New York Art Week 2026 brings a major convergence of art events across the city, including several prominent art fairs such as Frieze New York, Independent New York, TEFAF New York, and NADA New York. The week also features gallery openings spanning from Tribeca to the Upper East Side, as well as auction previews ahead of key sales at Sotheby’s, Christie’s, and Phillips.
Los Angeles-based painter Michelle Blade is presenting her first solo show with Night Gallery in Los Angeles, titled "It's About Time." The exhibition features a new body of work focused on still lifes and landscapes from around her home, captured at different hours of the day. Using acrylic and ink on cotton poplin with a wet-on-wet technique, Blade creates luminous, shimmering compositions that blend memory, perception, and projections of the future. The show follows her recent solo exhibition at the Powerlong Museum in Shanghai and her inclusion in the group show "Superbloom" at Night Gallery.
The article reports on the author's third day at the Venice Biennale, focusing on offsite exhibitions. Highlights include Li Yi-Fan's animated video "Screen Melancholy" (2026) at the Taiwan Pavilion, described as chaotic, absurdist, and uncanny, featuring a naked CGI character interacting with ChatGPT. The author also praises Janis Rafa's video installation "Baby I'm Yours, Forever" (2026) at Fondazione In Between Art Film, which transforms scenes from a meat refrigeration plant into haunting surreal imagery. The piece notes the resurgence of video art, aided by LED screens that create immersive environments.
Shirin Neshat presents a new film trilogy, *Do U Dare!*, at the 16th-century Palazzo Marin in Venice alongside the Biennale. The work explores exile, fractured identity, and power through a female protagonist whose public isolation transforms into empowered expression in private. The trilogy is directly inspired by the story of Nasim Aghdam, an Iranian American known as the 'YouTube Shooter,' who in 2018 attacked YouTube's headquarters before taking her own life. Neshat interprets Aghdam's double life as a recluse and a social media star, focusing on the unstable boundary between self and performance in digital culture.
Ralph Lemon's exhibition at Paula Cooper Gallery presents 13 black-and-white photographs and three short videos focusing on sites in the Mississippi Delta connected to the 1955 lynching of Emmett Till. Rather than dramatizing the incident, Lemon records physical traces of the locations—such as Bryant's Grocery and Meat Market, the barn where Till was killed, the Tallahatchie River, and a funeral home—capturing dilapidated buildings and landscapes that suggest history slipping away. The show includes the titular video "From Out of Space" (2018–21), which offers closeups and drone footage of these sites, creating a meditative, detective-like examination of memory and erasure.
The article profiles six rising artists at the 2026 Venice Biennale, focusing on Sung Tieu and Gala Porras-Kim. Tieu transforms the German Pavilion with a tile shell recreating a former housing complex for Vietnamese contract workers, while inside she scatters chocolate ladybugs as a symbol of occupation. Porras-Kim presents work in the Arsenale examining 'institutionally defined damage' and how decay can realign objects with their natural state.
The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.
Kew Gardens in the United Kingdom has been transformed into an open-air gallery with the exhibition "Monumental Nature," featuring thirty sculptures by British artist Henry Moore. The display integrates Moore's large-scale bronze works into the botanical landscape, offering visitors a unique blend of art and nature.
Montreal artist Abbas Akhavan's installation "Entre chien et loup" transforms the Canadian pavilion at the 2026 Venice Biennale into a living climate system, featuring a humid, Amazon-like environment with a pond of Victoria water lilies. The seeds were sourced from the Royal Botanic Gardens, Kew, and germinated at the Orto Botanico di Padova, with the lilies growing and blooming over the course of the biennale.
The Art Gallery of Burlington is hosting a Spring Exhibition Opening & Closing Reception on Saturday, May 16, 2026, celebrating the opening of Celina Eceiza's exhibition "A material called Earth, Volume 1: The life of corners" in the Lee-Chin Family Gallery, curated by Sylvie Fortin and on view from May 16 to August 16, 2026. The event also marks the closing of Phuong Nguyen's exhibition "she died a death of a thousand cuts" in the Perry Gallery, which runs from January 31 to May 17, 2026.
Mario Ayala's first US museum exhibition, 'Seven Vans,' is on view at the Contemporary Arts Museum Houston (CAMH) through 2025–26. The show features life-sized canvases of vans suspended in the museum's basement space, exploring car culture, memory, and community through Ayala's Southern California and Gulf Coast influences. The article includes an interview with Ayala by Rosa Boshier González, discussing his upbringing in the Inland Empire, his father's lowrider scene involvement, and his 'Research While Driving' project that inspired the exhibition.
