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Ed Ruscha | Billy (1968) | Art & Prints

Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.

Firelei Báez paintings at Hauser & Wirth New York

Firelei Báez presents her first New York exhibition with Hauser & Wirth, featuring a constellation of new paintings, works on paper, and large-scale bronze sculptures across two floors of the gallery's 22nd Street location. The show includes 'View of Nature' (2026), an eight-panel painting based on John Emslie's 1852 engraving, alongside bronze ciguapa figures from Dominican folklore and a series of monumental works on paper that explore atmospheric and cosmic themes.

With mysterious Magic Show, artist Rosamunde Bordo blurs line between real and fictional worlds

Vancouver-based artist Rosamunde Bordo presents *Magic Show*, a multilayered exhibition at Western Front that blends video, glassblowing, and found objects to weave a detective-style narrative around a mysterious woman named Denise. The show, on view until July 25, features works like *Karmic Cleanse* and *Communicating Vessels*, combining esoteric rituals and handcrafted materials to create an immersive, genre-defying storytelling experience.

'Optical debris': Be transported to a world of light and shadows at unique art exhibit

Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.