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The Newport Art Museum in Rhode Island has opened "Bobby Anspach: Everything is Change," the first institutional solo exhibition for the late American artist Bobby Anspach, who died in 2022 at age 34. Curated by Taylor Baldwin, the show traces Anspach's development of immersive sculptural environments, particularly his "Place for Continuous Eye Contact" series, which uses materials like pom-poms, lights, fabric, and found objects to create psychologically charged spaces. The exhibition includes early works, paintings, and large-scale installations that Anspach had previously shown at venues such as New York's Spring Break Art Show and outside the Metropolitan Museum of Art.

From monumental glass sculptures to a lagoon in the sky: what to see beyond the Venice Biennale pavilions

The article highlights several must-see exhibitions and installations beyond the main Venice Biennale pavilions. Patrizia Sandretto Re Rebaudengo's redevelopment of the island of San Giacomo opens on 7 May, transforming abandoned Napoleonic-era powder magazines into exhibition spaces with a solo show by British artist Matt Copson and a group show from her collection. American artist Melissa McGill presents 'Marea', a street-spanning installation of 100 paintings created with local residents and students, addressing climate change and rising sea levels. Dale Chihuly returns to Venice with 'Chihuly: Venice 2026', featuring monumental glass installations along the Grand Canal, including 'Gold Tower' (2025). Wallace Chan unveils titanium sculptures at the Chapel of Santa Maria della Pietà, with a parallel exhibition at the Long Museum in Shanghai.

Sale of Robert Rauschenberg’s Captiva Compound to Developers Ignites Backlash

The Robert Rauschenberg Foundation has sold the artist’s 22-acre Captiva Island estate to South Seas, a neighboring resort developer, for $45 million. The sale includes Rauschenberg’s former home, studio, and several cottages where he lived and worked for decades. The Foundation defended the move by citing the prohibitive costs of protecting the site against rising sea levels and hurricane damage, confirming that the prestigious Rauschenberg Residency program will now come to an end.

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MoMA PS1 has opened its marquee spring exhibition, “The Gatherers,” a group show featuring 14 artists from around the world who explore the psychic and material burdens of climate change, globalization, and neoliberalism. Curated by Ruba Katrib, the exhibition includes works in sculpture, video, assemblage, and installation, spanning regions from the Democratic Republic of Congo to Lithuania, and is on view through October 6. Katrib, PS1’s chief curator and director of curatorial affairs, emphasizes that the show lets the artworks speak for themselves through form and material rather than delivering a direct lecture.

Robert Rauschenberg Foundation Estate Sold to Florida Resort

The Robert Rauschenberg Foundation has sold the late artist’s twenty-two-acre estate on Captiva Island, Florida, to the neighboring South Seas resort for $45 million. The sale includes ten buildings, most notably Rauschenberg’s custom-built 8,000-square-foot studio and his historic "Beach House." While the resort plans to integrate the property into its operations and host art-related programming, the foundation cited escalating maintenance costs and environmental risks from climate change as the primary reasons for the divestment.

10 Exhibitions to See in Chicago This Spring

A guide highlights ten notable art exhibitions opening in Chicago this spring, focusing on shows at smaller, community-focused, and artist-run spaces like Good Weather, Hyde Park Art Center, and the Ukrainian Institute of Modern Art. Featured exhibitions include Hunter Foster's "Involition," which repurposes a Cold War siren to comment on infrastructure and threat, and Alison Ruttan's ceramic installation "The Paradox of Inaction," which visualizes climate disaster.

Artist Olafur Eliasson brings the outside world thrillingly to life inside the art gallery

Icelandic-Danish artist Olafur Eliasson's major survey exhibition 'Presence' has opened at the Gallery of Modern Art (GOMA) in Brisbane, Australia. Curated by Geraldine Kirrihi Barlow, the show synthesizes three decades of Eliasson's immersive installations, photography, and sculpture, including iconic works like 'Riverbed' (2014) and 'The cubic structural evolution project' (2004), both from QAGOMA's permanent collection. A spectacular new installation also titled 'Presence' features a pulsing artificial sun using mirrors and monofrequency light to create an illusion of infinite space.

Polar icebergs and North Devon cliffs meet with powerful new art exhibition at The Burton

Royal Academician Emma Stibbon opens a new exhibition, "Melting Ice | Rising Tides," at The Burton at Bideford on May 10. The show features monumental drawings and prints inspired by field trips to Svalbard and the Weddell Sea, alongside a five-metre-wide installation responding to erosion in Bideford Bay. It includes a film with contributions from Andy Bell, Caroline Lucas, and Dr. Dylan Rood, and a limited edition print, "Atlantic Edge" (2025), priced at £390 to support the gallery.

