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Bodies, Bodies, Bodies: Artists Revisit the Nude in Shows Across New York

This spring in New York, multiple exhibitions are revisiting the nude as an artistic genre, with artists exploring themes of flesh, harm, aging, and political oppression. Notable shows include Seung Ah Paik's "Self Configuration" series at Bortolami, where she paints distorted self-portraits that recall Surrealist and feminist traditions, and Joan Semmel's self-portraits at Alexander Gray Associates, which continue her decades-long focus on the nude body. These shows are part of a broader trend that also includes the New Museum's "New Humans: Memories of the Future."

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Arnulf Rainer, the Austrian artist known for his relentless experimentation and his signature "overpaintings" (Übermalungen), died on December 18 at age 96 at his home in Austria. His death was confirmed by his gallery, Thaddaeus Ropac. Over seven decades, Rainer produced abstract works tied to the Art Informel movement, layering dense pigment over existing images—first his own, then works by artists like Emilio Vedova. He also created "blind drawings" and overpainted photographic self-portraits in series such as "Face Farces" and "Body Poses." His career included major exhibitions at Documenta, the Venice Biennale, the Guggenheim Museum, and the Centre Pompidou, and he taught at the Academy of Fine Arts in Vienna from 1981 to 1995.

8 Must-See Solo Gallery Shows in December

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for December, highlighting exhibitions from New York to Los Angeles. Featured artists include Alex Da Corte, whose show at Matthew Marks Gallery presents 11 new sculptures in a narrative setting, including life-size self-portraits as the Pink Panther and Popeye; and Sylvia Snowden, whose exhibition "On the Verge" at White Cube in New York showcases 20 paintings from her career, exploring human struggles and joys through textured impasto works. Other notable shows include Marilyn Minter's portraits of celebrities at Regen Projects in Los Angeles.

Photographer Zanele Muholi is named the 2026 Hasselblad Award laureate.

South African visual activist Zanele Muholi has won the prestigious 2026 Hasselblad Award, one of the highest honors in photography. The award, which includes a cash prize and a major exhibition at the Hasselblad Foundation in Gothenburg, Sweden, recognizes Muholi's decades-long dedication to documenting and celebrating Black LGBTQIA+ communities in South Africa and beyond. Their powerful portraits and self-portraits challenge historical erasure and create a profound visual archive of resistance and existence.

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This week's What's On column highlights must-see gallery shows in New York City, including Simone Fattal's bronze and ceramic works at Greene Naftali and kaufmann repetto, Sol Lewitt's early works at Paula Cooper, Charles Atlas's portraits at Luhring Augustine, John Akomfrah's eight-channel installation at Lisson, and Brenda Goodman's new exhibition at Sikkema Malloy Jenkins. On the Upper East Side, the Metropolitan Museum of Art presents Helene Schjerfbeck's self-portraits in "Seeing Silence," the Jewish Museum features Joan Semmel's radical nudes, and White Cube hosts Marguerite Humeau's cave-inspired show "scintille."

art iiu susiraja photography gratin exhibition

Finnish artist Iiu Susiraja, known for her deadpan self-portraits that blend vulnerability and absurdity, is opening her first New York solo exhibition since her 2023 MoMA PS1 show, titled “A style called a dead fish,” at the gallery Gratin on December 11. The article, an interview by a critic, explores Susiraja’s practice of embracing her “inner clown” through photographs that feature nudity, balloons, and domestic props, often staged in her own home or her parents’ home in Turku. New works include images like “Lift up, Breasts” (2025), where helium balloons are taped to her nipples, and a sculpture involving photocopying machines that will distribute keepsakes during the show.

must see summer gallery shows new york

Cultured magazine has published a roundup of must-see summer gallery shows in New York, featuring exhibitions by Che Lovelace at Nicola Vassell, Seth Price at 15 Orient, Carrie Yamaoka at Anonymous Gallery, Kati Heck at Bortolami, Lutz Bacher at Galerie Buchholz, and Dustin Yellin at Almine Rech. The shows run through July and August 2025, highlighting a diverse range of media including painting, video collage, sculpture, and light installation, with themes spanning post-colonial identity, historical collage, reflective surfaces, mythological realism, and enigmatic legacy.

