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Artnet Pro's 'The Asia Pivot' newsletter previews the 2026 Asian art market, highlighting a hopeful recovery after signs of improvement in late 2025. Key events include Art SG in Singapore (hosting S.E.A. Focus for the first time), the inaugural Art Basel Qatar in February, and Art Basel Hong Kong in March. Auction houses will align spring sales with these fairs. The article also notes regional shifts: South Korea's Art Asia partners with KINTEX for a new fair in India, Hong Kong's Kwai Fung Hin opens in Singapore, and Shanghai's Antenna Space expands to Hong Kong. Japan's Prime Minister Sanae Takaichi meets with artist Takashi Murakami to promote culture abroad, while geopolitical tensions with China threaten cultural exchanges.

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Christie’s London achieved a robust £197.5 million ($265 million) across a triple-header of evening sales, including the 20th/21st Century, Art of the Surreal, and the Vanthournout Collection auctions. The evening was headlined by a record-breaking £26.3 million sale of Henry Moore’s bronze sculpture 'King and Queen', alongside new auction highs for Surrealist artists Toyen and Dorothea Tanning. Despite some pre-sale withdrawals and a marathon four-hour runtime, the house achieved a 96 percent sell-through rate by lot.

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Jussi Pylkkanen, former Christie's chairman, analyzes the upcoming New York 20th and 21st Century Art sales, noting a return to market confidence after strong European auctions in London and Paris aligned with Frieze and Art Basel Paris fairs. Christie's London posted its best October sales since 2018, Sotheby's had its most valuable Paris season, and a Picasso portrait sold for $37 million at Hôtel Drouot. The season shows a shift from speculative buying toward established artists like Bacon, Freud, Picasso, and Klimt, with 27 works valued over $10 million, led by Gustav Klimt's *Portrait of Elizabeth Lederer* from the Leonard Lauder collection, estimated to exceed $150 million at Sotheby's.

Kiss and Tell! In Venice, Nude Tino Sehgal Work Is Talk of the Town

Laurent Asscher's AMA Venezia foundation in Venice is showcasing Tino Sehgal's live performance piece "Kiss (Clean Version)" during the 61st Venice Biennale. The work features a nude couple reenacting famous kisses from art history, performed by rotating dancers over hours. Asscher acquired the piece after meeting Sehgal, having previously bought a different Sehgal work at a charity auction. The performance has become a standout attraction amid the Biennale's crowded opening week.

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London's summer auction season saw Sotheby's evening sale bring in $85.7 million, a significant drop from $105 million last year and a 70% decline from $280.1 million in 2015. Christie's opted out of an evening auction entirely, holding only a day sale that netted $12.7 million, while Phillips' combined sales totaled $17.6 million. Highlights included a Tamara de Lempicka painting selling for $10 million, a Jenny Saville drawing setting a new auction record at $2.11 million, and six works from the Dorothy and Roy Lichtenstein collection. The sales were described as 'sensible' by advisor Todd Levin, reflecting a cautious market post-Art Basel.

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A group of artists participating in the Whitney Museum's Independent Study Program (ISP) have withdrawn their work from a capstone exhibition at Westbeth Gallery to protest the museum's cancellation of a pro-Palestine performance. The performance, titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance," by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was scheduled for May 12 as part of the ISP curatorial exhibition "a grammar of attention." The Whitney canceled it after viewing a recording of an earlier presentation, citing the performers' demand that attendees who believe in Israel leave the audience and the valorization of specific acts of violence. ISP Associate Director Sara Nadal-Melsió stated that the cancellation was imposed by Whitney leadership, including director Scott Rothkopf, and that the independence of the ISP has been seriously compromised.

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Alex Da Corte has resurrected his inflatable sculpture "Kermit the Frog, Even" for Art Basel Paris, displayed at Place Vendôme through October 26. The work references the 1991 Macy's Thanksgiving Day Parade incident where the Kermit float was deflated by a lamppost or tree, leaving its head sagging. Da Corte first debuted the piece in Buenos Aires in 2018 for the Art Basel Cities exhibition curated by Cecilia Alemani. The artist, known for mining children's media like Mr. Rogers and Sesame Street, also activated the sculpture with performers for the first time in Paris, navigating wind and rain during the performance.

