Remembering Pat Steir, one of the 20th century’s late-blooming great artists

Pat Steir, the acclaimed American painter known for her Waterfall series, died in Manhattan on 25 March at age 87. The article traces her career from early struggles as a freelance illustrator and art director, through her transformative encounter with Sol LeWitt in the early 1970s, to her eventual emergence as a major figure in contemporary painting. It highlights her teaching at CalArts and Parsons, her involvement with feminist and artist-run institutions like Heresies and Printed Matter, and the pivotal moment in the early 1980s when she cut up a reproduction of a Jan Brueghel the Elder flower painting into 64 panels, repainting each in a different historical style.

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The Affordable Art Fair opened its latest New York edition on March 30 at the Metropolitan Pavilion, featuring 72 galleries from six continents. The fair, now in its 15th year in New York, offers artwork priced between $100 and $10,000, with at least half of each booth's inventory under $5,000. Highlights include Lucy Sparrow's felt grocery items for $100, Orson Kartt's mixed media prints for $250, and Yann Guitton's oversized $20 bill artwork. The fair also offers themed tours such as “Female Voices” and “Finds Under $500.”

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Rosemarie Beck, a once-promising abstract painter celebrated in the 1940s and 1950s by the Whitney Museum and mentored by Robert Motherwell, abandoned abstraction in 1958 to pursue figuration. Despite early success and shows at prestigious venues like the Stable Gallery, her shift to mythological and literary themes caused her to fade from art historical memory. A new exhibition, "Rosemarie Beck: Earthly Paradise," at Van Doren Waxter in New York, showcases over 25 figurative works from 1959 to 2000, marking a major reappraisal of her career.

A Vienna Theater Opens Its Prized Klimt Ceiling Paintings to Tours During Restoration

The Burgtheater in Vienna has opened guided tours allowing the public to view Gustav Klimt's ceiling paintings up close for the first time, during a restoration of the works. The 10 paintings, created in the late 1880s by Klimt, his brother Ernst, and Franz Matsch, hang 60 feet above the staircases and were recently cleaned with cotton swabs and purified water after water damage. The tours, which require sturdy footwear, are currently sold out due to high demand.

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Sotheby's London will auction a rare set of all four Shakespeare Folios—the First (1623), Second (1632), Third (1663), and Fourth (1685)—as a single lot on May 23, with a presale estimate of £3.5–4.5 million ($4.7–5.99 million). The set, assembled in 2016, is led by the First Folio, which preserved 18 of Shakespeare's plays that might otherwise have been lost. The sale marks the first time all four volumes have been offered together since a 1989 Sotheby's New York auction, which was canceled after a private offer was accepted.

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Taylor Swift fans have flocked to the Wiesbaden State Museum in Germany to see Friedrich Heyser's painting 'Ophelia' (ca. 1900), which the singer referenced in the opening scene of her music video for the song 'The Fate of Ophelia' from her album 'The Life of a Showgirl'. The museum saw hundreds of additional visitors last weekend, with director Andreas Henning expressing surprise and delight at the attention.

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Taylor Swift's new album 'The Life of a Showgirl' includes a song titled 'The Fate of Ophelia,' which references the tragic character from Shakespeare's 'Hamlet.' The article draws a parallel between Swift's song and John Everett Millais's Pre-Raphaelite painting 'Ophelia' (1851–52), which depicts the character before her death. The Tate, which owns the painting, posted about the work to discuss the death of its model, Elizabeth Siddal, in 1862. Swift's album cover, showing her floating in water, has been compared to the Millais painting, but the song reimagines Ophelia's narrative with a happy ending tied to her relationship with Travis Kelce.

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Robert Wilson, experimental playwright, director and artist, has died, aged 83

Robert Wilson, the visionary experimental playwright, director, and visual artist known for his highly stylized theatrical productions, has died at age 83. He passed away at his home in Water Mill, New York, on July 31 following a brief acute illness, according to a statement from the Watermill Center, the arts organization he founded. Wilson's most famous works include the silent opera *Deafman Glance* (1970) and the epic collaboration with composer Philip Glass, *Einstein on the Beach* (1976). He was also a prolific visual artist, creating drawings, sculptures, and video portraits, including a series featuring Lady Gaga, Pope.L, and Isabella Rossellini, and his work was exhibited at institutions such as SFMoMA, the Centre Pompidou, and the Louvre.

Buffalo AKG Art Museum's new 'Northern Lights' exhibit brings Arctic landscapes to Buffalo

The Buffalo AKG Art Museum has opened a new exhibition titled 'Northern Lights,' featuring over 70 paintings of Nordic and Canadian landscapes created between 1880 and 1930. The show includes works by Edvard Munch, best known for 'The Scream,' and was curated by Helga Christoffersen. The exhibition opened on a First Friday with pay-as-you-wish admission and will run through January 2026. Consuls general of Canada and Finland joined museum staff at a press conference to highlight the cross-border significance of the collection.

Au musée de l’Image d’Épinal, les talents multiples de Frans Masereel, entre autres inventeur du roman graphique

The Musée de l'Image d'Épinal is presenting a comprehensive exhibition on Belgian artist Frans Masereel (1889–1972), widely credited as the inventor of the graphic novel in 1918 with his wordless narratives composed of black-and-white woodcuts. The show, curated by Samuel Dégardin, brings together loans from major institutions and a private collection to reveal the full breadth of Masereel's practice, which spanned drawing, animation, painting, theater, ceramics, tapestry, and satirical press illustration. It highlights his pacifist activism during World War I, his collaborations with writers such as Stefan Zweig and Romain Rolland, and his humanist vision of a unified Europe.

Sony world photography awards 2026 – in pictures

The 2026 Sony World Photography Awards have announced their top honors across professional, open, student, and youth categories. Notable winners include Citlali Fabián for her series on Indigenous activists in Mexico, Seungho Kim for a project exploring the intersection of parenting and pet ownership in South Korea, and Dafna Talmor for her abstracted, collaged landscapes. The winning works span a diverse range of subjects, from the documentation of a fire at the Royal Academy of Fine Arts in Stockholm to intimate portraits of faith at the Vatican.

Shakespeare’s London Home Finally Located After Centuries of Mystery

Scholar Lucy Munro of King’s College London has identified the precise location of William Shakespeare’s only owned London home in the Blackfriars neighborhood. By analyzing a 1668 property map created after the Great Fire of London, Munro pinpointed the site—now occupied by Ireland Yard and St. Andrew’s Hill—which was previously known only through vague historical references to the Blackfriars Gatehouse.

The Ten Best Books to Complement Your Viewing of This Year’s Oscar-Nominated Movies

Smithsonian magazine has curated a list of ten books to enhance the viewing experience of this year's Oscar-nominated films, published ahead of the 2026 Academy Awards. The selections include direct source material for nominated adaptations, such as Thomas Pynchon's *Vineland* for Paul Thomas Anderson's *One Battle After Another*, as well as thematic companions like *Frankenstein* and *The Vegetarian* for other recognized movies.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.