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creative time appoints jean cooney executive director 1234769371

Creative Time, a New York-based nonprofit known for large-scale public art, has appointed Jean Cooney as its executive director. Cooney previously served as vice president of arts and culture at the Times Square Alliance and director of Times Square Arts since 2019, and before that spent seven years at Creative Time, rising to deputy director. She worked on major projects including Kara Walker's 'A Subtlety' at the Domino Sugar Factory. Cooney succeeds Justine Ludwig, who stepped down in September to join PST ART as inaugural creative director. Cooney begins her role on February 23, and the organization will celebrate her return at its annual spring gala on April 28.

Do We Have Duchamp All Wrong? A Brilliant MoMA Retrospective Reintroduces One of Modernism’s Greats

The Museum of Modern Art has launched a massive retrospective of Marcel Duchamp, featuring over 300 works spanning the artist's career from the early 1900s to the late 1960s. Organized in collaboration with the Philadelphia Museum of Art, the exhibition eschews a heavy-handed narrative in favor of a methodical, factual presentation. Key highlights include the controversial "Genre Allegory" (1943) and his iconic readymades, alongside his early experiments in painting like "Nude Descending a Staircase (No. 2)."

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

lithuanian pavilion 1543168

Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.

Remembering John Morgan, radical typographer and designer who transformed the Church of England's books

John Morgan, a radical typographer and designer known for transforming the Church of England's books, has died. His funeral in September featured a story about his redesign of the Book of Common Worship, which a panel of commissioners brutally tested for durability. Morgan also designed graphics for the 2012 Venice Architecture Biennale, signage for Tate Britain, and identities for Raven Row gallery and ArtReview magazine. He worked with architects like David Chipperfield and artists including Edmund de Waal, Helen Marten, Juergen Teller, and Christian Marclay.

Comment | Exhibitions comparing artists can be problematic, but the Barbican brings Giacometti, Bhabha and Hatoum together with perfect judgement

The Barbican in London has opened two new exhibition spaces in a redesigned former restaurant, showcasing the work of Alberto Giacometti alongside contemporary artists Huma Bhabha and Mona Hatoum. Curated by Shanay Jhaveri and Émilie Bouvard, the shows pair Giacometti's sculptures with Bhabha's and Hatoum's works, drawing formal and thematic connections without forcing comparisons. The exhibitions highlight shared preoccupations with the human body, vulnerability, and resilience, while allowing each artist's distinct approach—Giacometti's figuration versus Hatoum's found-object manipulation—to remain clear.

In Memory of Éliane Radigue (1932–2026)

Éliane Radigue, the pioneering French composer of electronic and electroacoustic music, has died at age 94. A key figure in the development of minimalist and drone music, she was known for her deeply focused, slowly evolving soundscapes created primarily on analog synthesizers like the Buchla 100 and ARP.