The National Gallery of Canada in Ottawa has received a donation of 24 contemporary artworks from Vancouver-based collector and real estate tycoon Bob Rennie and his family. The gift includes works by American artists Kerry James Marshall and Christopher Williams, and Canadian artists Brian Jungen and Jin-me Yoon, bringing the total number of works donated by the Rennie family to the NGC since 2012 to 284.
Vancouver-based collector Bob Rennie and his family have donated 24 significant contemporary artworks to the National Gallery of Canada in Ottawa. The gift features a major installation by Kerry James Marshall titled 'Wake' (2003–25), alongside works by Brian Jungen, Jin-me Yoon, and 17 pieces by Christopher Williams, marking the latter's debut in the museum's permanent collection.
The Vancouver Art Gallery and the Walker Art Center have jointly acquired Nan Goldin's *Stendhal Syndrome* (2024), a slideshow-based video work with an original soundtrack. The acquisition was funded by the Curators’ Council Fund for Women Artists and the Jean MacMillan Southam Fund at the Vancouver Art Gallery. The work will make its Canadian debut at the Vancouver Art Gallery. First presented at Gagosian's New York gallery in September 2024 as part of Goldin's exhibition "You never did anything wrong," the piece pairs two decades of the artist's photographs with a personal voiceover, exploring the emotional power of art. It features images of classical, Renaissance, and Baroque masterpieces from institutions such as the Galleria Borghese, the Louvre, the Metropolitan Museum of Art, and the Prado, interwoven with portraits of Goldin's friends, family, and lovers.
A senior curator and two collections committee volunteers have resigned from the Art Gallery of Ontario (AGO) after the institution voted against acquiring a new slideshow work by artist Nan Goldin. The purchase was rejected by an 11-9 vote, with some committee members finding Goldin's November 2024 speech denouncing Israel's attacks on Gaza as genocide to be "offensive" and "antisemitic." Goldin had spoken at the Berlin opening of her traveling retrospective, expressing moral outrage and arguing that calling anti-Zionism antisemitic is a false equivalency. The AGO's modern and contemporary curator, John Zeppetelli, stepped down allegedly because of the incident, while the Vancouver Art Gallery and Walker Art Center proceeded with their part of the acquisition.
A deadly fire in Hong Kong's Tai Po district, which killed at least 159 people and left 31 missing, has sparked an online battle over the role of bamboo scaffolding in the blaze. Photographer Elaine Li and other artists, architects, and cultural historians are defending the centuries-old craft against early news reports that implicated it, fearing it may be unfairly blamed and regulated out of existence. Officials have ordered all scaffolding mesh removed and arrested 21 people on suspicion of manslaughter, but the conversation has grown into a broader fight to protect a cultural symbol of Hong Kong's identity.
Artnet News has compiled a list of the 10 top-selling living American artists at auction, with Jeff Koons leading the pack as the only artist to surpass $1 billion in auction sales. The list includes influential figures like Jasper Johns, Ed Ruscha, Cindy Sherman, Christopher Wool, Richard Prince, George Condo, and KAWS, with Johns being the oldest at 95 and Sherman the sole woman. The US art market generated $4.3 billion in 2024, outpacing China and the UK, according to Artnet’s Auction Price Database.
The Robert Rauschenberg Foundation is launching a global centenary celebration for the artist's 100th birthday, spanning 2025–2026. The program includes major exhibitions at seven institutions across five countries, such as "Five Friends" at Museum Brandhorst in Munich and Museum Ludwig in Cologne, photography shows at the Museum of the City of New York and Fundación Juan March in Madrid, and an exhibition at M+ in Hong Kong focusing on Rauschenberg's ROCI program. The foundation is also initiating grant-making initiatives to highlight Rauschenberg's legacy in art, technology, environmentalism, and social justice.
Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.
Artist Lucy Raven has completed her film trilogy, "The Drumfire," with the release of Murderers Bar (2025). The 42-minute film documents the historic removal of four dams along the Klamath River, capturing the dramatic release of water and the restoration of a river system flowing from Oregon through Northern California. The work is currently on view at the Power Plant in Toronto and is scheduled to travel to the Institute of Contemporary Art Boston in May.
This week's art news is dominated by the opening of Art Basel 2025, where dealers reported a strong start with numerous six-figure sales, including a David Hockney painting at Annely Juda Fine Art for $13–17 million and a $9.5 million Ruth Asawa sculpture at David Zwirner. Other major developments include the Museum of Modern Art announcing a major Marcel Duchamp survey for 2026, the reopening of a historic Paris building (temporary home for Centre Pompidou) after a £395 million rebuild, and the Studio Museum in Harlem receiving a significant gift from Vancouver real estate magnate Bob Rennie. The article also covers gallery representation changes, awards, and the passing of sculptor Joel Shapiro and businessman/art patron Leonard Lauder.
