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Cai Guo-Qiang joins White Cube

White Cube now represents Cai Guo-Qiang, making the British gallery the first to represent the Chinese-born, New York-based artist known for his gunpowder paintings. The announcement coincides with White Cube’s solo presentation of Cai’s ongoing gunpowder painting series featuring birds at Tefaf New York (14-19 May). Cai had a solo show at White Cube’s Bermondsey space last autumn, titled *Gunpowder and Abstraction 2015-2016*, his first London presentation since his large-scale project at Tate Modern in 2003.

North America’s Longest-Running Exhibition of International Art Has Landed at the Carnegie Museum

The 59th Carnegie International, titled "If the word we," has opened at the Carnegie Museum of Art in Pittsburgh, marking North America's longest-running exhibition of international art. Featuring 61 artists and collectives from countries including Brazil, Benin, China, Indonesia, Lebanon, Peru, Taiwan, and South Africa, the exhibition explores the theme of "we" as an evolving proposition. It includes nearly 40 newly commissioned projects—the largest number in the International's history—spanning painting, photography, sculpture, installation, video, and theater. Notable works include Jonathan González's performance "The Strikebreakers" and Georges Adéagbo's installation "Le Socialism Africain," which uses discarded objects to examine Western power and colonial legacies in Africa.

Best Bets: Rosemont hosts Spring Fun Fest and Anime Central

This article is a roundup of upcoming events in the Chicago area, primarily focused on the Rosemont suburb. It announces the annual Spring Fun Fest at Parkway Bank Park on May 16, featuring family activities and music, and the return of Anime Central, a major anime and Japanese pop-culture convention, at the Donald E. Stephens Convention Center from May 15-17. The article also lists several other cultural happenings, including the Chicago Symphony Orchestra's all-French program, a new exhibition at the Driehaus Museum titled "Ink & Outrage: 18th Century Satirical Prints in London & Dublin," an improv performance by Bluebird Improv at the Studebaker Theater, and a Chamber Blues concert by Corky Siegel at Space in Evanston.

Enter the unsettled space of Asian American abstraction

The Milton Resnick and Pat Passlof Foundation in New York is hosting the exhibition "How Asian Is It?", featuring 12 pioneering East Asian American abstractionists born between 1928 and 1955. Curated by Lilly Wei, the show includes works by Barbara Takenaga, Emily Cheng, Charles Yuen, and David Diao, among others. These artists navigated an art world where downplaying their Asian identities often felt necessary for survival, especially after the 1965 Immigration and Nationality Act reshaped US immigration policy. The exhibition explores how their abstraction—marked by attention to interval, pause, and what remains unsaid—reflects a disciplined negotiation with space rather than a shared style or manifesto.

HKMoA Showcases Local Artists at Venice Biennale with 'Fermata: Hong Kong in Venice' Exhibition

The Hong Kong Museum of Art (HKMoA) has organized 'Fermata: Hong Kong in Venice' as a Collateral Event of the 61st Venice Biennale, running from May 9 to November 22. The exhibition features artworks by Hong Kong artists Kingsley Ng and Angel Hui, curated under the musical symbol 'Fermata' in dialogue with the Biennale's theme 'In Minor Keys'. This marks the first time HKMoA has curated Hong Kong's exhibition at the Venice Biennale, with support from the Hong Kong Arts Development Council (HKADC) and the Hong Kong Special Administrative Region Government.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

The Carnegie International is a Once Every Four Year Treat

The Carnegie International, the longest-running international art show in North America, returns in 2026 for its 59th edition at the Carnegie Museum of Art in Pittsburgh. Founded by Andrew Carnegie in 1896, the exhibition takes place roughly every four years and features contemporary works from artists around the world, including Zhao Yao (China), Hans Ragnar Mathisen (Sapmi/Norway), Cinthia Marcelle (Brazil), and Walter Scott (Canada). The 2026-2027 edition is themed "If The Word We," exploring the first-person plural as an open and evolving concept. The show is integrated throughout the museum alongside permanent collection pieces, and extends to venues such as the Children's Museum of Pittsburgh, Mattress Factory, and the Thelma Lovette YMCA.

'The Chinese Avant-Garde in Paris' at Alisan Fine Arts, Central, Hong Kong on 22 May–15 Aug 2026

Alisan Fine Arts in Central, Hong Kong, presents 'The Chinese Avant-Garde in Paris' from 22 May to 15 Aug 2026 as part of its 45th anniversary 'Then and Now' programme. The exhibition features works by Zao Wou-ki, Chu Teh-chun, T’ang Haywen, and Walasse Ting—francophone Chinese diaspora masters who blended Chinese cultural roots with post-war Parisian modernism. Highlights include previously unseen ink works by Chu Teh-chun from the 1980s and 1990s, a rare black-and-white canvas by Walasse Ting from 1959, and a major 1970s canvas by Zao Wou-ki. The show anchors the 'Then' component of the programme, with a parallel 'Now' exhibition at Alisan Atelier, both part of the French May Arts Festival Associated Projects.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

Trace the making of Fermata: Hong Kong in Venice through complete artwork reveals and installation photography

The article details the making of 'Fermata: Hong Kong in Venice,' a collateral event at the 61st Venice Biennale curated by the Hong Kong Museum of Art (HKMoA). The exhibition features two Hong Kong-based artists—established media artist Ng and emerging artist Angel Hui—whose works explore the poetic rhythms of everyday life in Hong Kong, engaging with the Biennale's theme 'In Minor Keys' by Koyo Kouoh. The selection process involved nominations from local tertiary institutions and professional art organizations, with over 200 artists considered before Ng and Hui were chosen.

Exhibition | 'New Voices in Paris Now: Between Memory and Matter' at Alisan Fine Arts, Alisan Atelier, Hong Kong

Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.

Hong Kong Exhibition Opens at 61st Venice Biennale, Showcasing Local Artists' Work

Hong Kong officials, led by Secretary for Culture, Sports and Tourism Rosanna Law, inaugurated the Hong Kong Exhibition at the 61st Venice Biennale on May 8, 2026. For the first time, the Hong Kong Museum of Art (HKMoA) is collaborating with the Hong Kong Arts Development Council (HKADC) to present works by local artists Kingsley Ng and Angel Hui in a Collateral Event running through November 2026. Law also attended the Chinese Pavilion opening and met with the Italian ambassador and the rector of Ca' Foscari University.