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emerging artists art basel miami beach

Art Basel Miami Beach is set to open this week, and Artnet News highlights four emerging artists to watch. Among them are Nour Malas, a Syrian painter whose four-panel work for Dubai's Carbon 12 gallery reflects on her childhood and the fall of the regime, blending abstraction with political memory. Zé Tepedino, a Brazilian artist from Rio de Janeiro, creates eco-minded sculptures from beach detritus like flip-flops and umbrellas, riffing on Brazil's social history and consumer culture. Other featured artists include those working with ethereal staged worlds, memory-soaked abstraction, and sculptural experiments in Lycra, offering a vivid snapshot of new voices at the fair.

acropolis michael rakowitz athens allspice mesopotamia

Michael Rakowitz's survey exhibition "Allspice" at the Acropolis Museum in Athens explores themes of cultural displacement, looting, and historical narrative through works like his series "The invisible enemy should not exist" (2007–), which reconstructs looted artifacts from Baghdad's National Museum of Iraq using Arabic food wrappers and newspapers. The show also features his 2004 video "Return," documenting his effort to import Iraqi dates labeled as "product of Iraq" to the US after decades of sanctions, and includes interventions with the museum's own collection, such as a Cypriot head he linked to Assyrian art.

lawrence abu hamdan munch museum exhibition golan heights

Lawrence Abu Hamdan's exhibition "Zifzafa" has opened at the Munch Museum in Oslo, featuring a politically charged exploration of sound as both a celebration of life and a tool of displacement. The show centers on a forensic audio investigation into the impact of 31 wind turbines planned for the Israeli-occupied Syrian Golan Heights, or Jawlan. Key works include the video projection *Wind Ensemble* (2024) featuring saxophonist Amr Mdah, CGI animations *Tilting at windmills i, ii & iii* (2024), and the 45-minute film *Zifzafa: Livestream Audio Essay* (2025), which uses a video game walkthrough format to simulate the sonic pollution that will affect local homes—some as close as 115 feet from the turbines. The game incorporates field recordings by local composer Busher Kanj Abu Saleh and turbine noise from Germany, highlighting the sounds of daily life and resistance.

Michael Fullerton: The Politics of Portraiture

Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.

‘This is an opportunity that will never happen again’: Syrian artist Sara Shamma on rebuilding her country

Syrian artist Sara Shamma has been selected to represent Syria at the 2026 Venice Biennale, marking the country's return to the event with a single-artist national pavilion for the first time. Her immersive installation, 'The Tower Tomb of Palmyra,' curated by Yuko Hasegawa and commissioned by Syria's ministry of culture, combines painting, architecture, light, sound, and scent. It draws on the ancient funerary towers of Palmyra destroyed by Islamic State in 2015, addressing cultural loss and the possibility of reconstruction. Shamma, who returned to Syria in September 2024 after eight years abroad, describes living through the fall of the Assad regime and the country's rebirth as a transformative personal and national moment.

lucia painted her own myth

The article profiles Lucia Wilcox, a nearly forgotten Surrealist painter born in 1899 who lived an extraordinary life—raised in Beirut, partying with Surrealists in Paris, fleeing to New York in 1938, and becoming a doyenne among expatriate artists in the Hamptons. She painted joyful, mythical women and was shown by major dealers Sidney Janis and Leo Castelli, but after her death in 1974 she faded into obscurity. Now, a tightly curated exhibition titled "Lucia Wilcox: LUCIA" at Berry Campbell in New York (through June 28) reintroduces her work, focusing on over 20 paintings from the 1940s, including the vibrant "Untitled (Jungle)" (1944).

The art of chaos

The 61st Venice International Art Biennale has opened in Venice, running until November, amid unprecedented turmoil. The main exhibition, "In Minor Keys," was curated by Koyo Kouoh, who died of cancer shortly after presenting her vision featuring 111 artists including Carsten Höller, Alvaro Barrington, and Laurie Anderson. Her death has eliminated the Lifetime Achievement Award this year. Additionally, the Biennale faces a funding crisis as the EU threatens to withdraw its €2 million subsidy over Russia's participation with 38 artists following the invasion of Ukraine. Iran, Nigeria, and Israel are absent from their pavilions, while the US Pavilion, now organized by the American Arts Conservancy under inexperienced leadership, features self-taught artist Alma Allen.

