Collaborations: Robert Rauschenberg, Laurie Anderson, Trisha Brown, and Merce Cunningham at BAM

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The Brooklyn Academy of Music (BAM) is hosting "Dancing with Bob," an international tour celebrating the centennial of Robert Rauschenberg’s birth. The program features restagings of seminal avant-garde dance collaborations, most notably the 1983 masterpiece "Set and Reset," which combined the choreography of Trisha Brown, the music of Laurie Anderson, and the visual design of Rauschenberg. The tour also includes a rare professional restaging of the 1977 piece "Travelogue," a collaboration between Rauschenberg and Merce Cunningham.

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The Robert Rauschenberg Foundation is launching a global centenary celebration for the artist's 100th birthday, spanning 2025–2026. The program includes major exhibitions at seven institutions across five countries, such as "Five Friends" at Museum Brandhorst in Munich and Museum Ludwig in Cologne, photography shows at the Museum of the City of New York and Fundación Juan March in Madrid, and an exhibition at M+ in Hong Kong focusing on Rauschenberg's ROCI program. The foundation is also initiating grant-making initiatives to highlight Rauschenberg's legacy in art, technology, environmentalism, and social justice.

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The Brooklyn Academy of Music (BAM) is hosting a revival of the postmodern dance masterpiece "Set and Reset" as part of the ongoing Robert Rauschenberg Centenary celebrations. This landmark 1983 collaboration features choreography by Trisha Brown, a synth-driven score by Laurie Anderson, and extensive visual design by Rauschenberg, including a sculptural projection structure and silkscreened costumes. The program, titled "Dancing with Bob," also includes a rare performance of the 1977 work "Travelogue," a collaboration between Rauschenberg and Merce Cunningham that has not been staged by a professional company in over four decades.

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A gala performance at the Guggenheim Museum in New York marked what would have been Robert Rauschenberg's 100th birthday, featuring dancers performing Paul Taylor's 'Tracer' (1962), for which Rauschenberg created costumes and sets—including a spinning bicycle wheel that served as a portal to the exhibition above. The show, 'Robert Rauschenberg: Life Can’t Be Stopped,' opened in one of the museum's tower galleries and runs through May 3, presenting select works from the Guggenheim's collections and loans from the artist's foundation, including major pieces like 'Barge' (1962–63), the largest silkscreen painting Rauschenberg made in the early 1960s, back in New York for the first time in nearly 25 years.

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Fashion designer Jason Wu has collaborated with the Robert Rauschenberg Foundation to create a Spring 2026 collection titled "COLLAGE," inspired by the late artist's work and presented during New York Fashion Week. The collection draws on ten works from the foundation's holdings, including pieces from Rauschenberg's "Hoarfrost" series (1974–76) and "Airport Suite" (1974), with Wu granted rare access to study the artist's use of fabric and collage. The collection will be shown alongside a major Rauschenberg piece on September 14, 2025, and will be available for purchase in February 2026.

best outdoor new york activities

This article from Cultured magazine highlights seven outdoor art and performance activities in New York City for summer 2024. It covers MoMA PS1's Warm Up dance party series featuring monumental sculptures by Yto Barrada, Socrates Sculpture Park's annual fellows exhibition themed "Up/Rooted," Little Island's adventurous performance series including works by Suzan-Lori Parks and Laurie Anderson, Wave Hill's 60th-anniversary installations with Yoko Ono's wish tree and works by Monica Duncan and Sarah Jimenez, the Beach Sessions Dance Series on Rockaway Beach, and SummerStage NYC's music performances in Central Park.