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Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance commissioned by the Venice-based nonprofit Scuola Piccola Zattere (SPZ) in the 16th-century Galeazze shipyard complex, which has been inaccessible since World War II and never open to the public. The performance, a collateral event of the 2026 Venice Biennale, brings up to 500 people into the 32,291-square-foot open-air ruin for two nights, featuring local students, musicians from the Venetian label Cosmogram, and trumpeter Heru Shabaka-Ra, with a soundtrack composed collaboratively.

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High Line Art has announced its 2026 season of public art commissions for New York's elevated park. The program includes a billboard work by Katherine Bernhardt and three major installations by Patricia Ayres, Ximena Garrido-Lecca, and Derek Fordjour, alongside video works for the High Line Channel by Saba Khan and a film grouping by Marianna Simnett, Filip Kostic, and Ana Hušman.

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In a podcast interview with Louis Theroux, Marina Abramović revealed that curator Klaus Biesenbach was initially skeptical of her landmark 2010 performance "The Artist Is Present" at MoMA. Biesenbach, then chief curator at large at the Museum of Modern Art, had invited Abramović for the institution's first performance art retrospective, proposing the title "The Artist Is Present." When Abramović suggested sitting silently in the museum's atrium every day for three months, Biesenbach reportedly called the idea "ridiculous," predicting no one would participate. Despite his doubts, the performance drew some 1,500 visitors, with one person sitting for an entire day, and became a defining moment in 21st-century art.

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Choke Hole, a drag wrestling show, issued an apology on Friday for a controversial ICE-themed segment performed at Pioneer Works, a Brooklyn art center. The event, titled ARMAGEDDON, was held in conjunction with a show by artist Raúl de Nieves and featured a character named Visqueen, a sex robot, who announced that an ICE agent was present to deport an alien queen. Wrestler Candy Pain fought the fictional agent and won, but the performance angered spectators, including trans activist Chiquitita, who confronted the cast and criticized the trivialization of real ICE violence. Choke Hole acknowledged the harm, donated over $3,000 to NYC ICE Watch, and urged followers to contribute.

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New York's Performa biennial postponed a new work by artist Lina Lapelytė, titled *The Speech (NYC)*, just one day before its scheduled debut because the planned venue, Federal Hall National Memorial, was closed due to the U.S. government shutdown. The piece involves 100 children making primal sounds and was to be performed on Wednesday at the historic site, which is operated by the National Park Service. Performa rescheduled the performance for November 17 and is seeking an alternative venue.

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On Monday, Whitney Museum director Scott Rothkopf announced via email that the museum would "pause" the 2025–26 academic year of its Independent Study Program (ISP), citing a lack of a director and strained operations. The announcement coincided with an open letter from high-profile ISP alumni—including artists Emily Jacir, Andrea Fraser, Mark Dion, and others—denouncing the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance was canceled two days before it was to be part of an ISP curatorial exhibition, after the museum accused the artists of "valorizing specific acts of violence" and singling out community members based on belief systems. The letter also referenced the earlier demotion of ISP director Gregg Bordowitz in February.

Tino Sehgal at Museo de Arte de Zapopan

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Renowned performance artist Tino Sehgal has launched a major self-titled exhibition at the Museo de Arte de Zapopan (MAZ) in Guadalajara, Mexico. The show’s centerpiece is 'Andador 20 de Noviembre,' a site-specific adaptation of his acclaimed 2012 work 'These Associations.' Staged on a historic pedestrian thoroughfare, the performance involves a 'hive mind' of participants who transition from slow-motion movements to jogging and engaging the public with intimate personal vignettes, creating an immersive experience that blurs the line between audience and performer.

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Artist Cai Guo-Qiang sparked a major controversy on Chinese social media after staging a fireworks display titled "Rising Dragon" in the Himalayas near Shigatse, Tibet, on September 19, 2025. The event, co-organized with outdoor brand Arc'teryx, drew dozens of art insiders and influencers but was quickly condemned by netizens, environmental scientists, and activists for threatening the fragile Tibetan plateau ecosystem and showing cultural insensitivity toward sacred Buddhist mountains. Both Cai and Arc'teryx issued apologies, and state media outlets like CCTV and Xinhua condemned the performance, leading to an investigation by local authorities.