Diana Al-Hadid’s Norm-Resisting Survey Exhibition at MSU Broad Art Museum

The Eli and Edythe Broad Art Museum at Michigan State University is presenting a survey exhibition titled “unbecoming” by Syrian-American artist Diana Al-Hadid, curated by Dr. Rachel Winter. The show features Al-Hadid’s sculptural wall panels made from polymer gypsum, steel, plaster, metal leaf, and pigment, many of which break rectilinear forms and reveal their fragile internal structures. The works incorporate recognizable imagery—silhouettes, bodies, art-historical references—that dissolves into the surface, creating tension and inviting viewers to question fixed meanings. The article also recounts a personal encounter with the artist, highlighting the humor and resistance embedded in her practice.

12 new art shows in India we’re excited about this November

Vogue India highlights 12 new art shows opening across India in November 2025, including the expanded Art Mumbai fair featuring 82 galleries at Mahalaxmi Racecourse, and exhibitions at venues like NGMA Delhi, MAP Bengaluru, Tao Art Gallery Mumbai, and Experimenter Kolkata. Notable shows include a centenary tribute to Krishen Khanna, a display of 200 Taj Mahal images, and curations exploring celestial escorts and feminist works.

dana awartani venice biennale 2026 saudi arabia

Palestinian Saudi artist Dana Awartani has been selected to represent Saudi Arabia at the 2026 Venice Biennale. Her pavilion will be curated by Antonia Carver, director of Art Jameel, with assistance from Hafsa Alkhudairi. Awartani, known for her material interpretations of conflict in the Middle East, draws on Saudi Arabia's craft and cultural legacies, often collaborating with local artisans or displaced craftspeople. Her recent works include a response to heritage site destruction at the 2024 Diriyah Contemporary Art Biennale and an archive of recreated stone carvings at the 15th Sharjah Biennial.

Sara Shamma on Representing Syria at the 61st Venice Biennale

Sara Shamma will represent Syria at the 61st Venice Biennale (2026) with a large-scale immersive installation titled *The Tower Tomb of Palmyra*. The 15-meter-high multisensory work combines painting, architecture, light, sound, and scent, inspired by the ancient funerary towers of Palmyra that were destroyed during the Syrian War. Shamma describes the piece as a reflection on loss, resilience, and cultural memory, and notes its resonance with the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Inside LACMA’s Visionary New Galleries Floating Above Los Angeles

The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million concrete-and-glass structure designed by Pritzker Prize-winning architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot horizontal gallery space floats 30 feet above ground and features a non-chronological layout intended to encourage wandering. The interior is characterized by pigment-infused concrete walls, floor-to-ceiling windows with specialized metal curtains by Reiko Sudō, and a lack of traditional white-cube galleries.

zohran mamdani quran nypl

A late 18th- or early 19th-century Quran from Ottoman Syria, held by the New York Public Library's Schomburg Center for Research in Black Culture, was used to swear in Zohran Mamdani as New York City's first mayor to take the oath on the Muslim holy book. The ceremony took place just after midnight on New Year's Day 2026 at the decommissioned City Hall station, administered by New York Attorney General Letitia James. The Quran is now on display at the library's main branch in an exhibition titled "The People's Quran: Making History at City Hall."

ronen zien tel aviv museum of art

Ronen Zien, an artist born in the Arab city of Shefa Amr in northern Israel, presents a solo exhibition titled "Walking Into" at the Tel Aviv Museum of Art. The show features works that explore memory, time, and borders, including a life-size video piece where Zien walks into a faded family photograph from the 1990s. Using chroma key technology, he inserts himself into images from his childhood and historic photographs, such as a 19th-century print by Félix Bonfils. The exhibition draws on Zien's family history within the Druze community, which is divided by the Israel–Syria border, and includes works created in the six months before its February 2025 opening, amid ongoing war tensions.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

Nine Must-See Art Exhibitions to Catch in Philadelphia This Spring

Philadelphia's spring exhibition season features nine must-see shows across the city, including Kelly Kozma's solo exhibition 'Watch Me Backflip' at Paradigm Gallery + Studio, which presents a massive 22-foot installation of 35,000 hand-stitched circles made from repurposed materials. Other highlights include 'Soft/Cover' at The Fabric Workshop and Museum, exploring fabric and screenprinting in relation to the human body; 'Preserving Assyria' at the Penn Museum, focusing on Iraqi archaeologists reclaiming cultural heritage after ISIS destruction; and 'The Battle of the Bathers' at the Barnes Foundation, examining a media kerfuffle involving two Paul Cézanne paintings.