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Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.

‘We are complicit’: Austrian artist Florentina Holzinger’s immersive Venice Biennale pavilion brings apocalypse to the city

Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.

Olafur Eliasson stages public wake for the Great Salt Lake in Utah

Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.

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The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.

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At Art Basel Miami Beach, Shanghai- and Hong Kong-based artist Baishui debuted seven large-scale mirrored stainless-steel sculptures titled "Raindrop 1-7" (2024), which invert the scale of raindrops to become enormous, solid forms that slow viewers down and invite reflection. The works were presented as part of the Land Art Forward platform alongside Alan Sonfist's "Burning Forest" (2024), forming a collaborative project called "Rebirth in the Inferno" that explores the fusion of water and fire in response to climate change.

Olafur Eliasson Uses Art and Sound to Raise Climate Awareness in Utah

Danish-Icelandic artist Olafur Eliasson has created a new installation in Utah that combines art and sound to raise awareness about climate change. Drawing on his childhood experiences in Iceland and Denmark, the work uses natural elements and sensory engagement to connect viewers with environmental issues. The piece is part of a broader effort by the artist to use immersive, site-specific art to provoke reflection on humanity's relationship with the planet.

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Es Devlin's *The Library of Us*, a 20-foot-tall rotating bookshelf containing 2,500 books, debuted as a major spectacle during Miami Art Week. Installed on Miami Beach within a circular pool of water, the sculpture invites visitors to step onto a rotating platform, creating shifting social encounters with strangers. By day it towers over the sand, and by night it glows like a beacon. The work also includes an audio track of quotes from the books, some of which have been banned by Florida schools, and Devlin plans to donate all volumes to Miami public schools and libraries after the installation ends.

Vancouver exhibition explores global climate futures through art

The Vancouver Art Gallery, in partnership with Canada's National Observer, will open "Future Geographies: Art in the Century of Climate Change" on May 10, 2026. The exhibition, co-created by publisher Linda Solomon Wood and curator Eva Respini, features over 35 international artists including Ed Burtynsky, Huma Bhabha, Jean Shin, Clarissa Tossin, and Josh Kline. Works explore climate change through photography, sculpture, installation, and film, avoiding a doom-and-gloom tone in favor of poetic and thought-provoking approaches.

Venezia: Melissa McGill. Marea - Art Exhibition Contemporary art in Veneto

Artist Melissa McGill has announced "Marea," a large-scale public art intervention set to debut in Venice's Corte Nova during the 61st Venice Biennale in 2026. The project features approximately 100 paintings created on bedsheets, which will be hung from traditional laundry lines spanning the historic street. Developed in collaboration with local residents and students from Università Iuav di Venezia, the installation uses shades of blue and green to mirror the Venetian Lagoon and celebrate the city's enduring community spirit.

Landscape ReEnvisioned Exhibition At the Monterey Museum of Art

The Monterey Museum of Art is hosting "Landscape ReEnvisioned," a group exhibition featuring six contemporary photographers who move beyond traditional West Coast landscape traditions. Curated by Helaine Glick, the show presents works by Debra Achen, Tony Bellaver, Adrienne Defendi, Charlotte Schmid-Maybach, Brian Taylor, and Vincent James Waring. These artists utilize diverse mediums—including cyanotypes, gum bichromate prints, tapestries, and sculptures—to address the urgent realities of climate change, wildfires, and environmental degradation.

Art brings ideas about ocean to landlocked place

The Spencer Museum of Art at the University of Kansas has opened "Soundings: Making Culture at Sea," an exhibition exploring connections to the ocean from the landlocked state of Kansas. Curated by Emily Casey and Celka Straughn, the show runs through December 14 and features works from the museum's collection, including a Winslow Homer watercolor, a carved wooden mermaid, and photographs of Greenland glaciers, alongside a video by Isaac Julien. The exhibition is organized into four sections covering maps, ocean crossings, ecological threats, and maritime trade.

Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

How Much Change Can Society Endure?

Wie viel Veränderung hält die Gesellschaft aus?

