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Bringing back the salon: UK organisation aims to revive Brighton's contemporary art scene

The Adelaide Salon, a new arts organization founded in 2024 by Pascal Dowers and Paulina Anzorge, is staging a ticketed contemporary art event at Brighton's Royal Pavilion on 30 May, featuring live art and performance. This follows the organization's earlier exhibitions at their home in Adelaide Crescent and a current takeover of the Founders Room at Brighton Dome with the exhibition Act O (until 25 May), part of the Brighton Festival. The salon aims to revive Brighton's art scene after notable losses, including the 2023 closure of Brighton University's Centre for Contemporary Art (CCA) and the withdrawal of Arts Council funding at Fabrica gallery.

re air uncovering the louvres hidden stories 2711775

Artnet News re-airs a podcast episode exploring the hidden stories of the Louvre, prompted by a recent daylight heist in which thieves stole eight pieces of royal jewelry from the Paris museum. The episode features Elaine Sciolino, a former Paris bureau chief for the New York Times, who discusses her book *Adventures in the Louvre: How to Fall in Love with the World’s Greatest Museum*, based on unprecedented access to the museum's guards, curators, and hidden rooms.

Tiny Cranach Painting That Vanished During WWII Returns to Dresden

A miniature portrait of Friedrich III (Frederick the Wise) by Lucas Cranach the Elder, missing since World War II, has been returned to the State Art Collections of Dresden, Germany. The painting was last documented in May 1945 in a limestone quarry shelter near Pockau-Lengefeld before vanishing. It resurfaced in 2024 when consigned to Parisian auction house Artcurial, whose provenance investigation revealed a matching inventory number from 1722–1728. The Dreyfus family in France, the modern owners, returned the work after negotiations and a financial agreement. It is now on view at the Coin Cabinet of the Royal Palace in a special exhibition marking the 500th anniversary of Friedrich III's death, and will later be permanently displayed in the Semper Gallery.

Artemisia Gentileschi Masterpiece Goes to Auction—Without Its Face

The Dorotheum auction house in Vienna is set to auction a rare, autograph replica of Artemisia Gentileschi’s 'St. Mary Magdalen' (c. 1620) that is missing its central focus: the saint's face. Discovered in a private German cellar in 2011 and likely mutilated during the looting of postwar Berlin, the fragment has been authenticated by experts Roberto Contini and Riccardo Lattuada. Despite the missing section, infrared analysis confirms Gentileschi’s hand, and the work is estimated to fetch between $120,000 and $170,000.

14 new art and culture spaces around India

The article highlights 14 new art and culture spaces that opened across India in the past year, including Muziris Contemporary in Kochi and Mumbai, Latitude 28 in New Delhi, and others repurposed from historic buildings like a royal palace in Jaipur, a former school in Bengaluru, and a family mansion in Kolkata. These spaces defy conventional gallery formats, blending exhibitions, workshops, performances, and reading rooms to create hybrid cultural venues.

Rhythm, Space, and Memory. 10 Artists to Discover at “The Subtle Charm of Obsessions” Exhibition.

The article announces "The Subtle Charm of Obsessions," a multidisciplinary exhibition opening April 25, 2025, at the City Museum of Wrocław – Royal Palace. Curated by Jerzy Zajączkowski, the show explores Sigmund Freud's concept of the compulsion to repeat through works by artists based in Wrocław and across Poland, including Tamara Berdowska, the collective Monomoka (Katarzyna and Monika Gwiazdowskie), and Michał Misiak. The exhibition features painting, glass, fabric, and crocheted works, emphasizing rhythm, memory, and the cyclical return to familiar motifs placed in new contexts.

mowaa archeological project findings benin city nigeria 1234760131

The Museum of West African Art (MOWAA) in Benin City, Nigeria, will open its MOWAA Institute next week, the first completed building of a planned 15-acre campus that will also include the Rainforest gallery and other facilities by 2028. In advance of the opening, Antiquity magazine published an updated report on the MOWAA Archeological Project (2022–2024), a collaboration among MOWAA, the British Museum, and Nigeria’s National Commission for Museums and Monuments, with Cambridge Archaeological Unit and Wessex Archaeology as delivery partners. The excavations, the first at the royal palace complex since the 1960s, used both digs and ground-penetrating radar, with radiocarbon dating revealing artifacts spanning from before the Benin Kingdom through its collapse and colonial and postcolonial eras.