The article reviews "WeWork (oralmoral)," a temporary exhibition at The Gallery in Crown Heights, Brooklyn, curated by artist-turned-curator Florian Meisenberg. The show transforms a former office space into a free-form, non-hierarchical environment where works by over a dozen artists are placed unpredictably—in trash bins, closets, ventilation shafts, and on whiteboards left by the previous tenant. Artists span three generations, from Post-Minimal figures like B. Wurtz and David Humphrey to younger digital-savvy artists such as Lucas Blalock and Anna K.E., whose sound piece "Tamada" greets visitors. The exhibition runs from April 10 to May 18, 2026.
Frank To, an award-winning Glasgow-based artist known for using gunpowder to create explosive artworks, has been selected to exhibit at the Royal Cambrian Academy’s 2026 Annual Exhibition in Conwy, Wales. He is one of only four Scottish artists chosen from 148 applicants. To's recent London exhibitions at the Stafford Gallery, Wimbledon, and the Mall Galleries sold out, and his collectors include actor Sir Patrick Stewart and art patron Michel Witmer, who displays To's work alongside pieces by Picasso and Warhol.
Patricia Li, writing for Vogue Circle, shares a curated guide to art and design destinations in Venice beyond the main venues of the Venice Biennale. Her recommendations include the Peggy Guggenheim Collection, Gallerie dell’Accademia, Palazzo Grassi and Punta della Dogana (part of the Pinault Collection), the newly opened Fondazione Dries Van Noten, and Fondazione Prada, each hosting special exhibitions timed to the Biennale.
An exhibition titled 'A Swallow Does Not Make Spring' by French artist Annette Messager has opened at the Musée de la Chasse et de la Nature in Paris. The show transforms the museum's spaces with a menagerie of taxidermy, drawings, and installations, blending the artist's signature surreal and feminist sensibilities with the museum's focus on hunting and nature.
Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.
Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.
The Art Gallery of Burlington (AGB) opens its spring exhibition "A material called Earth, Volume 1: The life of corners" on May 16th, featuring the immersive textile art of Argentinian artist Celina Eceiza. The installation transforms the main gallery with hand-dyed, stitched, and embroidered works, including sculptures ranging from palm-sized to near-monumental, and incorporates ceramics from the AGB's collection. A public opening on May 16th includes a talk and tour with curator Sylvie Fortin and the artist, plus free programming by artist Camila Salcedo and refreshments from local vendors.
ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.
The New York Transit Museum's Grand Central Gallery is presenting "Inspired by MetroCard," a free exhibition running through October 2026 that transforms the city's iconic fare card into works of art. The show features paintings, collages, mosaics, and wearable pieces created from thousands of MetroCards by artists including VH McKenzie, Nina Boesch, Juan Carlos Pinto, Barbara Kruger, Nina Vishneva, and Thomas McKean. Curator Jodi Shapiro organized the exhibition, which is located in the museum's gallery and store within Grand Central Terminal's Shuttle Passage.
The Akron Art Museum is presenting "Transfiguration: Rachel Libeskind and the Tiffany Window," an exhibition centered on a 137-square-foot stained glass window crafted by Frederick Wilson of Tiffany Studios in 1917. The window, originally installed at St. Paul’s Episcopal Church, was rescued after a 2018 fire destroyed the church. Developer Tony Troppe purchased the property in 2022, and Whitney Stained Glass Studio restored the panels. New York-based artist Rachel Libeskind created accompanying works that reframe the window as art rather than a devotional object, with the show running through July 5.
A Savona c’è un nuovo festival di cultura contemporanea che mira a far dialogare la tradizione con le ricerche più emergenti
A new contemporary culture festival called Brucia has launched in Savona, Italy, with its zero edition running from May 9 to 17, 2026. Organized by the under-30 association Fiammiferi, founded by Teresa Raineri, the festival transforms the Fortezza del Priamàr and Teatro Chiabrera into a diffuse laboratory of artistic practices, including performances, concerts, exhibitions, workshops, and meetings. A highlight is the solo show [Çigae] by artist Gaia De Megni, curated by Gabriele Cordì, which explores themes of return and belonging through a Ligurian lens, featuring her film 'La tigre e i gabbiani' (2019).
