The Big Review | Venice Biennale 2026: In Minor Keys ★★★½

The Venice Biennale 2026, titled "In Minor Keys," was curated posthumously following the death of artistic director Koyo Kouoh in May 2025. A team of five curators and advisors—Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayi—executed her vision across the Giardini and Arsenale venues. The exhibition features 110 artists, with a strong emphasis on new commissions, and is structured around themes of procession, resistance, and joy. Key works include Big Chief Demond Melancon's "Amistad Takeover" (2026), Nick Cave's "Amalgam (Origin)" (2025), and Otobong Nkanga's rewilded columns at the Central Pavilion.

Here’s Why the Venice Biennale Main Show Lost One Artist During the Planning Stages

The Venice Biennale's main exhibition, curated by the late Koyo Kouoh, originally included 111 artists when announced in February, but now lists only 110. ARTnews reveals that the removed artist is Bodys Isek Kingelez, a Congolese sculptor known for his colorful cardboard "extreme maquettes" of fantastical cities. A Biennale spokesperson stated that works initially considered for Kingelez were ultimately unavailable. Kingelez, who died in 2015, was to be one of the few deceased artists in the show, alongside figures like Marcel Duchamp and Issa Samb.

Handpicked review – delightful dancing dahlias and petals so pillowy you can feel them

The Guardian reviews "Handpicked," an exhibition at Kettle's Yard in Cambridge that brings together over 40 artists from the 20th century to the present, all sharing a floral passion. The show features works by Rory McEwen, Vanessa Bell, Cedric Morris, Christopher Wood, Tirzah Garwood, Celia Paul, Gluck, and Caroline Walker, among others, displayed on white and leaf-green walls inspired by the fresh flowers and floral paintings in the neighboring house. The review highlights specific pieces, such as McEwen's exquisite tulip watercolor and Garwood's poignant painting from the last year of her life, noting the technical variety and emotional depth across the exhibition.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

Where to go this weekend?

Wohin am Wochenende?

This week's art tips include Anton Corbijn's birthday exhibition at Fotografiska Berlin, featuring iconic portraits alongside personal favorites; the 25th anniversary of Daniel Libeskind's extension at the Jewish Museum Berlin; Refik Anadol's first Belgian AI-driven installation at Brusk in Bruges; the Schirn Kunsthalle Frankfurt's 40th anniversary weekend with free entry and performances; and a Lee Ufan solo show at Dia Beacon in New York, following his Wolfgang Hahn Prize.

Venice Golden Lion jury won’t consider Russian and Israeli pavilions

The jury for the Golden and Silver Lion awards at the 61st Venice Biennale has announced it will not consider the national pavilions of any country whose leaders are currently charged with crimes against humanity by the International Criminal Court. This decision specifically excludes Russia, whose president Vladimir Putin is charged with unlawful deportation of Ukrainian children, and Israel, whose prime minister Benjamin Netanyahu is charged with targeting Palestinian civilians and using starvation as a weapon. The jury, presided over by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, issued a full statement explaining their commitment to human rights and alignment with the curatorial vision of the late Koyo Kouoh.

Here is the first and for now only interview with the curators of the 2026 Venice Art Biennale

Ecco la prima e per ora unica intervista ai curatori della Biennale d’Arte di Venezia 2026

The team of the late curator Koyo Kouoh has completed the 61st International Art Exhibition of the Venice Biennale, titled "In Minor Keys," which opens to the public on May 9, 2026. In an exclusive interview, curators Gabe Beckhurst Feijoo, Marie Helene Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayia discuss the challenges of realizing Kouoh's vision after her death, including fundraising, installation design by Wolff Architects of Cape Town, and the use of cardboard as a non-invasive material to create thresholds between spaces.

LATIN AMERICA AT THE VENICE BIENNALE: A VISUAL TOUR OF THE CENTRAL EXHIBITION

LATINOAMÉRICA EN LA BIENAL DE VENECIA: UN RECORRIDO VISUAL POR LA MUESTRA CENTRAL

The 61st Venice Biennale, titled "In Minor Keys," opened its preview days on May 8, 2025, curated by the late Koyo Kouoh (1967–2025). The central exhibition, realized by a team she selected before her death, features 110 participants from around the world, with a strong Latin American presence of 15 artists, collectives, and organizations. The show explores themes of colonial history, plantation economies, geological memory, and environmental crisis through works that emphasize shared materials, politics, and poetics across geographies from Dakar to San Juan.

