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peter hujar day biopic ira sachs 1234762238

Filmmaker Ira Sachs has released a new film titled *Peter Hujar's Day*, based on a 1974 audio recording and subsequent book by writer Linda Rosenkrantz. The film captures a single day in the life of photographer Peter Hujar, who died of AIDS-related complications in 1987, as he recounts mundane details and artistic anxieties to Rosenkrantz. Starring Ben Whishaw as Hujar and Rebecca Hall as Rosenkrantz, the movie adapts a transcript Rosenkrantz rediscovered and published in 2021. Sachs describes the project as an exploration of portraiture, light, and emotion, contrasting with his earlier, more turbulent film *Passages*.

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Salman Rushdie and Laurie Anderson, two legendary New York-based artists, engage in an intimate conversation published by Cultured magazine. Rushdie discusses his recent appearance at the Sundance Film Festival for the documentary "Knife," which adapts his memoir about surviving a 2022 stabbing attack, and his travels to literary festivals in New Orleans and Tucson. Anderson shares anecdotes about her own touring show "Republic of Love" with the band Sexmob, and the pair trade lighthearted observations about movie theaters, desert landscapes, and aliens.

Fort Worth’s Fall Gallery Night blows in this weekend. Here are 5 art galleries to visit

Fort Worth's Fall Gallery Night returns on September 6, organized by the Fort Worth Art Dealers Association, featuring concurrent open houses at museums, galleries, and pop-up spaces across Fort Worth and Arlington. Highlights include Alex Da Corte's exhibition 'The Whale' at the Modern Art Museum of Fort Worth, Victoria Gonzales's 'Ethereal Goats, Earthy Pecans' at William Campbell Gallery, and a group show 'Inner Space' at Kinfolk House, along with a Latin-themed car and culture exhibition across three Sundance Square galleries. Rebecca Low Sculpture Gallery will participate in its final Gallery Night before permanently closing in November.

How Banksy’s Stenciled Satire Took the Aughts by Storm

Four screenprints by Banksy from the 2000s are featured in Artnet Auctions’s Contemporary Editions sale, running through August 28, 2025. The lots include 'Bomb Love (Bomb Hugger)' (est. $25,000–$35,000), 'Welcome to Hell (Pink)' (est. $30,000–$50,000), and 'Morons (Sepia)' (est. $25,000–$35,000), tracing the artist’s rise from Bristol street graffiti to international fame. The article highlights key milestones: his 2002 Los Angeles show 'Existencilism,' his counterfeit £10 notes featuring Princess Diana, and the Oscar-nominated documentary 'Exit Through the Gift Shop.'

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The Gallerist, a new satire directed by Cathy Yan, premiered at the Sundance Film Festival. The film follows struggling gallerist Polina Polinski (Natalie Portman), who is betting everything on a one-artist debut at Art Basel Miami Beach. After an obnoxious art influencer, Dalton Hardberry (Zach Galifianakis), dies accidentally by impalement on a sculpture titled The Emasculator, Polina and her assistant Kiki (Jenna Ortega) conspire to pass off his corpse as part of the artwork, duping wealthy clients. The ensemble cast also includes Catherine Zeta-Jones as a legendary dealer reminiscent of Marian Goodman, Da'Vine Joy Randolph as the earnest artist Stella Burgess, and Sterling K. Brown as Polina's ex-husband.

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A documentary film titled *The Stringer* has sparked a controversy over the authorship of the iconic 1972 Vietnam War photograph known as "Napalm Girl" (officially *The Terror of War*). Both the Associated Press and World Press Photo conducted investigations into whether the credited photographer, Nick Ut, actually took the image. While the AP decided to maintain Ut's credit due to insufficient evidence to the contrary, World Press Photo stripped his authorship, concluding that the level of doubt is too significant to keep the existing attribution. The organization found that two other photographers—Nguyen Thanh Nghe and Huỳnh Công Phúc—were also present and could have taken the shot, but it could not definitively reassign authorship.

New documentary provides an inside look at the Harlem Renaissance

A new documentary, *Once Upon a Time in Harlem*, is screening at the Sundance Film Festival in Utah, offering an intimate look at the Harlem Renaissance. The film is assembled from 28 hours of 16mm footage shot in 1972 by the late filmmaker William Greaves at Duke Ellington's home in Harlem, capturing a gathering of key figures from the movement. Greaves's son David, who was one of the original cameramen, completed the film after his father's death. The footage includes interviews and reflections from artists, writers, musicians, and activists such as Romare Bearden, Aaron Douglas, James Van Der Zee, Eubie Blake, and Arna Bontemps.

Kimball Art Center’s new exhibit features artist with ties to the Sundance Film Festival

The Kimball Art Center in Park City, Utah, has opened two new exhibitions, “Returning To Wonder” and “All Sketches Wish To Be Real,” featuring international and local artists. Among the featured artists is Alexandra Fuller, a multidisciplinary artist whose work includes cyanotypes of wildlife and who has ties to the Sundance Film Festival—her short film “Sister Wife” was accepted at the 2009 festival. The exhibitions also include works by Swiss artist Pipilotti Rist, American artist Lia Halloran, and Utah-based artist Antra Sinha. The center will host a series of public programs, including artist talks, workshops, and a book discussion, to engage the local community.

Celebrating British rave culture and the African-American experience in new Croydon video exhibition

A major new art exhibition titled HARDCORE/LOVE opens at the Whitgift Centre in Croydon, showcasing seminal video works by acclaimed artists Arthur Jafa and Mark Leckey. The exhibition combines Jafa's 'Love is the Message, The Message is Death' (2016) and Leckey's 'Fiorucci Made Me Hardcore' (1999), and is led by artist-run studio programme Conditions in partnership with gallerist Gavin Brown. It will run until August 10, 2025.

Trump seeks to defund Institute of American Indian Arts

President Donald Trump's proposed 2026 federal budget seeks to eliminate all federal funding for the Institute of American Indian Arts (IAIA), the only four-year school dedicated to contemporary Indigenous arts. IAIA relies on federal funding for 75% of its operational costs and received $13 million in the prior two fiscal years; the budget also cuts over $500 million from the Bureau of Indian Education, which supports 37 tribal colleges including IAIA.

How to Survive AI

Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.

Natalie Portman tries to sell a corpse and film-makers traffic in art-market stereotypes in The Gallerist

Cathy Yan's new black comedy caper *The Gallerist*, which premiered at the Sundance Film Festival, follows Miami-based dealer Polina Polinski (Natalie Portman) as she tries to sell a corpse impaled on a sculpture during Art Basel Miami Beach. The film, co-written by Yan and James Pedersen, features a cast including Da'Vine Joy Randolph, Zach Galifianakis, Jenna Ortega, Charli xcx, and Catherine Zeta-Jones, and leans heavily on art-world stereotypes for its farcical humor.