Artist Julius von Bismarck and SPD politician Rita Schwarzelühr-Sutter engaged in a deep dialogue about the societal transition from a fossil-fuel-based to a post-fossil society. During a live podcast hosted by Monopol editor-in-chief Elke Buhr at the BMW Foundation in Berlin, von Bismarck challenged traditional notions of environmental protection, arguing that the very concept of "nature" should be abolished to foster a new relationship with the world. The discussion bridged the gap between artistic radicalism and political pragmatism, touching on existential threats, global inequality, and the role of technology like AI.

Dani Guindo’s Dramatic Aerial Photos Reveal the Ghostly Outline of an Icelandic Glacier

Dani Guindo’s Dramatic Aerial Photos Reveal the Ghostly Outline of an Icelandic Glacier

Spanish artist Dani Guindo has released a striking new aerial photography series titled *Terminus*, which captures the Múlajökull glacier in Iceland. Using a drone, Guindo documented the glacier's intricate rivulets and, more significantly, a ghostly semi-circular outline etched into the rocky landscape below, revealing the glacier's former, much larger footprint.

Professors share art, science, culture via Smithsonian exhibits

Two East Carolina University professors have contributed to Smithsonian museum exhibits this summer. Photography professor Daniel Kariko from the School of Art and Design has a photograph titled "Last Camp on Isle Dernieres" (2017) on display in the Art x Climate exhibition at the Smithsonian National Museum of Natural History. The image documents a recreational fishing camp in South Louisiana that was completely gone by 2019, part of Kariko's ongoing 25-year project "Impermanence" capturing landscape changes in the Barataria-Terrebonne region. Additionally, Dr. Aleia Brown from the Thomas Harriot College of Arts and Sciences curated a collection of quilts by Black artists at the Smithsonian American Art Museum.

Exhibit at National Museum of Mexican Art in Chicago is a call to climate action

Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.

Artist Ana Teresa Fernandez exhibit, 'Under Pressure,' now on display at National Museum of Mexican Art, a call to climate action

The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.

Whales and the stories they carry about climate change are the subject of new art and science exhibition at the IAS - UC Santa Cruz

The Institute of the Arts and Sciences (IAS) at UC Santa Cruz will present "Weather and the Whale," a major art and science exhibition running from May 29, 2025, to March 8, 2026. The show features immersive displays of original scientific research from the Friedlaender Lab, alongside newly commissioned contemporary artworks by ten artists and collectives, including Carolina Caycedo. The exhibition explores how climate change affects whales and marine mammals, using video, painting, photography, sculpture, and installations to communicate ecological threats such as environmental toxins and sea ice retreat.

'Under Pressure': San Francisco artist's exhibit in Chicago is an SOS to save the planet

San Francisco-based artist Ana Teresa Fernández has opened a solo exhibition titled 'Under Pressure' at the National Museum of Mexican Art in Chicago. The exhibition, a four-year project, features works including oil paintings and a sculptural piece made from a transformed hose, all centered on themes of water and environmental fragility. A key installation involves a white balloon pressed by a stiletto heel, symbolizing human activity pushing the planet to a breaking point.

San Francisco artist Ana Teresa Fernandez's Chicago exhibit, 'Under Pressure,' is a call to climate action

San Francisco-based artist Ana Teresa Fernández has opened a solo exhibition titled 'Under Pressure' at the National Museum of Mexican Art in Chicago. The four-year project features a range of works, including detailed oil paintings and a sculptural piece, all centered on the theme of water and climate change. A key performance element involved Fernández leading hundreds of participants on Chicago's lakefront to form a giant S.O.S. signal using mirrors, a 'social monument' she previously staged in California.

This art exhibit takes climate change seriously

Ceramicists Savannah Jacob and Abby Jo Elle are co-curating "Respect Your Mother," a group exhibition at Patina Gallery dedicated to climate change and environmental activism. Opening in honor of Earth Day, the show features works from over 50 artists across various mediums, including sculptures, collages, and paintings, with a strict prohibition on artificial intelligence to emphasize human-centric craft.

‘Changing Climate, Changing Communities’ sparks conversation and celebrates local art

The Oxford Community Arts Center recently hosted the opening of "Changing Climate, Changing Communities," an exhibition organized by Engaging for Climate in Oxford (ECO). The show features a diverse range of media, including paintings, sculptures, and graphic works created by professional artists, Miami University faculty, and local elementary students. Notable works include Tara Trueblood’s abstract painting "The Flood," which explores the tension between crisis and hope, and imaginative drawings of undiscovered animals by sixth-grade students from Ridgeway Elementary.