The article profiles the life and work of José Guadalupe Posada, a prolific Mexican printmaker who died in relative obscurity in 1913. It details his career from his early work in lithography and political cartoons to his later, defining collaboration with publisher Antonio Vanegas Arroyo in Mexico City, where he produced sensationalist broadsides and his iconic calaveras (skeletons).
Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.
A landmark collection of Benjamin Franklin memorabilia assembled by sports and entertainment mogul Jay Snider is heading to Sotheby’s New York on June 24. The collection includes over 150 items—books, broadsides, letters, and manuscripts—tracing Franklin’s career from printer to scientist to diplomat. Highlights include a 1758 letter to Joseph Galloway (estimated $70,000–$100,000), a 1778 letter from George Washington introducing the Marquis de Lafayette (which sold for over $1 million in January), and a bound volume of Franklin’s electrical experiments ($75,000–$125,000). The full catalogue is valued at $3 million to $4.5 million, and 40 artifacts will be displayed at the Library Company of Philadelphia from May 5 to 7.
Artist Kathleen Ryan creates large-scale sculptures of rotting fruit and food items, meticulously covering them with thousands of semiprecious stones and beads to mimic the textures and colors of mold and decay. Works like "Bad Lemon (Slice of Paradise)" and "Screwdriver" juxtapose luxurious materials like amethyst, turquoise, and serpentine with salvaged metal from vintage cars, creating a dual personality of hidden beauty and grotesque rot.
Adrienna Matzeg’s solo exhibition "After Hours" at Abbozzo Gallery in Toronto presents embroidered textile works inspired by her late-night explorations of Kyoto, Tokyo, and Seoul during a July 2025 trip. The pieces capture quiet, illuminated scenes of convenience stores, markets, and roadside attractions, rendered on black linen with a diaristic, snapshot-like quality.
The Surrey Art Gallery in British Columbia is presenting a new exhibition titled "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," running from April 18 to June 7, 2026. The show features over 50 artists, including a project by Michael de Courcy who took 1,700 photos of Expo 86 visitors, and works by Henri Robideau, a self-described 'Gianthropologist' who photographed giant roadside attractions across Canada in the 1980s.
The creative initiative Roadside, founded by artist Ali Arshad, is challenging the traditional gallery model in Pakistan by hosting pop-up exhibitions in unconventional public spaces. Their latest show, "Anighst Preeminent Prosaics," transformed Iqbal House, a pre-partition bungalow in Lahore, into a multi-sensory art experience featuring 14 artists. By placing works in sites ranging from barber shops to parking lots, the initiative seeks to dismantle the elitist barriers of the "white cube" and engage a broader demographic, including the working class and Gen Z.
The Peabody Essex Museum (PEM) in Salem, Massachusetts, is launching a new exhibition titled "Pressing Importance: Salem and the Declaration of Independence" on May 2, 2026. Curated by Dan Lipcan, the show features rare materials from the museum's Phillips Library, including two of the earliest surviving broadside editions of the Declaration. The display focuses on the Revolutionary-era manuscripts, newspapers, and pamphlets that were instrumental in circulating the message of independence throughout the colonies.
The Amarillo Art Institute’s Vermillion Gallery opened the “Mother Road — Open Air, Open Road” exhibition, a juried show featuring plein air paintings of Route 66 landmarks in Texas and New Mexico. Awards were presented at a reception, with Wendy Ahlm winning Best in Show for “Help Wanted,” Lisa Flynn earning an Honorable Mention for “Café Stop,” and Dick Wimberley receiving the People’s Choice Award for his painting of the Blue Swallow Motel. Other winners included Carolyn Lindsey (second place) and Michele Byrne (third place).