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In the Studio With Rama Duwaji

Syrian-American artist Rama Duwaji discusses her evolving art practice and her new role as the First Lady of New York City following her husband Zohran Mamdani’s mayoral victory. Known for her distinct illustrations and animations for major institutions like the Tate Modern and the New Yorker, Duwaji is now transitioning into a more public-facing life while maintaining a studio practice at Gracie Mansion. Her work, which spans hand-drawn animation, ceramics, and paintings on found materials like cardboard, continues to blur the lines between commercial illustration and fine art.

The Distance Between Art and Survival in Rojava

The article is a first-person dispatch from Rojava, a Kurdish-majority region in northeastern Syria, where the author meets artists and fighters living and working on the front lines against jihadist groups. It focuses on artist Diyar Hesso, who has exchanged his camera for a rifle, and YPJ fighter Hevi, who articulates the necessity of armed self-defense for women facing a genocidal enemy. Their stories illustrate the impossible choice between artistic creation and survival in a war zone.

“Artist of the Earth” exhibition in Paris highlights Syrian art and memory

The "Artist of the Earth" exhibition recently opened in Paris, featuring a diverse collection of works by Syrian artists including miniature Damascene house models, paintings, mosaics, and traditional crafts. Organized by the association "Valuable Hands," the event concluded with a spiritual Sufi whirling performance and a ceremony honoring the participating creators.

Israel Reportedly Considers Banning Artist and NYC First Lady Rama Duwaji

Israel's Ministry for Diaspora Affairs and Combating Antisemitism has reportedly moved to ban multimedia artist and New York City First Lady Rama Duwaji from entering the country. The ministry accuses the Syrian illustrator and ceramicist of antisemitism, citing her pro-Palestinian artwork, including the animation "Eyes on Jenin," and her past social media activity, such as liking a post describing Gaza as an "open-air prison."

Art exhibition in Damascus explores family roots and identity

An art exhibition titled 'The Family Album' opened at the Mustafa Ali Gallery in Damascus, Syria. The show features works by contemporary Syrian artists who use family photographs, documents, and personal archives to examine themes of lineage, memory, and belonging.

Maitland exhibit: Textures of Middle East come to life in paintings woven with cultural memory

Mär Martinez's first solo museum exhibition, “A loom, a fence, a wire, a thread,” opens at The Art & History Museums of Maitland, featuring paintings inspired by traditional Turkish and Middle Eastern textile practices. The works, developed during her 2024-2025 Fulbright research in Istanbul, weave together her Cuban and Syrian heritage, exploring themes of cultural memory, displacement, and resilience through imagery of carpets, barbed wire, and urban barriers.

Syrian Artist Sara Shamma To Present An Ode To Palmyra At The 61st Edition Of La Biennale Di Venezia

Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.

Artist Mär Martinez explores the threads that bind and separate us in new exhibition

Artist Mär Martinez is presenting her first solo exhibition in Orlando, titled 'a loom, a fence, a wire, a thread,' at the Art & History Museums of Maitland. The exhibition features paintings and a loom, inspired by her experiences during a Fulbright Scholar grant in Istanbul and her family's history with Syrian textiles.

Art exhibition in Idlib showcases emerging Syrian artists, unity themes

The Idlib Directorate of Culture in Syria opened a visual arts exhibition titled "Coming Colors" as part of its cultural week activities, coinciding with World Art Day. The exhibition features approximately 70 works by amateur and professional artists, with paintings exploring symbolic themes of unity, resilience, and victory.

From Gaza to Syria: Stories from Middle East dominate art exhibition in Portugal

The Anozero – Bienal de Coimbra in Portugal is presenting a significant number of works addressing conflict and displacement in the Middle East. The biennial, curated by John Zeppetelli and Hans Ibelings, features projects like Taysir Batniji's "Just in Case #2," a series of 250 photographs of keys belonging to displaced Palestinians, and Adam Broomberg and Rafael Gonzalez's "Anchor In The Landscape," documenting destroyed olive trees.

Art exhibition opens at the Arab Cultural Center in Daraa province

The Arab Cultural Center in Daraa has launched a new art exhibition as part of the “Days of Fine Arts and Arabic Calligraphy” festival. Organized by the Daraa Culture Directorate, the showcase features 26 paintings that blend traditional Hauran heritage and local landscapes with contemporary historical documentation. Notably, the collection includes works that track the Syrian experience from the 2011 revolution through the political shifts of December 2024, utilizing expressive color to depict the daily life and resilience of the local community.