February e-bulletin

Bowdoin College Museum of Art (BCMA) announces the reopening of its upper-level galleries (Assyrian, Shaw-Ruddock, Walker, and Markell) on February 3, 2026, following floor refinishing and reinstallation projects, with additional galleries (Bowdoin, Boyd, Rotunda) set to reopen in March. Three new exhibitions are now on view in the lower-level galleries: "Josefina Auslender: Drawing Myself Free," "Hung Liu: Happy and Gay," and "From Guild to Genius: Inventing 'The Artist' in Western Culture." The museum also highlights the acquisition of Anna Boberg's painting "The Blue Roof [Det blå taket]," a loan of an Edmonia Lewis sculpture to the Peabody Essex Museum for the exhibition "Edmonia Lewis: Said in Stone" opening February 14, 2026, and an upcoming artist talk with Samira Abbassy.

‘This is how art history is built’: unprecedented Mumbai exhibition unites works of Indian and Arab Modernism

A new exhibition titled 'Resonant Histories' has opened at Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) museum, running until 16 February 2026. It is the first show to focus on the relationship between Indian and Arab Modernism, featuring over 40 works lent by the Sharjah-based Barjeel Art Foundation alongside pieces from Mumbai's Jehangir Nicholson Art Foundation (JNAF). The exhibition highlights visual and thematic resonances between artists from both regions, such as Syrian painter Marwan Kassab-Bachi and Indian master Francis Newton Souza, and addresses shared post-colonial struggles through works by artists like Chittaprosad Bhattacharya, Krishen Khanna, Abdul Qader Al Rais, and Naim Ismail. It also explores direct cultural exchanges, for example Egyptian artist Nazek Hamdi's adaptation of Bengali folk-art.

Caravaggio’s ‘Judith Beheading Holofernes’ coming to Kimbell Art Museum from Rome

The Kimbell Art Museum in Fort Worth announced on August 29, 2025, that it will display Caravaggio’s monumental painting *Judith Beheading Holofernes* (1599–1600) as a Guest of Honor loan from the Gallerie Nazionali di Arte Antica in Rome, where it normally hangs in the Palazzo Barberini. The canvas, approximately six feet wide and five feet tall, will be on view in the Louis I. Kahn Building from September 14, 2025, through January 11, 2026. The painting depicts the biblical moment of Judith decapitating the Assyrian general Holofernes, showcasing Caravaggio’s signature bold realism and dramatic chiaroscuro. The loan follows the museum’s 2022 Focus Exhibition “SLAY,” which featured Artemisia Gentileschi’s and Kehinde Wiley’s interpretations of the same subject.

Christie’s celebrates the late Syrian artist Marwan with non-selling London show

Christie’s is presenting a non-selling exhibition titled "Marwan: A Soul in Exile" at its London headquarters this summer, featuring over 150 works by the late Syrian artist Marwan (1934-2016). The show draws from major private and institutional collections including the Barjeel Art Foundation, the Ramzi and Saeda Dalloul Art Foundation, the Pinault Collection, and the Berlinische Galerie. This marks Christie’s third such non-selling exhibition of Arab art in London over the past three summers, following shows focused on Arab artists from the Barjeel collection and Saudi artist Ahmed Mater. The exhibition coincides with Christie’s 25th anniversary in the UAE and a broader surge in the Middle Eastern art market, including a recent white-glove sale for its online Modern and contemporary Middle Eastern art auction in Dubai.

Art exhibitions to explore in the UAE this September

This September, the UAE is hosting a diverse array of art exhibitions across Dubai and Abu Dhabi, ranging from group shows to solo presentations and digital art showcases. Highlights include 'Summer Collective: Wavering Hope' at Ayyam Gallery, featuring 12 Syrian artists; Colombian artist Ana Escobar Saavedra's first solo show at 421 Arts Campus; 'To Know Malaysia Is To Love Malaysia' at the Cultural Foundation, presenting works by NYU Abu Dhabi MFA graduates; 'History Encoded' at kanvas, tracing digital art from algorithmic works to AI and blockchain; and Marwan Bassiouni's 'New Western Views' at Lawrie Shabibi, exploring mosque interiors in Western landscapes.

Christie’s Third Arab Art Summer Exhibition Marwan: A Soul in Exile 16 July – 22 August - Christie's

Christie’s will host its third annual Arab Art Exhibition, titled "Marwan: A Soul in Exile," at its London headquarters from 16 July to 22 August 2025. The non-selling retrospective features over 150 works on loan from museums, institutions, and private collections across Europe and the Middle East, spanning paintings, drawings, works on paper, and editions. Curated by Dr. Ridha Moumni, Chairman of Christie’s Middle East & Africa, the exhibition traces the six-decade career of Syrian-born artist Marwan Kassab Bachi (1934–2016), known for his facial landscapes that blend German expressionism with Syrian identity and Arab political themes.