9 Must-See Museum Shows Across the U.S.

The article highlights nine must-see museum exhibitions across the United States for summer 2025, offering escapes from heat and virtual travel through art. Featured shows include "Lisa Yuskavage: Drawings" at the Morgan Library and Museum (June 27, 2025–January 4, 2026), the first comprehensive museum presentation of her drawings; "Gustave Caillebotte: Painting His World" at the Art Institute of Chicago (June 29–October 5, 2025), featuring over 120 works including the recent Musée d'Orsay acquisition *Boating Party*; and "Anicka Yi" at the Museum of Fine Arts, Houston (June 29–September 7, 2025), showcasing the bio-tech artist's imaginative works on karmic debt.

art robert rauschenberg centennial

Robert Rauschenberg's centenary is being celebrated with a sprawling, interdisciplinary series of events that began this fall and will continue into 2026. At least eight major institutional exhibitions of his work are mounted worldwide, alongside a book of his writings published by Yale University Press and a national tour by the Trisha Brown Dance Company and the Merce Cunningham Trust featuring Rauschenberg's sets and costumes. Cultured magazine invited artists across disciplines to reflect on his legacy, with contributions from Jeff Koons and RJ Messineo, among others.

What Every Collector Should Know About Buying Performance Art

Artsy Editorial explores the complexities of collecting performance art, explaining that ownership typically involves acquiring documentation, scores, or rights to reactivate a performance rather than the live event itself. The article outlines how artists, dealers, and collectors navigate transactions for this ephemeral medium, addressing the challenges of preservation, display, and market value.

art cherrie yu young artist

Cultured magazine profiles Cherrie Yu, a 30-year-old artist based in New York who grew up in Xi'an and Wuxi, China. Yu creates videos, performances, and prints that examine the relationship between everyday movement, dance, labor, and play. Notable works include 'Trisha and Homer' (2018), which juxtaposes a 1986 solo by choreographer Trisha Brown with the movements of a mopping maintenance worker, and 'Wrestling Study' (2017), a video reenacting a wrestling match in Chicago traffic. Yu cites mentor Bryan Saner, a woodworker and performer, as a key influence on their understanding of the laboring body as the dancing body.

Rare Rauschenberg Experimental Dance Revived at Brooklyn Roller Rink

The Trisha Brown Dance Company is reviving Robert Rauschenberg's first choreographed dance, 'Pelican,' for the first time in 60 years. The single-night performance will take place at the vintage Xanadu roller rink in Brooklyn as part of a 'Pelican Gala,' which also features two long-unseen dances by Trisha Brown. The event coincides with the centennial of Rauschenberg's birth.

Arthur Jafa and Mark Leckey, Cecilia Alemani on SITE Santa Fe, Trisha Brown and Robert Rauschenberg—podcast

An exhibition opening at Conditions in Croydon, London, pairs two landmark video works: Mark Leckey's "Fiorucci Made Me Hardcore" (1999) and Arthur Jafa's "Love is the Message, the Message is Death" (2016). Ben Luke interviews both artists about the show. Separately, the 12th SITE Santa Fe International, titled "Once Within a Time," opens under artistic director Cecilia Alemani. The episode also features the Trisha Brown Dance Company's 1979 piece "Glacial Decoy," a collaboration with Robert Rauschenberg, now the subject of a Walker Art Center exhibition curated by Brandon Eng.

Body as Device. Guide and Reflection on the Performances of the Venice Biennale

Corpo come dispositivo. Guida e riflessione sulle performance della Biennale di Venezia

The article analyzes the role of performance art at the 2026 Venice Biennale, arguing that performance is no longer a rediscovered genre but a structurally institutionalized primary form of experience production. It examines how the body reemerges not as an alternative to image-based works but as an internal interruption of the artwork system, preventing closure and reintroducing instability. Key pavilions are discussed: Austria's Florentina Holzinger with "Sancta" draws on 1970s radical performance and feminist body art, creating an immersive environment of continuous movement; Belgium's Miet Warlop with "IT NEVER SSST" engages post-dramatic theater and postmodern dance repetition; Japan's Ei Arakawa-Nash with "Grass Babies, Moon Babies" activates Gutai avant-garde legacies through viewer interaction with soft dolls.