Austrian-born, Netherlands-based performance artist Florentina Holzinger has joined the roster of blue-chip gallery Thaddaeus Ropac. This move comes just months before she is set to unveil her project "Seaworld Venice" for the Austrian Pavilion at the 2024 Venice Biennale, marking a significant shift of her boundary-pushing, interdisciplinary practice from the theater and dance worlds into the commercial art gallery system.
"Im Moment ist die Verunsicherung auf dem Kunstmarkt extrem"
Prominent Cologne gallerist Gisela Capitain is celebrating her 40th anniversary amid a period of significant market volatility. In recent interviews, she reflects on her career—defined by long-term artist relationships like that with Martin Kippenberger—while critiquing the current state of the art world. She notes that buyers have become increasingly hesitant and deliberate, describing the current level of uncertainty in the art market as extreme and calling for reforms to institutions like Art Cologne.
The Frick Collection in New York has appointed Julia Day as its new chief conservator, a role she assumed upon the retirement of Joseph Godla, who had held the position since 2005. Day, a Frick veteran who left in 2022 to become a senior conservator at the Guggenheim Abu Dhabi, returned this spring to lead the museum's expanded conservation efforts. Her appointment coincides with the reopening of the Frick's renovated 1914 mansion, which now features a new 1,200-square-foot conservation studio—the Sherman Fairchild Center for Art Conservation—designed by Samuel Anderson Architects, along with a radiography room and exhibition preparation spaces.
Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.
The Kimbell Art Museum has announced an extensive lineup of free community programming for the Spring 2026 season. The schedule features a diverse array of events including gallery discussions, hands-on art-making workshops for children, live music performances, and scholarly lectures. A significant portion of the programming is designed to complement the special exhibition, "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," through documentary screenings and expert-led talks.
The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.
The Kimbell Art Museum in Fort Worth is presenting 'The Holy Sepulcher: Treasures From the Terra Sancta Museum, Jerusalem,' an exhibition of opulent 17th-century liturgical objects from the Church of the Holy Sepulcher. The collection, featuring gifts from European rulers like King Louis XIII of France and King Philip IV of Spain, includes gold, silver, and jewel-encrusted pieces such as vestments, a throne, and a sanctuary lamp, and is on view from March 15 to June 28.
The Kimbell Art Museum in Fort Worth has announced two major exhibitions for 2026. From March 15 to June 28, the museum will host "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," featuring over 60 silver, gold, and bejeweled objects gifted by Holy Roman Emperors and European monarchs to the Church of the Holy Sepulcher. In the fall, from October 4, 2026, to January 17, 2027, the Kimbell will present "Photography's First Century: Masterworks from the Bibliothèque nationale de France," its first-ever photography exhibition, showcasing more than 150 early images from pioneers like Henri Le Secq, Gustave Le Gray, and Félix Tournachon.
"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"
Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.