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French President Emmanuel Macron has appointed Catherine Pégard, the former president of the Château de Versailles, as the new French Culture Minister. Pégard faces immediate challenges, including addressing the recent theft of the French crown jewels from the Louvre and managing Macron’s ambitious $1 billion overhaul of the museum. Meanwhile, the VIP opening of Frieze Los Angeles has reported robust sales, with dealers describing the atmosphere as a "frenzy" amidst a notable trend in textile-based art and photography.
An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.
A trustee at the Art Gallery of Ontario (AGO), Judy Schulich, advised the museum's acquisitions committee not to acquire a Nan Goldin video installation, *Stendhal Syndrome* (2024), due to Goldin's pro-Palestine statements and criticism of Israel's war in Gaza. The AGO had planned to purchase the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the AGO withdrew after internal concerns were raised. The controversy led to the resignation of two committee members and one curator, and the museum promised a review of its acquisition process.
The Art Gallery of Ontario (AGO) chose not to acquire Nan Goldin's 2024 video "Stendhal Syndrome" due to the artist's comments on Israel's war in Gaza, according to a report by the Globe and Mail. The work, which shows blurred images of semi-nude figures and sculptures, was instead purchased by the Vancouver Art Gallery and the Walker Art Center in Minneapolis. An AGO acquisitions committee voted against the acquisition, with internal memos citing Goldin's past statements—including her description of the war as a "genocide" and her criticism of weaponized antisemitism—as the reason. The decision led to the resignation of curator John Zeppetelli and two unnamed committee members, and prompted director Stephan Jost to call for a review of the committee's processes.
The Vancouver Art Gallery has received a transformative gift of 131 artworks from an anonymous Hong Kong collector, forming a living collection called Art Continuum Hong Kong (ACHK) that spans works by 78 artists from the 1950s to today. Meanwhile, Barbara Dauphin Duthuit, wife of Henri Matisse's grandson, donated 61 Matisse works to the Musée d'Art Moderne de la Ville de Paris, including paintings, drawings, and etchings. Additionally, a rare 15th-century illuminated Jewish prayer book looted by Nazis and recently restituted is heading to auction at Sotheby's in February with an estimate of at least $5 million.
Tania Willard, a mixed Secwépemc and settler artist from Neskonlith, British Columbia, has won the 2025 Sobey Art Award, receiving CAD$100,000 ($71,000). The announcement was made at the National Gallery of Canada in Ottawa. The award, established in 2002 by the Sobey Art Foundation, supports contemporary Canadian artists. The five other shortlisted artists—Tarralik Duffy, Chukwudubem Ukaigwe, Sandra Brewster, Swapnaa Tamhane, and Hangama Amiri—each receive CAD$25,000. Willard's land-based, community-focused practice centers Indigenous resurgence, and her site-specific installation *Declaration of the Understory* is on view at Bentway Staging Grounds in Toronto through spring 2026.
The Louvre has admitted that jewels stolen from its collection in a daylight smash-and-grab robbery on Sunday are not privately insured, leaving the French state liable for the full $102 million loss if the items are not recovered. The heist targeted jewels once owned by Emperor Napoleon III and Empress Eugénie, and a leaked audit revealed the museum's security systems were "outdated and inadequate." French officials have struggled to track the thieves, and the culture ministry confirmed that the state acts as its own insurer for works in their usual place of conservation, meaning no reimbursement will be made if the jewels remain missing.
Vancouver-based art collector Bob Rennie has donated 61 artworks valued at C$22.8 million ($16.8 million) to the National Gallery of Canada in Ottawa. The donation includes works by Ai Weiwei, Mona Hatoum, Dan Graham, and Rodney Graham, and the museum has named a space after the Rennie family, with plans for at least one more. In other news, the Orange County Museum of Art is exploring a merger with the University of California, Irvine, and its director Heidi Zickerman will step down in December. Critics are blasting a digital projection of Christo and Jeanne-Claude's Wrapped Reichstag onto the German parliament, calling it an 'aesthetic outrage.' Additionally, Iván Argote's pigeon sculpture Dinosaur on the High Line Plinth inspired a Pigeon Fest in New York, and rare copies of Lincoln's 13th Amendment and Emancipation Proclamation are heading to auction at Sotheby's.
The Toronto Biennial of Art has announced the details for its fourth edition, titled "Things Fall Apart," scheduled to run from September 26 to December 20. Curated by Allison Glenn, the exhibition will feature 30 artists and collectives, including Kent Monkman, Rebecca Belmore, and Dawoud Bey, with a heavy emphasis on new commissions. For the first time, the biennial is expanding its footprint beyond the Greater Toronto Area to include partnerships with institutions across Canada and international sites like Times Square in New York and the Anchorage Museum in Alaska.
