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cairo officials launch hunt for a pharaonic bracelet missing from egyptian museum 1234752636

Cultural authorities in Cairo have launched a nationwide search for a 3,000-year-old solid gold bracelet that disappeared from the Egyptian Museum in Tahrir Square. The artifact, once owned by King Amenemope of the 21st Dynasty, features blue lapis lazuli beads and was last seen in the museum's restoration laboratory. It was being prepared for the upcoming "Treasures of the Pharaohs" exhibition in Rome. Authorities have distributed images of the bracelet to all Egyptian airports, seaports, and land border crossings to prevent smuggling, and a specialist committee will inventory all artifacts in the laboratory.

David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)

David Shrigley has unveiled a new exhibition titled 'Exhibition of Old Rope' at London's Stephen Friedman Gallery, featuring ten tonnes of discarded rope sourced from seaports, climbing schools, tree surgeons, offshore wind farms, and shorelines across the UK. The rope, roughly 20 miles in length, has been intensively cleaned and piled high in the Mayfair gallery, with a deliberately provocative price tag of £1 million. The show runs until 20 December 2025.

The British artist David Shrigley wants £1m for piles of old rope

British artist David Shrigley has opened an exhibition at Stephen Friedman gallery in London featuring approximately ten tonnes of discarded rope, collected from seaports, climbing schools, tree surgeons, and other sources over eight months. The rope is piled in four rooms of the gallery, with a neon sign reading “exhibition of old rope”. Shrigley has priced the installation at £1 million plus VAT, describing the figure as a “provocation” that highlights the gap between art-world valuation and public perception. He acknowledges the work may not sell but insists every artwork needs a price.

Mystic Seaport Museum exhibition chronicles whale oil industry's far-reaching impact

The Mystic Seaport Museum in Connecticut has opened a new exhibition titled "Monstrous: Whaling and Its Colossal Impact," which explores the deep connection between the US whaling industry and capitalism. Featuring objects from the museum's permanent collection—including 19th-century photographs, blubber hooks, ship models, captain's logbooks, a sperm whale jawbone, a jar of blue whale fetuses, and whale oil products—the show illustrates how whale oil lit lamps and greased machines for over a century. A giant scratchboard mural by contemporary artist Jos Sances, titled "Or, The Whale" (2019-20), dominates the space, while references to Herman Melville's "Moby-Dick" permeate the exhibition, which also includes a copy of a 1930 illustrated three-volume edition.

Seaport Art Walk accepting artist proposals for 2026 exhibition

The Seaport Art Walk in New Bedford, Massachusetts, is now accepting artist proposals for its 2026 edition, which will run from July 9 to October 31, 2026. The juried outdoor exhibition, themed “Good Trouble” in honor of the late Rep. John Lewis and the 250th anniversary of the Declaration of Independence, invites submissions of temporary sculptures, murals, or photography exploring civil disobedience, community organizing, and cultural resistance. Proposals are due by February 23, 2026, with stipends ranging from $250 to $2,500 per artwork.