Syria’s Hasakah Museum—occupied by military for more than a decade—to finally open

The Hasakah Museum in Syria, a completed but never-opened archaeological museum, is finally being prepared to open to the public after being occupied by military forces for over a decade. The building, constructed in 2002, was seized by the Assad regime's military in 2011 and used as a base and weapons depot, becoming part of a fortified security zone in the city center until the regime's forces withdrew in December 2024.

February e-bulletin

Bowdoin College Museum of Art (BCMA) announces the reopening of its upper-level galleries (Assyrian, Shaw-Ruddock, Walker, and Markell) on February 3, 2026, following floor refinishing and reinstallation projects, with additional galleries (Bowdoin, Boyd, Rotunda) set to reopen in March. Three new exhibitions are now on view in the lower-level galleries: "Josefina Auslender: Drawing Myself Free," "Hung Liu: Happy and Gay," and "From Guild to Genius: Inventing 'The Artist' in Western Culture." The museum also highlights the acquisition of Anna Boberg's painting "The Blue Roof [Det blå taket]," a loan of an Edmonia Lewis sculpture to the Peabody Essex Museum for the exhibition "Edmonia Lewis: Said in Stone" opening February 14, 2026, and an upcoming artist talk with Samira Abbassy.

Meet the global taskforce working to recover stolen cultural heritage

The London Metropolitan Police's Art and Antiques Unit, in collaboration with the Heritage Crime Task Force (HCTF) of the Organisation for Security and Co-operation in Europe (OSCE), is processing over 300 recovered cultural artefacts. The objects—including statues, frescoes, chainmail armour, and stucco heads—were voluntarily handed over by an individual who had kept them for over a decade. Experts are conducting forensic analysis, photography, and archaeological assessment to determine authenticity and origin, with initial findings suggesting items from Cambodia's Angkor Period, the Gandhara region of Pakistan and Afghanistan, the Indus Valley civilisation, and possibly a mosque in Syria or Iraq.

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A late 18th- or early 19th-century Quran from Ottoman Syria, held by the New York Public Library's Schomburg Center for Research in Black Culture, was used to swear in Zohran Mamdani as New York City's first mayor to take the oath on the Muslim holy book. The ceremony took place just after midnight on New Year's Day 2026 at the decommissioned City Hall station, administered by New York Attorney General Letitia James. The Quran is now on display at the library's main branch in an exhibition titled "The People's Quran: Making History at City Hall."

ARAB POP ART: Between East and West

The Middle East Institute (MEI) in Washington, D.C., is presenting an exhibition titled "Arab Pop Art: Between East and West," featuring works by Arab artists who remix global Pop Art with local voices and political commentary. The exhibition includes a closing celebration with a live performance by Syrian-American rapper and poet Omar Offendum, an artist talk with participating artist Marwan Chamaa and co-curators Lyne Sneige and Laila Abdul-Hadi Jadallah, and a film screening of "A Thousand and One Berber Nights" (2023) with director Hisham Aidi. The show is part of MEI's broader programming and has been highlighted in multiple media outlets including YUNG Magazine, Hyperallergic, Vogue Arabia, and Washington City Paper.

“Arteries with Wings”: Mai al-Halwani opens her Art Exhibition in Homs

Syrian visual artist Mai al-Halwani opened her latest exhibition, “Arteries with Wings”, at the Palace of Culture in Homs on Wednesday, December 18. The show features 40 paintings in her signature expressionist style, combining miniature art and decorative motifs to explore themes of life, freedom, and resilience. Organized by the Union of Visual Artists, the exhibition marks al-Halwani's first in Homs since the city's liberation, with some pieces referencing the Syrian revolution. Half of the proceeds will go to the Syrian Development Fund.

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Art Basel Miami Beach is set to open this week, and Artnet News highlights four emerging artists to watch. Among them are Nour Malas, a Syrian painter whose four-panel work for Dubai's Carbon 12 gallery reflects on her childhood and the fall of the regime, blending abstraction with political memory. Zé Tepedino, a Brazilian artist from Rio de Janeiro, creates eco-minded sculptures from beach detritus like flip-flops and umbrellas, riffing on Brazil's social history and consumer culture. Other featured artists include those working with ethereal staged worlds, memory-soaked abstraction, and sculptural experiments in Lycra, offering a vivid snapshot of new voices at the fair.

