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orientalist painting philadelphia penn museum auction

The Penn Museum at the University of Pennsylvania is courting controversy by consigning a major 1891 painting by Ottoman artist Osman Hamdi Bey, titled "At the Mosque Door," to Bonhams London with an estimate of $2.7–$4 million. Although the museum purchased the work directly from the artist in 1895, it was never formally accessioned into the collection, allowing the institution to bypass strict industry regulations that typically prohibit using art sale proceeds for anything other than new acquisitions or collection care. The museum intends to use the funds to establish a permanent endowment for the long-term maintenance of its vast archaeological holdings.

Giovanni Segantini at the Marmottan Monet Museum: our photos from the exhibition on the painter of the Alps

The Marmottan Monet Museum in Paris has opened a major retrospective of Giovanni Segantini, an Italian painter known for his Symbolist and Divisionist Alpine landscapes. Titled "I Want to See My Mountains," the exhibition runs from April 29 to August 16, 2026, and features over 60 works including oil paintings, pastels, and drawings, plus around 30 works on paper from European collections. Curated by Gabriella Belli and Diana Segantini, the show traces Segantini's artistic journey from his early days in Italy to his time in the Engadine Valley in Switzerland, where he found inspiration in mountain landscapes. The exhibition is divided into ten sections and also includes a contemporary tribute to Anselm Kiefer, whose works create a dialogue with Segantini's vision.

forged polish painting returns to the national museum in poznan poland

A painting long attributed to Polish Realist painter Józef Pankiewicz and held by the National Museum in Poznań has been revealed as a forgery. The work, titled 'Vegetable Market at Żelaznej Bramy Square in Warsaw' and dated 1888, was awarded a silver medal at the 1889 Universal Exposition in Paris and acquired by the museum in 1948. In 2017, scholar Michał Haake noticed discrepancies between the museum's version and historical reproductions, prompting an investigation. Conservators removed overpainting and found that the canvas, pigments, and composition differed from the original, with Pankiewicz's signature added after completion. The forgery, now attributed to an unidentified early 20th-century artist, is back on display alongside a photo of the original in the exhibition 'Succumb to Illusion.' The original painting has been missing since 1890.

Inside the free exhibition bringing the art of the Expo '86 World's Fair back to life

Surrey Art Gallery in Bear Creek Park, Vancouver, has opened a free temporary exhibition titled "In The Shadow of the Pavilions: Expo 86 and Contemporary Art." The show revisits the cultural legacy of Expo '86, the 1986 World's Fair that transformed Vancouver's urban and economic identity, through contemporary artworks in photography, video, installation, and archival materials. It highlights the many public artworks commissioned for the fair, the architecture of pavilions, and features an anonymous documentary slideshow of over 1,700 photographs by Michael de Courcy capturing visitors and everyday scenes.