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Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.

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The Stedelijk Museum in Amsterdam has opened "Erwin Olaf—Freedom," a major retrospective of the late Dutch photographer Erwin Olaf, who died in 2023 at age 64. The exhibition spans over a dozen rooms, showcasing his diverse output from subcultural documentation and commercial work to staged tableaux, self-portraits, and club ephemera, alongside video and sculpture. It juxtaposes formally refined portraits, such as Queen Máxima, with provocative early works like "Joy" (1985), refusing to impose a single narrative on his career.

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New research by the Metropolitan Museum of Art suggests that Johannes Vermeer may have hidden a self-portrait beneath his painting *A Maid Asleep* (1656–57). Using scientific analysis, the Met's team discovered an overpainted figure in the background—a man painting with his left hand, likely a reflection in a framed mirror. The image is too obscured to reveal facial features. The theory, first proposed by the Met in 2023, is bolstered by a comparison to Nicolaes Maes's *The Naughty Drummer* (1655), which similarly depicts an artist reflected in a mirror. The Met argues Vermeer likely knew Maes's work.

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Suzanne Valadon, a self-taught French post-impressionist painter known for her brash, unflinching style and commitment to representation, is the subject of a major retrospective at the Centre Pompidou in Paris through May 26. The exhibition, simply titled "Suzanne Valadon," features 200 works and is part of a recent swell of attention that includes six major exhibitions in six years, highlighting her self-portraits, nudes, and depictions of the human body with unidealized realism.

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Frieze Week in New York has arrived, drawing tens of thousands of visitors to The Shed for displays from over 65 international galleries. The article offers a collection of art historical trivia to help attendees impress peers, including tales of a potentially fake Picasso gifted to Robin Williams by Disney, Piet Mondrian's fondness for Disney's *Snow White and the Seven Dwarfs*, and a legend that Raphael's pupil Giulio Romano created erotic frescos in the Vatican's Sala di Constantino out of anger over delayed payment from Pope Clement VII.

‘The Ballad of Sexual Dependency’: entire Nan Goldin series gets first-ever UK show

Gagosian gallery in London will present the first-ever UK exhibition of Nan Goldin's complete series 'The Ballad of Sexual Dependency' (126 prints, 1973-1986) at its Davies Street location from January 13 to March 21, 2025. Simultaneously, the gallery's Grosvenor Hill space will host 'Richard Avedon: Facing West,' featuring 21 portraits from Avedon's 'In the American West' series, including several unseen since 1985. Both exhibitions mark the 40th anniversary of the publication of the two landmark photography books.

At the Aspen Art Museum, Glenn Ligon inspects the record

Glenn Ligon's exhibition "Break It Down" opened at the Aspen Art Museum on November 21, showcasing 47 works spanning three decades. The show examines how the artist constructs a portrait of self by drawing on external institutional documents, including school reports, museum conservators' notes, and James Baldwin's essay "Stranger in The Village." Key works include 50 screenprinted self-portraits with printing glitches that question stable identity, and a final gallery centered on a painting built from Baldwin's text, surrounded by dark carbon and graphite rubbings that reinterpret the essay through physical mark-making.

Basel native Irène Zurkinden makes a long-overdue return

Kulturstiftung Basel H. Geiger has opened a two-room exhibition dedicated to Basel native Irène Zurkinden (1909-87), her first major hometown show since the 1980s. The exhibition spans portraits, self-portraits, still-lifes, landscapes, drawings, and several sketchbooks on public view for the first time. Zurkinden studied fashion illustration in Basel before finishing her training at Paris’s Académie de la Grande Chaumière, inspired by Henri de Toulouse-Lautrec. She lived between Paris and Basel and was close friends with Meret Oppenheim, whose portrait by Zurkinden, Meret à l’orange (1932-35), is in Kunstmuseum Basel’s permanent collection and included in the show.

