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The Port Authority of New York and New Jersey, along with JFK Millennium Partners, is investing $4.2 billion to bring art from four major New York cultural institutions—the American Museum of Natural History, Lincoln Center for the Performing Arts, the Metropolitan Museum of Art, and the Museum of Modern Art—into the new Terminal 6 at John F. Kennedy International Airport. The terminal will feature loaned works from these institutions in the international arrivals corridor, plus 19 permanent site-specific installations curated by Public Art Fund and rotating local artwork curated by Jamaica Center for Arts and Learning. Highlights include a 140-foot mural from Lincoln Center, an installation by Yoko Ono inspired by her 2019 work *Peace is Power* for MoMA, and installations from the other two museums. The terminal is designed by architect Stanis Smith and will include 10 gates, with the first six opening this year and completion by 2028.

Culture Type | The Month in Black Art, Here’s What Happened in June 2025

The June 2025 edition of Culture Type's 'The Month in Black Art' roundup reports multiple developments: the Detroit Institute of Arts acquired Tiff Massey's installation 'Baby Bling' (2023) for its reimagined Modern and Contemporary galleries opening in 2026; Aperture magazine released a summer issue guest-edited by Tanisha C. Ford focusing on Black style and fashion; Different Leaf, a cannabis culture journal, relaunched with guest editors Nick Cave and Bob Faust; and Sean Kelly Gallery announced representation of artist Lindsay Adams in collaboration with PATRON Gallery. The article also notes updates on the Studio Museum in Harlem, a shakeup at the Afro Brazil Museum, new Art Basel Awards, and Suzanne Jackson's exhibition at SFMOMA.

“Trading in the Unknown” : the exhibition marking the new edition of the Reiffers Initiatives Prize

The fifth edition of the Reiffers Initiatives Prize has opened in Paris with the exhibition "Trafiquer l'inconnu" ("Trading in the Unknown"), running until June 6, 2026, at the Reiffers Art Initiatives center. The group show features eight emerging artists based in France: Khaled Jarada, Louis Le Kim, Stanislava Kovalcikova, Arthur Marie, Eva Helene Pade, Ibrahim Meïté Sikely, Minh Lan Tran, and Manon Wertenbroek. Curated by Bernard Blistène, former director of the National Museum of Modern Art – Centre Pompidou, the exhibition presents works spanning painting, archival imagery, and explorations of the body. Stanislava Kovalcikova was named the winner of this edition, and Khaled Jarada received a new Special Mention from the jury.

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"Fata Morgana," an exhibition organized by the Fondazione Nicola Trussardi at Palazzo Morando in Milan, presents works by 78 artists past and present who embody Marcel Duchamp's idea of the artist as a "mediumistic being." The show includes nuns, mediums, psychiatric patients, and contemporary stars like Marianna Simnett and Rosemarie Trockel, alongside avant-garde icons such as Man Ray and Duchamp himself. Curated by Massimiliano Gioni, Daniel Birnbaum, and Martha Papini, the exhibition explores creativity as compulsion, featuring drawings by James Tilly Matthews, séance photographs by Stanisława Popielska, and works by Madge Gill and Emma Jung, among others.

Abstract Thinking at the Cafesjian Art Trust Museum

The Cafesjian Art Trust Museum in Shoreview has launched "Abstraction and Ourselves," an ambitious exhibition that bridges the gap between contemporary abstract painting and monumental glass sculpture. Curated by Jill Ahlberg Yohe, formerly of the Minneapolis Institute of Art, the show pairs the museum’s renowned glass collection—including works by Stanislav Libenský and Jaroslava Brychtová—with significant loans such as a Georgia O’Keeffe oil painting and works by Dyani White Hawk.

An expert’s guide to Edvard Munch: five must-read books on the Norwegian Expressionist

The article presents a curated reading list on Edvard Munch, compiled by Trine Otte Bak Nielsen, a curator at the Munch Museum in Oslo. The list includes five key books: Ali Smith's essay "So in the Spruce Forest" (2025), Gerd Woll's catalogue raisonné "Edvard Munch: Complete Paintings" (2009), "Living Lines: Five Contemporary Artists on Edvard Munch's Drawings" (2021) edited by Halvor Haugen, Rolf E. Stenersen's biography "Edvard Munch: Close-up of a Genius" (1944/2013), and Stanislaw Przybyszewski's "Das Werk Des Edvard Munch" (1894). The selection coincides with the museum's exhibition "Lifeblood: Edvard Munch," which explores the artist's work through themes of health and sickness.

Prague Redefines Contemporary Art. Prague Art Week 2025 Recap.

Prague Art Week 2025 (PAW25) took place from September 25 to 28 across multiple venues in Prague, including the Mánes Exhibition Hall, galleries in Prague 1 and Prague 7, and the Trade Fair Palace of the National Gallery. The program featured exhibitions such as HAC#2 celebrating the 10th anniversary of the Havrlant Art Collection, group shows like Interlude at C12 gallery and IT at HYB4, solo exhibitions by Lenka Glisnikova and Stanislav Zábrodský, the Jindřich Chalupecký Award exhibition, and the duo show With Feathers and Flesh. Activities included guided tours, artist talks, and open studios, with works by Czech and international artists exploring themes of digital transformation, corporeality, identity, environmental crisis, and spirituality.