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At Brooklyn's Pioneer Works, a drag queen professional wrestling event called Choke Hole, part of artist Raúl de Nieves's exhibition, was disrupted when audience member and performer Chiquitita stormed the stage. She objected to a skit that made light of Immigration and Customs Enforcement (ICE) deportations, shouting that 'ICE is not entertainment!' and hurling the microphone into a video screen. The performance, titled ARMAGEDDON, featured an alien queen plot involving nuclear codes and ICE, and Choke Hole later apologized, removing the segment from subsequent shows.

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The Whitney Museum of American Art has suspended its storied Independent Study Program (ISP) for the 2025–2026 academic year, following widespread outcry over the censorship of a performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance, scheduled for May 14, was canceled by museum leadership after reviewing a video in which Tbakhi made demands that supporters of Israel or America leave the venue. Director Scott Rothkopf informed the ISP community of the pause in an email, citing the need to search for a new director. The museum also confirmed that Sara Nadal-Melsió, hired in 2024 as the ISP's first associate director, will not retain her position. The cancellation drew condemnation from free speech advocates, including the National Coalition Against Censorship (NCAC), which likened the museum's actions to an authoritarian approach.

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The Whitney Museum of American Art canceled a performance piece titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" scheduled for May 14 as part of the Independent Study Program's exhibition "A Grammar of Attention." The performance, by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was grounded in the struggle for Palestinian freedom. The museum cited a zero-tolerance policy for harassment after reviewing a video of a previous iteration where an artist called for anyone who believes in Israel or America to leave the audience and valorized specific acts of violence. Participants and the program's associate director accuse the museum of censorship and seeking greater control over the historically autonomous program.

How Artist Iréne Norén Used Painting to Reclaim Her Relationship to Her Body

Artist Iréne Norén, who began painting just three years ago after a personal crisis, is now mounting her first solo gallery show in New York. Titled "Reliquary of the Body: Returning to Eden," the exhibition opens at Harper’s Chelsea and explores themes of shame, self-acceptance, and the female body, drawing on Catholic art historical imagery and Renaissance altarpiece structures. Norén started painting after an abortion while living in New York without a work visa, using art as a tool for emotional expression and confidence.

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Artist Lita Albuquerque staged a 25-minute performance titled "The Sea Is Within Me" in the Buffalo Bayou Park Cistern, a 1926 underground reservoir in Houston, during the inaugural edition of Untitled Art, Houston. The piece featured Albuquerque's daughter and dancer Jasmine Albuquerque, vocalist Carmina Escobar, and double bassist Laura Dykes, guiding small groups through a meditation and a dramatic call-and-response between the vocalist and dancer, exploring themes of joy, despair, and symbiosis.

Comment | EJ Hill's New York performance personifies the art of endurance

EJ Hill is performing 'Yearning for an Absolute' (2025), the centerpiece of his solo show at 52 Walker in New York, where he kneels on a church kneeler for eight continuous hours each day without food, water, or breaks. The performance runs from June 25 to September 13, totaling 56 days across 12 weeks, and completes a "performance triptych" with his earlier works from 2016 and 2018. Hill describes it as far more grueling than anything he has done before, experiencing widespread physical pain and mental challenges.

Marquee May auctions in New York come at a volatile moment

New York's marquee spring auctions, beginning May 12, are facing significant headwinds from President Donald Trump's second-term policies, particularly the 'Liberation Day' tariffs and resulting stock-market volatility. Phillips deputy chairman Robert Manley confirms at least one eight-figure work was pulled from sale due to tariffs. The combined Modern and contemporary auctions at Christie's, Sotheby's, and Phillips carry an estimated $1.1bn to $1.5bn in art—the lowest total estimate for spring sales since 2010, roughly $250m lower than May 2024. No nine-figure-estimate lots have been consigned, and the number of catalogued lots is the lowest since 2007 (excluding pandemic and recession years). Single-owner collections dominate, with Christie's securing the $200m Leonard and Louise Riggio collection, including a Piet Mondrian estimated at $50m, and works from Anne and Sid Bass. Sotheby's offers collections from dealers Daniella Luxembourg and others.