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Eva, one half of the German artist duo EVA & ADELE, has died. Her passing was announced on the couple's Instagram page on Wednesday, with the German press agency dpa reporting that she died in Berlin after surgery on her lumbar spine. Eva never revealed her true age; the couple's representative, Galerie Nicole Gnesa, stated in an obituary that she was 34 years, one month, and 10 days old—using her chosen wedding day as her birthday. EVA & ADELE were known for treating their lives as a performance, appearing publicly in matching outfits to blur gender binaries and individuality, and were fixtures at major art events like the Venice Biennale, Documenta, and Manifesta.

‘You look at it and you just feel better’: this year’s Photoville festival highlights

The 15th annual Photoville festival in New York features over 90 photographic exhibits, ranging from whimsical subjects like cosmic-looking apples in "Old Apples" to hard-hitting reportage on wildfires, water access inequalities, and ICE's impact on communities. Notable exhibits include "Special Girls," showcasing 1990s photos of trans women from the Remsen Wolff archive, and "Point of View," pairing self-portraits by Dutch college students with Rijksmuseum artworks. Other highlights include Lexi Parra's "The Avillas," documenting a family after a matriarch's self-deportation, and "Puppies Behind Bars," a photo series on incarcerated men raising service dogs at Green Haven prison.

Arnulf Rainer, a revolutionary figure in postwar Austrian art, has died aged 96

Arnulf Rainer, a revolutionary figure in postwar Austrian art, has died at age 96. His death on 18 December was confirmed by his gallery Thaddaeus Ropac, which described him as one of the most influential artists of the post-war period. Born in 1929 in Baden, Austria, Rainer emerged as a leading figure of the Austrian avant-garde, known for his gestural paintings confronting the atrocities of the Holocaust and Hiroshima, and for his experimental self-portraiture. He was a founding member of Galerie nächst St Stephan in postwar Vienna, a vital hub for artists seeking alternatives to the conservative art world. His signature Übermalungen (overpaintings) involved painting over photographs and self-portraits with aggressive gestures, dense black strokes, and erasures, creating charged works where violence and vulnerability coexist.

On View: 'In the Medium of Life: The Drawings of Beauford Delaney' at The Drawing Center in New York Explores Centrality of Drawing in Artist's Practice

The Drawing Center in New York is presenting 'In the Medium of Life: The Drawings of Beauford Delaney,' a major survey of the artist's works on paper spanning four decades, from 1929 to 1971. Featuring approximately 90 drawings in charcoal, ink, pastel, watercolor, and gouache, alongside a few paintings and archival materials, the exhibition highlights Delaney's evolution from Harlem Renaissance portraiture to Parisian abstraction. It includes early works like 'Harlem Athlete' (1929) and portraits of figures such as James Baldwin, as well as self-portraits and untitled abstractions.

Ed Atkins

Tate Britain presents a major retrospective of British artist Ed Atkins, running from 2 April to 25 August 2025. The exhibition features over 60 works across eight rooms, including video installations, embroideries, and sculptural pieces such as 'Death Mask II: The Scent' (2010), 'Hisser' (2015), 'Old Food' (2017-18), and 'Pianowork 2' (2023). Atkins, known for exploring existential dread through digital and handmade media, wrote the exhibition labels himself—a device curator Polly Staple says questions the authority of museum text. The show traces Atkins' evolution alongside advancing technology, from early post-art-school works to CGI self-portraits and installations incorporating costumes from Berlin's Deutsche Oper.

Rare Keith Haring Self-Portrait and Other Intimate Works Go on View in NYC

A collection of intimate works by Keith Haring, including a rare self-portrait, a painted crib, and personal letters, has gone on view at Sotheby's Breuer building in New York City. The works were gifted by Haring to his childhood best friend and fellow artist, Kermit Oswald, over the course of their friendship from 1977 to 1989. The free public exhibition precedes a series of three auctions beginning May 14, with highlights including the self-portrait estimated at $3–5 million and a crib-and-dresser set expected to fetch $250,000–350,000.

A View From the Easel With Celia Paul

British painter Celia Paul provides an intimate look at her long-term studio and residence in London's Bloomsbury neighborhood, where she has lived and worked for 44 years. The artist describes a disciplined routine starting at 5am, emphasizing a need for silence and a pared-down environment to foster the introspection found in her seascapes and self-portraits.

From Rembrandt to Warhol, a Paris exhibition asks: what do artists wear?

