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Hotel and art hub Casabianca opens on Italy's Lake Como

The De Santis family, accomplished hoteliers on Lake Como, has opened Casabianca, a new hotel and art hub in a 1930 villa designed by Piero Ponci. The property features three apartment-style suites launching later this year, while its lower floors are already open to the public for €15, displaying around 50 works from the family's collection of post-war Italian art, including pieces by Arte Povera artists such as Alighiero Boetti, Mario Merz, and Jannis Kounellis. The venture is the latest in a series of heritage hotel restorations by the family, who previously revived the Grand Hotel Tremezzo and Passalacqua.

rapper lexa gates accused of mimicking miles greenberg performance at deitch gallery 2740950

Jeffrey Deitch's gallery has apologized for hosting a performance by rapper Lexa Gates that was deemed an unauthorized derivative of performance artist Miles Greenberg's work. Gates's 10-hour piece, 'The Wheel,' involved walking inside a spinning wheel at the gallery to promote her new album, closely echoing Greenberg's 24-hour 2020 work 'Oysterknife,' which was previously screened at the same location. The gallery stated it had rented the space to Gates's record company and was unaware of the event's content.

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New York’s Jeffrey Deitch gallery apologized to artist Miles Greenberg after rapper Lexa Gates staged a performance inside a giant wheel at the gallery on January 14 to promote her album. Greenberg noted striking similarities to his own endurance piece Oysterknife, in which he walked on a conveyor belt for nearly a full day, first performed at the Marina Abramović Institute in 2020 and restaged at Jeffrey Deitch in 2021. Gates responded that she had never seen Greenberg’s work, but the gallery later acknowledged an “unauthorized derivative” of Greenberg’s work had taken place without his consent.

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Michael Rakowitz's survey exhibition "Allspice" at the Acropolis Museum in Athens explores themes of cultural displacement, looting, and historical narrative through works like his series "The invisible enemy should not exist" (2007–), which reconstructs looted artifacts from Baghdad's National Museum of Iraq using Arabic food wrappers and newspapers. The show also features his 2004 video "Return," documenting his effort to import Iraqi dates labeled as "product of Iraq" to the US after decades of sanctions, and includes interventions with the museum's own collection, such as a Cypriot head he linked to Assyrian art.

Francis Alÿs at MAMU: A Global Portrait of Childhood Through Play

The Banco de la República has opened a new exhibition at the Museo de Arte Miguel Urrutia (MAMU) in Bogotá titled "Francis Alÿs, juegxs de niñxs 1999–2025." Featuring 27 video works from the Belgian-born, Mexico-based artist's long-running series documenting children's games worldwide, the show opened on April 23 at El Parqueadero and the second floor of MAMU. Curated by Cuauhtémoc Medina and Virginia Roy, the exhibition includes footage from Afghanistan, India, Mexico, the Democratic Republic of the Congo, and Colombia, where a new work filmed in the Amazon with the Arara community is featured.

With a cut and a caress: Italian exhibition explores Rebecca Horn’s legacy

Castello di Rivoli near Turin is hosting "Rebecca Horn: Cutting Through the Past," the first major Italian exhibition dedicated to the German artist since her death in September 2024 at age 80. The show, co-organized with Munich's Haus der Kunst, centers on Horn's kinetic installation of the same name and explores her six-decade career through kinetic sculptures, early performance videos, and drawings. Chief curator Marcella Beccaria emphasizes a focus on Horn's spiritual concerns and the motif of circularity, with works displayed in the museum's narrow Manica Lunga corridor.

‘Where there’s a will, there’s a way’: Georg Baselitz incorporates his wheelchair into his art

Georg Baselitz, the 87-year-old German painter, has incorporated his wheelchair into his artistic process for a new series of 22 large-format paintings, 14 ink-on-paper drawings, and his first sculpture in over a decade. The works, made by spreading canvases on the floor and using the wheelchair's tracks to create swirling parallel lines, are on view at Thaddaeus Ropac in Pantin, Paris, in an exhibition titled 'Ein Bein von Manet aus Paris' (until 26 July). The show continues Baselitz's long exploration of the human figure, particularly his wife Elke, while introducing a novel technique that turns his mobility aid into a mark-making tool.

fed reserve interest rate cuts art market loans 1234752920

The Federal Reserve cut its benchmark interest rate by 0.25 percentage points, the first reduction since December, bringing rates to their lowest level since late 2022. Art finance experts Anita Heriot of the Fine Art Group and Joshua Greenberg of Bank of America Private Bank told ARTnews that while the cut is unlikely to create new art buyers, it could stimulate art lending and borrowing against collections, as lower rates reduce the cost of carrying debt. The move signals a potential trend of further rate declines, which may encourage collectors to reengage with the market, especially amid softening art prices.

Ceramics exhibition opens Dowd Gallery 2025-26 year

Two ceramic artists, Errol Willett and Edward Feldman, opened the 2025-26 exhibition year at SUNY Cortland’s Dowd Fine Arts Gallery with the show “Creating Movement and Flow: A Conversation of Form and Utility.” The exhibition, on view through November 14, 2025, features ceramic works that emphasize motion and process over static objects. A series of free public workshops accompanies the show, including two-part sessions led by Feldman in September and Willett in October, focusing on wheel-throwing and hand-building techniques.

How binge-watching Wheel of Fortune started a two-year art project

Melissa Nightingale reports on a two-year art project inspired by binge-watching *Wheel of Fortune*. The project reimagines the game show's prize wheel, replacing material goods like sewing machines and cars with intangible rewards such as belonging and dignity. Participants can spin the wheel, but the prizes are conceptual rather than physical, reflecting a shift in values from consumerism to human connection.