Un artista italiano fa una mostra a Tunisi ispirandosi alle architetture di Le Corbusier
Italian artist Cristian Chironi has opened the seventh chapter of his ongoing project "My house is a Le Corbusier" with an exhibition in Tunis titled "My house is a Le Corbusier (Villa Baizeau)". The project centers on Villa Baizeau, a Le Corbusier-designed house built between 1928 and 1930 for industrialist Lucien Baizeau, which is now inaccessible inside the Tunisian presidential park. Chironi, inspired by a failed attempt by artist Costantino Nivola to bring Le Corbusier's architecture to his hometown Orani, instead travels the world temporarily inhabiting Le Corbusier's buildings. For this iteration, he set up a residency at La Boîte – Centre d'Art & d'Architecture in the Medina of Tunis from January 22 to April 5, 2026, culminating in an exhibition that opened April 3, 2026, using the villa as a lens to read the city rather than a physical space to occupy.
Italian artist Davide Rivalta has installed thirteen monumental bronze sculptures of lions, buffalo, and rhinoceroses across Stockholm, Sweden, in a project titled "Blowing Figures into Space." Organized by the Italian Cultural Institute of Stockholm, the works are placed in strategic locations including Mynttorget, Gamla Stan, Ladugårdsgärdet, and Hagaparken, with installations rolling out from April 2025 through summer 2027. The first sculpture was unveiled near the Swedish Parliament during Stockholm Art Week, and additional animals will appear in public parks on August 29.
Sound artist Hans Rosenström has launched a site-specific sound installation titled "Out of Silence" at Four Freedoms Park on New York City's Roosevelt Island, running until 21 June. The multi-speaker work features layered voices sung by the Estonian choir Vox Clamantis, arranged across four sections of the park as an homage to Franklin D. Roosevelt's 1941 Four Freedoms speech. Rosenström, a Finnish artist based in Stockholm, developed the project during an International Studio & Curatorial Program residency in New York in 2024, after being approached by Latvian curator Alina Girshovich to mark the 90th birthday of composer Arvo Pärt. The park's memorial to FDR was designed by architect Louis Kahn, who was born in Estonia and benefited from New Deal programs.
Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.
Qatar has made its debut at the Venice Biennale with an official national pavilion, marking a major cultural milestone as the first new national pavilion in the Giardini in 30 years. Led by artist Rirkrit Tiravanija, the project titled "Untitled 2026: A gathering of remarkable people" transforms the space into a living environment featuring live music, film screenings, shared meals, and ongoing performances. The pavilion brings together artists, musicians, and chefs from across the Arab world and its diasporas, emphasizing cultural exchange rather than a single national narrative.
Dozens of urban artists from 17 countries have gathered at the Völklinger Hütte (Völklingen Ironworks) in Germany, a UNESCO World Heritage Site and former ironworks, for the Urban Art Biennale 2026. The exhibition features 50 artists, including Tomas Lacque, Boris Tellegen, Ampparito, Remi Rough, Anders Reventlov, and the collective Vortex-X, who have created site-specific installations, murals, and sculptures that engage with the industrial ruins and history of the 15-acre complex, which ceased production in 1986.
Kazakhstan presents its third national pavilion at the Venice Biennale, titled 'Qoñyr Äulie: Immersion into Quiet Depths' by artist Ardak Mukanova. The exhibition, called 'Qoñyr: the Archive of Silence,' is housed at the Museo Storico Navale near the Arsenale entrance and transforms silence into a sensory landscape.
The Fabric Workshop and Museum (FWM) in Philadelphia, in partnership with Mural Arts Philadelphia, presents "Jesse Krimes: Elegy Quilts," an exhibition featuring works from the artist's ongoing Elegy Quilt series (2020-present). The show debuts a newly commissioned quilt, "Riverside" (2026), created from used clothing collected from incarcerated people. Krimes, a Bucks County-based multidisciplinary artist who experienced incarceration himself, gathers donated clothing and textile fragments from currently and formerly incarcerated individuals and reconstitutes them into patterned quilts that meditate on memory, loss, and resilience. The exhibition also includes collages made during workshops with graduates of Mural Arts' Restorative Justice reentry program, which informed both the quilt and a forthcoming public mural in Philadelphia's Spring Arts District, to be unveiled June 3.