Annabelle Ténèze, now Director of the Musée du Louvre-Lens, has curated a new exhibition titled 'The Art of Dressing – Dressing like an Artist' at the museum. The show explores how artists from Rembrandt to Warhol use clothing and self-fashioning in their self-portraits and public personas, drawing on examples such as Niki de Saint Phalle's eccentric wardrobe and Rembrandt's deliberate sartorial choices. Ténèze was inspired by her earlier work on de Saint Phalle at Les Abattoirs in Toulouse and by Charlie Porter's book 'What Artists Wear'.

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An early self-portrait by Artemisia Gentileschi, depicting the artist as Saint Catherine of Alexandria, sold at Christie’s in New York for $5.69 million, far exceeding its $2.5–3.5 million estimate. The painting, one of only five known self-portraits by Gentileschi, was painted when she was 20 and living in Florence. The previous auction record for the artist was $5.25 million set in 2019 at Artcurial in Paris.

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A self-portrait by Artemisia Gentileschi sold for $5.69 million at Christie’s New York, setting a new auction record for the artist. The painting, *Self-Portrait as Saint Catherine of Alexandria*, is one of only five self-portraits by Gentileschi and is believed to be the earliest, painted when she was around 20 years old in Florence. It far exceeded its presale estimate of $2.5–$3.5 million. On the same day, the National Gallery of Art in Washington, D.C., announced its acquisition of another Gentileschi work, *Mary Magdalene in Ecstasy* (circa 1625), funded by a gift from Nina J. Cohen and the Patrons’ Permanent Fund.

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

A colorful Takashi Murakami exhibition is coming to Cleveland

The Cleveland Museum of Art is presenting an expanded version of Takashi Murakami's exhibition 'Stepping on the Tail of a Rainbow,' originally shown at The Broad in Los Angeles in 2022. The show fills the Kelvin and Eleanor Smith Foundation Exhibition Hall and Gallery with Murakami's vibrant paintings and sculptures, including early drawings, self-portraits, and new works unseen by American audiences. A highlight is the Yumedono project, a re-creation of the Dream Hall at Hōryū Temple in Nara, Japan, created in collaboration with the team from the FX series *Shogun*. Curator Ed Schad emphasizes the exhibition's exploration of how art can address crisis, healing, and escapist fantasy after shared historical trauma, with loans that dialogue with classical Japanese artists like Ogata Kōrin, Kitaōji Rosanjin, and Itō Jakuchū.

2025 Late Summer Exhibit - Art Galleries

Truckee Meadows Community College (TMCC) is hosting its 2nd annual summer group exhibition from July 1–31, 2025, featuring forty-two Northern Nevada artists. The show, titled "Myself/My Space: Collage Interpretations of Self-portraits & Environment," is presented by WEDGE OUTSIDE THE BOX in connection with Artown 2025. An opening reception will be held July 9 at TMCC’s Main Art Gallery in the V. James Eardley Student Center, Reno, NV. The exhibition explores identity and place through two- and three-dimensional mixed-media collage works.

art cindy sherman holiday card transanta

Cindy Sherman is reviving her annual holiday party after a five-year hiatus, introducing a new line of kitschy Christmas cards featuring five works created with face-tuning A.I. algorithms that distort her face in a Picasso-esque style. The cards are part of the newly founded Cindy Sherman Legacy Project, curated by Lumi Tan, and all proceeds will benefit Transanta, a trans-led mutual aid project supporting unhoused or unsupported trans youth, founded by Chase Strangio, Indya Moore, and Kyle Lasky. The cards are available through Sherman's website, Hauser & Wirth's New York bookstore, and a launch party on Dec. 9 at Jean's in New York.

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A revealing photograph of singer Lorde from the vinyl edition of her new album *Virgin* has gone viral, sparking debate on social media. The image, credited to artist Talia Chetrit, shows Lorde in see-through pants without underwear, echoing the album's cover—an X-ray of her pelvis by Heji Shin. Chetrit, known for exploring power dynamics and sexuality in her work, previously photographed Lorde for a single cover. The photo has drawn comparisons to Chetrit's earlier self-portraits and has been discussed in the context of nudity and illusion in art.