Tania Bruguera on Why Today’s Art Must Be Political

Cuban artist and activist Tania Bruguera will stage her performance "Tatlin’s Whisper #6" in Times Square on May 1, International Workers' Day. Originally created for the 2009 Havana Biennial, the work invites participants to speak freely on a platform for one minute, highlighting the conditional nature of free expression under authoritarian rule. Bruguera discusses the performance's relevance amid rising authoritarianism in both Cuba and the United States, noting that when she attempted to restage the work in Havana, she and other participants were arrested.

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Actor Frances McDormand and performance artist Suzanne Bocanegra have debuted a new iteration of their multi-sensory installation, 'CRADLED', at Hauser & Wirth’s downtown Los Angeles location. Developed in collaboration with the Shaker Museum, the exhibition features adult-sized cradles and Shaker furniture designed for care and infirmity. The performance-based installation explores themes of mortality, loneliness, and communal care through the lens of Shaker craft and spiritual tradition.

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On Friday, May 23, arts and culture workers protested at the Whitney Museum in New York following the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The protest, organized by Writers Against the War on Gaza, took place during the museum's Free Friday Night event, with demonstrators unfurling a Palestinian flag and a banner reading "Creativity Does Not Have to Rely on Death," distributing brochures demanding the removal of board members with ties to Israel, and calling out museum leadership for censorship. The performance, originally scheduled for May 14 as part of the Whitney's Independent Study Program, was canceled after museum leadership viewed a recording of its initial presentation at the Poetry Project, citing concerns that it "valorized specific acts of violence" and singled out community members based on belief systems.

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Sotheby’s London achieved a rare "white-glove" result during its spring modern and contemporary evening sale, with every lot finding a buyer. The auction totaled £131 million ($175 million), representing a 110 percent increase over the previous year's equivalent sale. High-profile successes included a record-breaking £5.2 million sale for Leon Kossoff’s "Children’s Swimming Pool" and strong performances for works by Andy Warhol and Josef Albers, largely driven by prestigious consignments like the Lewis Collection.

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London's auction houses held seven sales of Modern British art this week, achieving £22.3 million (including buyer's premium) against a presale estimate range of £21.3 million to £31.7 million. A total of 547 of 705 lots sold, a 77.6% sell-through rate. Bonhams struggled, with half its top lots unsold, including a Henry Moore bronze estimated at £1–2 million, but Pyms gallery and art adviser Wentworth Beaumont bought key works below estimate. Sotheby's raised £6.4 million, led by Edward Burra's *Striptease, Harlem* (1934) at £842,500, and a Paul Nash watercolor tripled its estimate to £212,500. Christie's achieved the highest total at £12 million, topped by Barbara Hepworth's *Figure (Sunion)* (1960), bought by Pyms gallery for over £800,000.

Michael Clark’s Controlled Movements

Choreographer Michael Clark's 2003 work *Satie Studs* was revived as part of the live event programme for Peter Doig's exhibition *House of Music* at London's Serpentine Galleries. Dancer Jules Cunningham performed the minimalist solo, set to Erik Satie's piano preludes, showcasing controlled, precise movements that distilled ballet and yoga poses into a stark, deliberate sequence.

Kicking off New York November sales, Christie's nets healthy $690m from double-header 20th-century auction

Christie's kicked off New York's November auction season with a double-header 20th-century evening sale on November 17, generating $574.7 million before fees and $690 million with fees. The sale featured 80 lots, including 18 from the collection of supermarket magnate Robert Weis and his wife Patricia Ross Weis, with highlights such as Pablo Picasso's *La Lecture (Marie-Thérèse)* selling for $45.4 million and Mark Rothko's *No. 31 (Yellow Stripe)* achieving $62.1 million. Two artist records were set, including for Leonor Fini, and the sale achieved a 94% sell-through rate, with 59 lots backed by third-party or house guarantees.

Fashion figure Jordan Roth wows in collage at the Venice Biennale

Multi-disciplinary artist Jordan Roth staged a performance on May 7 at Palazzo dei Fiori in Venice during the Biennale preview week, where he tore apart vinyl prints of Renaissance painter Irene di Spilimbergo and reassembled them into collages within a gilt frame. The event, presented with Performance Space New York’s Visionaries Circle, was attended by Whitney Museum director Scott Rothkopf and dealer Kristin Hjellegjerde, following Roth's earlier appearance as a "living sculpture" at the Met Gala.