With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion

Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.

Sara Shamma brings Syria’s cultural renewal to Venice Biennale

Sara Shamma, the first female artist to lead Syria's national pavilion at the Venice Biennale, presents her immersive installation *The Tower Tomb of Palmyra* at Iuav University of Venice's Cotonificio campus. The full-scale, nine-sided chamber features paintings, light, sound, and scent inspired by Palmyra's ancient funerary towers, which Shamma first encountered as a student at the National Museum of Damascus. The project, originally planned for Cambridge before the pandemic, gained new significance after the fall of the Assad government in December 2024, as Shamma returned to Damascus and was approached by Syria's Ministry of Culture to represent the country's cultural renewal on the world stage.

Syrian Artist Sara Shamma To Present An Ode To Palmyra At The 61st Edition Of La Biennale Di Venezia

Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.

Seeing beyond: Issam Kourbaj on mentoring three young artists for Abu Dhabi Art

Artist Issam Kourbaj is curating and mentoring three emerging UAE-based artists—Salmah Almansoori, Maktoum Al Maktoum, and Alla Abdunabi—for the Beyond Emerging Artists programme at Abu Dhabi Art, which runs November 19–23 at Manarat al-Saadiyat. The artists are creating new works for the fair and separate outdoor installations in Al Ain, including at historical sites like Al Ain Oasis and Jebel Hafeet Tombs, with the outdoor pieces on view for six months. Kourbaj, a Syrian-born artist based in Cambridge, selected the trio for their diverse materials and shared focus on place and memory.

MSU Broad Museum showcases 'Nabil Kanso: Echoes of War' for first time in Michigan

Michigan State University's Broad Art Museum is presenting "Nabil Kanso: Echoes of War," the first Michigan exhibition of the Lebanese-American artist's work. On view through June 29, the show spans over four decades of Kanso's large-scale, expressive paintings that document the human toll of war, including works addressing the Lebanese Civil War, the Gulf War, and the Syrian conflict. Curated by Rachel Winter in collaboration with the Nabil Kanso Estate and professor Salah Hassan, the exhibition features "Scorching Sparks" (1980s), a painting never before publicly exhibited. Winter first encountered Kanso's work in 2022 and worked with his family to bring the show to fruition, timed to coincide with the 50th anniversary of the Lebanese Civil War and Arab American Heritage Month.

using flight simulators peggy ahwesh crafts an elegy to a disused palestinian airport and the freedom it represented

Peggy Ahwesh's solo exhibition "The Wayfinders," recently on view at New York's Microscope Gallery, marks a new direction for the experimental filmmaker. For the first time, she incorporates footage from an early-2000s flight simulator alongside original video and animation to create a large-scale installation. The work serves as an elegy for the abandoned Qalandia/Atarot airport, situated between Qalandia and Jerusalem, which operated as a civilian airport from 1948 to 1967 before Israel annexed the site. Through poetic voiceover and imagery of travel and navigation, Ahwesh reflects on Palestine's thwarted right to the sky, the history of wayfinding by the stars, and the porous borders of the past contrasted with today's restrictions.

ARAB POP ART: Between East and West

The Middle East Institute (MEI) in Washington, D.C., is presenting an exhibition titled "Arab Pop Art: Between East and West," featuring works by Arab artists who remix global Pop Art with local voices and political commentary. The exhibition includes a closing celebration with a live performance by Syrian-American rapper and poet Omar Offendum, an artist talk with participating artist Marwan Chamaa and co-curators Lyne Sneige and Laila Abdul-Hadi Jadallah, and a film screening of "A Thousand and One Berber Nights" (2023) with director Hisham Aidi. The show is part of MEI's broader programming and has been highlighted in multiple media outlets including YUNG Magazine, Hyperallergic, Vogue Arabia, and Washington City Paper.

Ancient art on wheels: how Mumbai's leading museum is sending miniature exhibitions by bus into the Indian countryside

Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), formerly the Prince of Wales Museum, has retrofitted three public buses as mobile mini-museums to bring curated exhibitions into the Indian countryside. The buses travel across Maharashtra and beyond, carrying miniature displays that foreground objects and material culture, encouraging viewers to build narratives from artifacts rather than starting with pre-written histories. The initiative grew out of a 2024 exhibition, "Ancient Sculpture of India, Egypt, Assyria, Greece and Rome," co-curated with the J. Paul Getty Museum, Berlin State Museums, and the British Museum.