Julian Cox will step down as deputy director and chief curator of the Art Gallery of Ontario on April 13, concluding an eight-year tenure. The AGO's director praised Cox's impact on exhibitions, collection growth, and scholarship, stating his departure is not connected to recent institutional turmoil.
An Andy Warhol offset lithograph poster from his 1976-1977 "American Indian Series" is being offered for sale by Revolver Gallery in West Hollywood. The poster, designed to advertise Warhol's exhibition at Ace Gallery Los Angeles in February 1977, depicts Native American civil rights activist Russel Means, a member of the American Indian Movement. Warhol created three different posters for consecutive exhibitions at Flow Ace Gallery Paris (October 1976), Ace Gallery Vancouver (November 1976), and Ace Gallery Los Angeles (February 1977), with this blue version corresponding to the Los Angeles show. The work is signed by Warhol, includes a certificate of authenticity, and is priced at $2,860.
Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'
The Vancouver Art Gallery has unveiled 'Highlights from the Collection,' a major long-term exhibition featuring 200 works selected from its permanent holdings of over 13,000 items. Curated by a team led by Eva Respini, the show marks a strategic shift for the institution by committing to a semi-permanent display that will remain on view until 2030. The exhibition includes iconic pieces ranging from Gathie Falk’s ceramics to Andy Warhol’s Marilyn Monroe prints and Claes Oldenburg’s sculptures.
A senior curator at the Art Gallery of Ontario (AGO) resigned after the museum's modern and contemporary curatorial working committee voted 11-to-9 against acquiring Nan Goldin's moving-image work "Stendhal Syndrome" (2024), citing allegations of antisemitism over remarks Goldin made in a 2024 speech at Berlin's Neue Nationalgalerie. The AGO had planned to jointly purchase the work with the Vancouver Art Gallery and the Walker Art Center, but pulled out in mid 2025; the other two institutions proceeded with the acquisition. Two volunteer members of the collections committee also resigned over the decision, according to a leaked memo obtained by The Globe and Mail.
Photographer Cindy Sherman has launched the Cindy Sherman Legacy Project (CSLP), a formal initiative to preserve her photographic works by offering to destroy and replace damaged prints with new, artist-approved reprints. The project, announced on June 16, includes condition assessments, a controlled replacement process, and an online catalogue raisonné. Collectors can submit works for evaluation at a New York facility; eligible prints are destroyed and replaced with mint-condition reprints signed by Sherman, with a $10,000 administrative fee plus production costs. The fee is waived for non-profit institutions.
Canadian collector and businessman Bob Rennie has donated 61 works valued at C$22.8 million ($16.8 million) to the National Gallery of Canada (NGC) in Ottawa. The gift, which took 18 months to plan, includes pieces by Yinka Shonibare, Mona Hatoum, Rodney Graham, Ai Weiwei, and others. It surpasses Rennie’s previous record donation of C$13 million in 2017 and brings his total contributions to the NGC to over C$35 million, comprising more than 260 works since 2012. Rennie, a longtime patron of the National Gallery of Canada Foundation, emphasized his approach of collecting artists in depth rather than for momentary sensation.
El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.
The New Art Dealers Alliance (NADA) has appointed Vancouver-based independent curator Kate Wong to organize the Curated Spotlight section of its upcoming Miami fair. Wong, formerly a curator at MOCA Toronto and founder of SITE Toronto, selected five galleries and nonprofit spaces—including EFA Robert Blackburn Printmaking Workshop, Spill 180, El Consulado, Romance, and Southside Contemporary Art Gallery—to highlight emerging artists. The fair runs December 2 at Ice Palace Studios, concurrent with Art Basel Miami Beach.
The Vancouver Art Gallery (VAG) has received a landmark donation of 131 works by 78 artists from an anonymous Hong Kong-based collector, named the Art Continuum Hong Kong (ACHK) collection. The gift, the largest contribution of Hong Kong art in the gallery's history, spans painting, sculpture, printmaking, film, installation, and lens-based media from the 1950s to the present, chronicling social, political, and cultural change in Hong Kong. It includes works by internationally recognized artists such as Luis Chan, Irene Chou, Tsang Kin Wah, Wesley Tongson, Sin Wai Kin, and Wucius Wong, as well as Hong Kong-born, Vancouver-based artists like Howie Tsui and Lam Tung Pang. The VAG will present an exhibition of the donation alongside its permanent collection in 2027, coinciding with the 30th anniversary of Hong Kong's handover from the UK to China.
NADA Miami has announced its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, will be organized by Vancouver-based curator Kate Wong, who selected seven galleries and artists—including Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano—to present works exploring power structures, identity, and collective histories. The fair will also host the ECOLOGIES public programming series.