Edinburgh’s Yaniv Edery Gallery unveiled

International artist Yaniv Edery has launched his first UK gallery in a Georgian townhouse on Picardy Place in Edinburgh. The venue showcases Edery’s signature style, which utilizes a unique technique of layering resin over injected acrylic and ink on brushed aluminum to create vibrant, pop-art-inspired works. The space is designed to function as both a contemporary art gallery and a luxury events venue, featuring a dedicated function room, bars, and boutique suites.

looted 14th century english jug loan kumasi museum 1234764598

The British Museum is reportedly considering a long-term loan of the Asante Ewer, a rare 14th-century English bronze jug, to the Manhyia Palace Museum in Kumasi, Ghana. The ewer, which was looted by British forces from the Ashanti royal palace during the Fourth Anglo-Asante War in 1896, is the largest extant medieval English bronze vessel and was likely made for King Richard II. Ghana is expected to make a formal request for the loan, which would be long-term, and is not anticipated to demand full repatriation.

FIFA World Cup 2022 opening artist launches gallery in heart of historic Edinburgh

Casablanca-born artist Yaniv Edery has opened his first UK gallery in a historic Georgian townhouse at Picardy Place, Edinburgh. The venue, located within a UNESCO World Heritage Site and the birthplace of Sir Arthur Conan Doyle, showcases Edery’s signature bold, immersive artworks characterized by animal portraits, crystals, and metallic finishes.

British Museum's looted ewer set for return to Ghana on long-term loan

The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.

After a £27m makeover, Norwich Castle reopens with a new gallery, royal rooms—and medieval toilets

Norwich Castle has reopened after a five-year, £27.5m renovation that reinstates long-lost royal rooms within its medieval keep. The Royal Palace Reborn project added a bedroom, chapel, kitchen, banqueting hall, and medieval toilets, recreating the spaces as they would have appeared when King Henry I stayed in 1121. Visitors can explore the rooms with period-appropriate furniture, textiles, and painted decorations, plus new animations projected onto the keep's walls. A new Gallery of Medieval Life, developed with the British Museum, displays over 900 medieval objects, including 50 on long-term loan from the British Museum.

Monumental Rubens ceiling painting revealed once more after two-year renovation

The monumental Whitehall Ceiling at London’s Banqueting House, painted by Peter Paul Rubens, is set to reopen to the public following a comprehensive two-year renovation and conservation project. Managed by Historic Royal Palaces, the initiative included the installation of advanced climate control systems to preserve the 17th-century canvases, structural stabilization of historic plaster, and the addition of a lift to provide the first-ever step-free access to the Main Hall.

‘Final spurt’: decades-long rebuilding of Dresden’s Royal Palace nears completion

The decades-long reconstruction of Dresden's Royal Palace (Residenzschloss), a project costing €400 million, is nearing completion after beginning in 1985. The palace, which was reduced to a burnt-out shell by Allied bombing in February 1945 and remained a ruin through much of East Germany's history, will see its final phases unfold from autumn 2024 through 2027. These include a new installation in the former picture galleries, the rebuilt Schlosskapelle (palace chapel) opening in November, a Rüstkammer installation in the ballroom in early 2026, the completion of the Grosser Schlosshof courtyard in 2027, and a new exhibit in the Gothic Hall chronicling the palace's history. The palace now houses major collections of the Staatliche Kunstsammlungen Dresden (SKD), including the Grünes Gewölbe, Kupferstich-Kabinett, and Rüstkammer.