Alice Riehl Grows a Porcelain Tree Full of Humanity in Jouy-en-Josas

Alice Riehl fait pousser un arbre de porcelaine plein d’humanité à Jouy-en-Josas

Artist Alice Riehl has unveiled a major porcelain installation titled "Herbarium Interior" at the Musée de la Toile de Jouy in Jouy-en-Josas. The work, a sprawling tree with leaves, branches, and roots, is crafted from porcelain and was inspired by the museum's historical textile collections. The installation is part of a solo exhibition, and a concurrent presentation of her work, "Porcelain Florilegium," is on view at New York's Museum of Arts and Design.

BFA graduates exhibit creative excellence at downtown Turlock art space

Stan State’s Art Space in downtown Turlock is hosting its annual Bachelor of Fine Arts (BFA) graduate exhibition, on display through May 23. The exhibition opened May 8 with a reception and artist talk, where attendees received catalogs featuring the artists and their works. Dean de Cocker, Director of the Art Space Main Gallery, welcomed guests, and faculty honored each of the 14 graduating BFA students, including Alex Cobain, Amora Ilene Cruz, Zehl Day, and others. The show features diverse media—painting, sculpture, multimedia, and conceptual art—with standout pieces like Riddick McCoy's "Lived Life Experience (Metal Up Your Ass)" and a solo exhibition by Fatima Gutierrez titled "Homenaje a la Memoria."

The History of Art from Bogotá at MAP

THE HISTORY OF ART FROM BOGOTA AT MAP

Montenegro Art Projects (MAP) in Bogotá opens a group exhibition titled 'La historia del arte contada desde Bogotá' (The History of Art from Bogotá), featuring 30 artists. The show explores how art history is activated today, treating it not as a closed archive but as a field in constant transformation, with artists reinterpreting and appropriating historical images and gestures through contemporary sensibilities.

Opening Reception For Show "AWE And DELIGHT" At Blue Streak Gallery Opens May 1st

Blue Streak Gallery in Wilmington, Delaware, is hosting an opening reception on May 1st for its new group exhibition titled "AWE and DELIGHT." The show features 20 artists, each contributing one painting that depicts something that brings them delight, showcasing a range of styles, techniques, and subjects. Participating artists include Ruth Ansel, Lisa Bartolozzi, Susie Benarcik, Jeremy Butler, Karen Delaney, Mary Page Evans, Alida Fish, Craig Hable, Sutton Hays, Annie Oldach, Annie Patrizi, Rachel Romano, Lynda Schmid, Libbie Soffer, Bill Spiker, Carol Spiker, Steve Tanis, and Valetta. The exhibition runs through June 2nd.

‘Farm & Fields’ exhibit features local artists

The Carnegie Arts Center in Turlock, California, opens its annual juried exhibition “Farms & Fields” in the Lobby Gallery, featuring 52 works by 37 regional artists selected from over 150 submissions. Juror Susan Stephenson, a landscape painter and Stanislaus State professor, chose pieces across media including painting, photography, printmaking, ceramics, and fabric arts, all celebrating agriculture. Awards totaling $1,100 were given, with Rhett Regina Owings winning Best of Show for her gouache “Farm Near Tracy.” The exhibition runs through July 25, with a free public reception on May 7 as part of the downtown Turlock art walk.

CAT Museum unveils 1st-ever abstract painting, glass sculpture exhibition

The Cafesjian Art Trust (CAT) Museum in Shoreview has launched "Abstraction and Ourselves," a landmark exhibition that marks the first time a U.S. institution has paired abstract painting with glass sculpture in a dedicated showcase. Curated by Jill Ahlberg Yohe, the show features a diverse array of international artists, highlighting the formal connections between two-dimensional canvases and three-dimensional glass works.

“Show d’Houdini” at CAC Brétigny, Brétigny-sur-Orge

The article reviews the group exhibition "Show d’Houdini" at CAC Brétigny in Brétigny-sur-Orge, which explores the figure of the magician as a cultural archetype. Drawing on the legacy of Harry Houdini and the historical context of late 19th- and early 20th-century illusionism and spiritualism, the show presents works that examine the magician's dual nature—oscillating between charlatanism and miracle, deception and wonder.

Stanislava Kovalčíková “Rubigo” at Kunstverein Freiburg

Stanislava Kovalčíková has opened her first institutional solo exhibition in Germany, titled "Rubigo," at Kunstverein Freiburg. The exhibition features a large-scale installation constructed from red plasticine, which forms an immersive environment housing a series of paintings executed on discarded clock dials salvaged from Prussian church towers.

How nature is helping a rural French arts centre to reduce its carbon footprint

The Centre International d’Art et du Paysage—Île de Vassivière (CIAPV), a rural French arts centre on a forested island in Nouvelle-Aquitaine, is tackling its carbon footprint after a government-mandated analysis revealed that 95% of its emissions come from visitors driving to the remote site. Executive director Alexandra McIntosh is drawing on the island's manmade landscape—shaped by hydroelectric damming, agriculture, and logging—to implement ecological initiatives, including rewilding open fields, creating a self-managing test forest with botanist Francis Hallé, and planting pollinating flowers to boost biodiversity.