Dark clouds, protests and resignations dampen start of 61st Venice Biennale

The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.

Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

"In Minor Keys" Hits All the Right Notes

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," opened with a somber curatorial press conference, as artistic director Koyo Kouoh, who died in May 2024 at age 57, was not physically present. The exhibition features 110 invited participants across the Arsenale and Giardini, including works by Buhlebezwe Siwani, Johannes Phokela, Wangechi Mutu, Ebony G. Patterson, and Kambui Olujimi. Protests marked the opening, with gatherings at the temporary Israeli pavilion and Pussy Riot's presence at the Russian pavilion, while the exhibition itself asks viewers to look closer at overlooked forms of representation and consider innovative models of measuring the world.

“Joseph Barrett: Views from his Lahaska Studio” to open at Silverman Gallery

The Silverman Gallery of Bucks County Impressionist Art in Holicong, Pennsylvania, will open a new exhibition titled “Joseph Barrett: Views from his Lahaska Studio” on May 16-17, 2025, with opening receptions featuring live jazz and refreshments. The show runs through June 20 and includes previously unseen works such as “View from My Window,” “Neshaminy,” and “County Theater in Snow,” alongside Barrett’s painting “Estate of Joseph Stanley,” recently returned from a two-year display at the U.S. Embassy in Kigali, Rwanda, as part of the State Department’s Art in Embassies program.

L’artista Kader Attia ci racconta la sua opera alla Biennale di Venezia 2026. L’intervista

Kader Attia presents his multimedia installation "Whisper of Traces" at the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The work explores the intersections of magic, spirituality, traditional healing, and digitalization, drawing on Attia's long-standing interest in how colonialism, neoliberalism, and technology have transformed shamanic and healing practices. Attia describes the project as an accumulation of psychic traces from human history, which his mother called "ghosts."

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

Statement of Intention by the International Jury of the 61st International Art Exhibition In Minor Keys of La Biennale di Venezia

The international jury for the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," has issued a statement declaring their intention to exclude from consideration any countries whose leaders are currently charged with crimes against humanity by the International Criminal Court. The jury, chaired by Solange Farkas and including members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, was selected by artistic director Koyo Kouoh to award the Golden and Silver Lions among the 110 artists in the exhibition.

Venice Biennale previews in chaos as war follows art into world's oldest exhibition

The Venice Biennale previewed its 61st edition in chaos on Tuesday, marked by the unprecedented resignation of its jury over the participation of Israel and Russia. Ukrainian artists displayed a statue of an origami deer from the war-torn eastern front, while Russian pavilion participants danced to house music and Palestinians marched wearing the names of artists killed in Gaza. The jury had stated it would not award prizes to countries under International Criminal Court investigation, singling out Russia and Israel, and its resignation has thrown the exhibition's structure into question.

Unsilenced exhibition explores mental health through art in Moose Jaw

The Moose Jaw Museum and Art Gallery in Saskatchewan is hosting 'Unsilenced,' an interactive art exhibition that explores mental health through the work of five artists. The show features Peter Tucker, Ruth Cuthand, Derek Poe, Amy Snyder, and Richard Boulet, using mediums such as sculpture, ceramics, beadwork, and fibre art to address topics like anxiety, OCD, climate anxiety, and intergenerational trauma. Visitors can engage with installations, including a clay pot piece about eco-stress and a reflection room for deeper contemplation.

In Minor Keys and legacies held in common

The article reflects on the 61st Venice Biennale, curated by Koyo Kouoh, who passed away on 10 May 2025 at age 57 after a cancer diagnosis. Her curatorial concept, "In Minor Keys," will be realized posthumously by her team. The Biennale preview opens on 6 May 2026, with the public opening on 9 May. Additionally, artist Henrike Naumann, selected for the German Pavilion, died on 14 February 2025 at age 41, also from cancer; her work will be shown in her name.