Diana Al-Hadid’s Norm-Resisting Survey Exhibition at MSU Broad Art Museum

The Eli and Edythe Broad Art Museum at Michigan State University is presenting a survey exhibition titled “unbecoming” by Syrian-American artist Diana Al-Hadid, curated by Dr. Rachel Winter. The show features Al-Hadid’s sculptural wall panels made from polymer gypsum, steel, plaster, metal leaf, and pigment, many of which break rectilinear forms and reveal their fragile internal structures. The works incorporate recognizable imagery—silhouettes, bodies, art-historical references—that dissolves into the surface, creating tension and inviting viewers to question fixed meanings. The article also recounts a personal encounter with the artist, highlighting the humor and resistance embedded in her practice.

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The British Museum houses the Library of Ashurbanipal, a collection of approximately 30,000 cuneiform tablets from the Assyrian Empire, discovered in the 19th century. Created by King Ashurbanipal (r. 669–631 BCE), the library contains texts on astronomy, medicine, history, and literature, including the Epic of Gilgamesh. The tablets survived a fire set by invading Babylonians and Medes, which hardened them. Recent excavations in Nineveh have uncovered more tablets and a 20-foot-tall winged bull statue, while the British Museum's Ashurbanipal Library Project, now led by curator Jon Taylor, focuses on digitizing and studying medical texts.

‘This is how art history is built’: unprecedented Mumbai exhibition unites works of Indian and Arab Modernism

A new exhibition titled 'Resonant Histories' has opened at Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) museum, running until 16 February 2026. It is the first show to focus on the relationship between Indian and Arab Modernism, featuring over 40 works lent by the Sharjah-based Barjeel Art Foundation alongside pieces from Mumbai's Jehangir Nicholson Art Foundation (JNAF). The exhibition highlights visual and thematic resonances between artists from both regions, such as Syrian painter Marwan Kassab-Bachi and Indian master Francis Newton Souza, and addresses shared post-colonial struggles through works by artists like Chittaprosad Bhattacharya, Krishen Khanna, Abdul Qader Al Rais, and Naim Ismail. It also explores direct cultural exchanges, for example Egyptian artist Nazek Hamdi's adaptation of Bengali folk-art.

after museum heist syrian cultural authorities face scrutiny over lack of transparency 1234761570

Syria's Ministry of Culture briefly published details of artifacts stolen from the Damascus National Museum, including six Roman-era marble statues of Venus and gold ingots, only to delete the post hours later. The theft occurred on Sunday night and was discovered Monday morning when a broken door was found. International media reported the theft citing anonymous sources, and the Directorate General of Antiquities and Museums (DGAM) confirmed an investigation but provided no further details. The museum, which houses thousands of antiquities, had reopened in January after closing during the civil war and the fall of the Assad regime.

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The National Museum of Damascus temporarily closed this week after a theft of artifacts from its classical department. Six gold ingots and six Hellenistic marble statues were reportedly stolen, with a broken door discovered Monday morning. Several employees and guards were detained and interrogated before being released. Damascus police chief Brig. Gen. Osama Atkeh confirmed the theft and stated an investigation is underway. The museum had only reopened in January after being closed since December 7, 2024, when anti-Assad forces approached the capital.

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Heritage experts, international officials, and Syrian residents gathered in Switzerland for the first comprehensive conference on restoring the ancient Syrian city of Palmyra since the end of Bashar Al Assad's regime. Organized by UNESCO and the Aliph Foundation, the group recommended establishing an international expert task force to remove Palmyra from UNESCO's List of World Heritage in Danger. Rehabilitation efforts will focus on the Palmyra museum, restoration of artifacts at the Damascus Museum, and repair of the footbridge, with work expected to begin in January 2026.

Seeing beyond: Issam Kourbaj on mentoring three young artists for Abu Dhabi Art

Artist Issam Kourbaj is curating and mentoring three emerging UAE-based artists—Salmah Almansoori, Maktoum Al Maktoum, and Alla Abdunabi—for the Beyond Emerging Artists programme at Abu Dhabi Art, which runs November 19–23 at Manarat al-Saadiyat. The artists are creating new works for the fair and separate outdoor installations in Al Ain, including at historical sites like Al Ain Oasis and Jebel Hafeet Tombs, with the outdoor pieces on view for six months. Kourbaj, a Syrian-born artist based in Cambridge, selected the trio for their diverse materials and shared focus on place and memory.