The British Museum Is Recreating the Bayeux Tapestry’s Medieval Woodland

The British Museum is installing a temporary woodland installation called "Tapestry of Trees" in its forecourt from May 16 to June 2, evoking the 11th-century English landscape depicted in the Bayeux Tapestry. Designed by garden designer Andy Sturgeon, the installation features 37 silver birch trees and planters with dyed hessian wraps matching the tapestry's colors, alongside woodland species like Guelder Rose and Foxglove. It launches public programming ahead of the tapestry's historic loan from France, which will be displayed in a blockbuster exhibition on the Norman Conquest starting in September.

Un’isoletta tutta dedicata all’arte nel mezzo della Laguna di Venezia. Va avanti il progetto della Fondazione Sandretto Re Rebaudengo sull’Isola di San Giacomo

The Fondazione Sandretto Re Rebaudengo has opened a new art space on the island of San Giacomo in the northern Venetian lagoon, acquired in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo. The island, previously abandoned, has been transformed into a laboratory for art and sustainability, with a gradual opening plan that initially aligns with the Venice Biennale. The inaugural program launched on May 7, 2026, includes a solo exhibition by Matt Copson curated by Hans Ulrich Obrist, a group show titled 'Don’t have hope, be hope!', and a photographic documentation of the restoration process by Giovanna Silva and Antonio Fortugno.

Tefaf restoration award goes to 500-year-old Medici tapestry

Tefaf has awarded its Museum Restoration Fund prize to the Minneapolis Institute of Art (MIA) for the restoration of a 500-year-old Medici tapestry, "The Meeting of Dante and Virgil" (circa 1547-49). The €25,000 grant will support cleaning, consolidation, and lining of the 5.3-meter-high work, which has not been displayed in over 60 years due to severe damage including silk weft loss and open slits. The conservation will be carried out by the Midwest Art Conservation Center, and the tapestry is expected to go on public view at MIA this summer.

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery

The Kunsthaus Zurich has unveiled a comprehensive new display of the Emil Bührle Collection, featuring 205 works including five significant paintings by Vincent van Gogh and one acknowledged forgery. This reinstallation marks a shift from previous thematic displays focused on provenance research to a denser presentation of the collection's breadth. Notable works on view include a 1887 self-portrait and the masterpiece 'The Sower at Sunset,' though one Van Gogh remains in conservation and another has been withdrawn due to Nazi-era ownership complications.

America’s Finest Renaissance Tapestry Set for Major Restoration

The European Fine Art Foundation (TEFAF) has awarded its €25,000 Museum Restoration Fund to the Minneapolis Institute of Art (MIA) for the conservation of *The Meeting of Dante and Virgil*, a mid-16th century Italian Renaissance tapestry. This is the first time TEFAF has funded a tapestry restoration since the initiative began in 2012. The wool and silk tapestry, made between 1547 and 1549 by the Florentine workshop of Duke Cosimo I de’ Medici and designed by Francesco Salviati, depicts the opening scene of Dante’s *The Divine Comedy*. It is the only early Medici tapestry held by a public collection outside Italy, standing 17 feet tall and eight feet wide. Due to structural weaknesses and light sensitivity, it has been largely in storage for 70 years. Conservation work by the Midwest Art Conservation Center will include wet cleaning, stabilization, and partial reweaving, along with a new display system. The tapestry is scheduled to return to public view at MIA on July 11.

Story of enslaved boy featured in 1748 Joshua Reynolds portrait emerges in new study

A research project by the National Trust, the National Gallery in London, and Royal Museums Greenwich has uncovered new details about the identity of an enslaved boy known only as “Jersey,” who appears in a 1748 portrait by Sir Joshua Reynolds. The painting, which hangs at Saltram in Devon, depicts Jersey with his enslaver, naval officer and MP Paul Henry Ourry. Through admiralty records, muster books, and baptismal certificates, researchers identified the boy as “Boston Jersey,” later baptised as George Walker, and found evidence of his naval service and possible path to freedom.

