New York.

Dealer Yves Bouvier to stand trial in Paris over missing Picassos

Swiss dealer Yves Bouvier has been ordered to stand trial in a Paris criminal court over the alleged disappearance of dozens of works by Pablo Picasso from a storage unit. The unit was rented by Picasso's stepdaughter, Catherine Hutin, from Bouvier's company. Bouvier faces charges of concealing stolen goods and laundering, while his business partner, Olivier Thomas, is charged with breach of trust, embezzlement, and laundering. The investigation, triggered by Hutin's 2015 complaint, found that nearly 70 works went missing, with some, including two portraits and 60 drawings, later discovered to have been sold by Bouvier to Russian collector Dmitri Rybolovlev for €36 million.

defaults on art loans soar impact of australias social media ban on museums writer takes aim at singapore biennial morning link for january 6 2025 1234768881

The Financial Times reports that half of non-bank lenders offering loans against artworks experienced defaults in 2024, up from 17% two years earlier, according to the Art and Finance Report 2025 by Deloitte Private and ArtTactic. The art market has shrunk 12% to $57.5 billion since 2022, dragging down collateral values and triggering margin calls. Meanwhile, Australia's social media ban for under-16s raises questions for museums, with the Art Gallery of New South Wales noting minimal impact but the Museum of Contemporary Art Australia more reliant on youth engagement. Other news includes Vanessa Horabuena's speed-painted Jesus sold for $2.75 million at Mar-a-Lago, the cancellation of NFT Paris and RWA Paris 2026, and a critical column calling for the end of the Singapore Biennial.

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The Louvre installed bars on the window through which thieves broke into the Galerie d’Apollon in October, stealing bejeweled objects that remain largely unrecovered. The window was secured on December 23, two days before Christmas, fulfilling a promise made by Louvre director Laurence des Cars, who had sought to resign after the heist but was denied. The museum also plans to add 100 security cameras and discuss securing other windows.

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Thieves broke into the Louvre Museum in Paris and stole several pieces of the French Crown Jewels from the Galerie d'Apollon, including a diadem, necklace, earrings, and brooches from the parures of Queen Marie-Amélie, Queen Hortense, Empress Marie-Louise, and Empress Eugénie. Two items—the reliquary brooch and the corsage bow—were dropped and recovered, and a ninth item, Empress Eugénie's crown, was also taken but later recovered. The thieves triggered alarms and fled after a fast, violent break-in, leaving behind a cherry picker; no injuries were reported.

Racheal Crowther review – unnerving installation attacks your mind … and your nostrils!

London-based artist Racheal Crowther has transformed the Chisenhale Gallery into a sensory-heavy, paranoid environment for her first institutional solo exhibition. The installation centers on a decommissioned U.S. military mobile health unit, once used during the 2018 Novichok decontamination efforts, set against walls painted in "drunk tank pink." The experience is defined by an aggressive olfactory component—a chemical cocktail of powdered milk scents and hexadecanal, a molecule found on infants' heads known to manipulate human aggression.

design fashion black bourgeois aesthetic rob franklin

The article is a personal essay by a writer reflecting on the play "Purpose" and its depiction of a Black political family's home, which triggers memories of his own childhood in the Morehouse College president's residence. He observes a recent surge in popular culture's portrayal of Black bourgeois aesthetics, citing examples like the Met Gala exhibition "Superfine: Tailoring Black Style," Ralph Lauren's Oak Bluffs collection, and the HBO series "And Just Like That…" with its focus on the Todd Wexley family's art-filled apartment.

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Seven years after an undercover sting in Nice, France, recovered a cache of stolen artworks including several by Pablo Picasso, ten defendants are now on trial. The 2017 police operation, triggered by a tip from Belgium, involved officers posing as Swiss buyers who met a seller at a Nice hotel and were led to a house in Peillon filled with stolen pieces. Among the recovered works were Picasso's *Le vieux roi* and *Le clown*, along with other items traced to a burglary in Saint-Paul-de-Vence and an armed robbery in Èze. The trial consolidates earlier investigations into a suspected art theft and fencing network, with prosecutors alleging the Peillon property served as a storage and sales hub.

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Two French parliamentarians, Jean-Paul Matteï and Philippe Juvin, have proposed a new tax regime on art as part of France's 2026 budget, which would make France the only major art market to impose a wealth tax on the mere possession of artworks. The French art world has strongly opposed the proposal, with 27 signatories including Art Basel, auctioneer Drouot, visual artists' rights organization ADAGP, the Association for the International Diffusion of French Art (ADIAF), and the Comité Professionel des Galeries d’Art (CPGA). Critics argue the tax is technically unenforceable, would drive collectors away, and harm the broader art ecosystem.