Picasso’s Guernica is the ultimate emblem of the horrors of war. It has no place in Spain's partisan squabbles | María Ramírez

A political dispute has erupted in Spain over the potential temporary relocation of Pablo Picasso's iconic anti-war painting *Guernica*. The president of the Basque Country, Imanol Pradales, has formally requested the work be moved from Madrid's Reina Sofía museum to the Guggenheim Museum Bilbao for several months in 2027, framing it as a form of "reparation" for the Basque people. The Spanish government has rejected the request on conservation grounds, while conservative politicians have used the proposal to attack Basque nationalism.

La grande fiera TEFAF si tiene a New York da 10 anni. Come sarà l’edizione 2026?

TEFAF New York returns to the Park Avenue Armory from May 15–19, 2026 (with a collector preview on May 14), marking the fair's tenth anniversary. The 2026 edition will host 88 top international galleries from 15 countries across four continents, offering museum-quality selections of modern and contemporary art, jewelry, antiques, and design. Highlights include Andy Warhol's Mao (1973) at ML Fine Art, Cecily Brown's Functor Hideaway (2008) at Berggruen Gallery, and a 2026 work by Minjung Kim at Voena. The fair also extends into the Armory's historic period rooms, and the TEFAF Museum Restoration Fund will support the conservation of a Medici tapestry owned by the Minneapolis Institute of Art.

The Holy See Pavilion asks Venice Biennale Visitors to Slow Down and Listen, and Other News.

The Holy See's pavilion at the 61st Venice Biennale presents "The Ear is the Eye of the Soul," a multi-sensory exhibition centered on deep listening and inspired by Hildegard von Bingen, curated by Hans Ulrich Obrist and Ben Vickers with Soundwalk Collective, featuring new commissions by 24 artists including Patti Smith, Brian Eno, FKA twigs, and Dev Hynes across two Venetian sites. Separately, Chanel and the Solomon R. Guggenheim Foundation have launched the Chanel Culture Fund Fellowship, a transatlantic curatorial program for postgraduate scholars at the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice. In other news, a father-daughter duo from New Jersey pleaded guilty to a $2 million counterfeit art scheme involving forged works attributed to Andy Warhol, Banksy, and others; Vienna's Burgtheater is offering guided scaffolding tours of Gustav Klimt's early ceiling paintings during restoration; and the sixth edition of the Head Hi Lamp Show opens in New York.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

Comment | We must avoid amputating art in the name of preservation

The article recounts the author's experience viewing Caravaggio's *Seven Acts of Mercy* (1607) in its original chapel in Naples, where the painting's crowded, dramatic composition directly mirrors the chaotic streets of the city, revealing its sacred meaning through context. In contrast, the author describes Caravaggio's *Flagellation of Christ* (1607), moved from the church of San Domenico Maggiore to the Museo di Capodimonte for security reasons, as a painting "marooned"—its spiritual purpose broken, reduced to a mere object for aesthetic appreciation.

Historic Tiffany Window, Once Hidden in Texas Church, Reemerges at Crystal Bridges

Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.

Leaky Berlin Modern Museum’s Opening Delayed Until 2030

The opening of the Berlin Modern Museum, a planned extension of the Neue Nationalgalerie, has been delayed until 2030 due to significant moisture damage and microbial contamination in its foundation, floors, roof coverings, and exterior walls. Originally laid in February 2024 with a projected 2027 opening, the museum's construction costs have surged from 200 million to 507 million euros, according to Monopol. A spokesperson for the Prussian Cultural Heritage Foundation stated that repairs are underway but will push completion back by approximately eight months.

Banksy’s Venice mural has been restored and will now tour city

A Banksy mural titled "Migrant Child," originally sprayed onto a 17th-century palazzo in Venice in 2019, has been restored and will tour the city's canals this weekend. The work, which depicts a child holding a flare and wearing a life vest, was removed from the Palazzo San Pantalon after six years of neglect and environmental damage had caused about a third of it to deteriorate. The restoration was funded by Banca Ifis, which purchased the palazzo in 2024 and commissioned Zaha Hadid Architects for the building's renovation. The conservation was supervised by Federico Borgogni, who previously oversaw the removal of another Banksy work in Bristol.

A Poetic and Material Institutional Critique: Gala Porras-Kim at kurimanzutto and the Venice Biennale

UNA CRÍTICA INSTITUCIONAL POÉTICA Y MATERIAL: GALA PORRAS-KIM EN KURIMANZUTTO Y LA BIENAL DE VENECIA

Colombian artist Gala Porras-Kim presents her first solo exhibition at kurimanzutto gallery in Mexico City, titled "Espacios del futuro replican los del pasado" (2026), alongside her participation in the 2026 Venice Biennale. The show critically examines how museum conservation protocols transform objects by detaching them from their original material, ritual, and spiritual contexts. Central to the exhibition is "The Motion of an Alluvial Record" (2024), a greenhouse that recreates the humidity and temperature of Yucatecan mangroves, allowing clay and sediment to shift continuously, resisting the linear, stratified time of Western archives and evoking cyclical Maya cosmologies. Another series, "Uprooted" (2026), reproduces fragments of looted Teotihuacan murals from Techinantitla, now held by the Metropolitan Museum of Art and the Ethnological Museum of Berlin, reinstalling them near the floor to restore their original architectural scale and orientation.

In Warsaw, the Poster Museum reopens and it is the oldest in the world

A Varsavia riapre il Museo del Manifesto ed è il più antico del mondo

The Poster Museum in Wilanów, a suburb of Warsaw, has reopened after a major conservation restoration co-financed by the Polish Ministry of Culture and National Heritage. Founded in 1968 as an autonomous institution from the National Museum in Warsaw, it is the oldest museum of its kind in the world. Its collection now holds approximately 63,000 posters from Poland and abroad, dating from the late 19th century to the present, including works by Pablo Picasso, Andy Warhol, and Stasys Eidrigevičius. The reopening exhibition, "Polish Posters: The Collection," features 240 works spanning 130 years of Polish urban life, covering themes from politics and propaganda to cinema, theater, music, and fashion. The museum also hosts the International Poster Biennale, founded in 1966, with the next edition scheduled for 2027.

Gala Porras-Kim: Future spaces replicate earlier spaces

Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.

Rare Medieval Seal Rediscovered After 40-Year Disappearance

A rare 11th-century wax seal belonging to the Anglo-Saxon king Edward the Confessor has been rediscovered in France’s National Archives after being missing for over 40 years. The artifact, known as the Saint-Denis seal, was not stolen but rather misplaced due to a clerical error during a conservation transfer decades ago. It was identified by doctoral student Guilhem Dorandeu, who noticed the misfiled item while conducting research.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

LA LECHUZA DE MINERVA

The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.

Gilles Bloch: "The Museum needs 1.1 billion euros"

Gilles Bloch : « Le Muséum a besoin de 1,1 milliard d’euros »

Gilles Bloch, president of the Muséum national d’histoire naturelle in Paris, has issued an urgent call for €1.1 billion in funding to address the critical state of the institution's infrastructure. Ahead of its 400th anniversary in 2026, a diagnostic report reveals that 74% of the museum's 120 buildings are in poor condition, with several galleries currently closed to the public or suffering from inadequate climate control. The requested funds would cover €500 million in emergency repairs to stabilize decaying structures and a further €600 million for long-term modernization and energy efficiency upgrades.

Berlin Museum Oversees Digital Resurrection of Hundreds of Paintings Destroyed During World War II

Berlin's Gemäldegalerie is digitally reconstructing hundreds of Old Master paintings by artists like Rubens, Veronese, van Dyck, and Caravaggio that were destroyed in fires near the end of World War II. The project uses high-resolution scans of glass negatives, primarily photographed by Gustav Schwarz between 1925 and 1944, to create detailed online renderings that will be publicly accessible for viewing and download later this year.

Britain and Ireland’s wildflowers – in pictures

The Eden Project's National Wildflower Centre is opening entries for its Wildflower Photographer of the Year 2026 competition on 29 May. A selection of photos from last year's competition will be on display at Eden Dock, Canary Wharf, London, during CWG's Nature Week from 13 July. The article showcases a gallery of winning and commended images from the 2025 competition, featuring wildflowers such as foxgloves, sea thrift, heath spotted-orchids, and common poppies, captured by photographers including Juliet Klottrup, Reece Gibbins, and Emma Eccles.

kengo kuma's first US museum emerges within vast art and nature campus in pennsylvania

Kengo Kuma & Associates has unveiled the design for its first museum in the United States, a wood-clad pavilion complex at the Brandywine Conservancy & Museum of Art in Pennsylvania. The 3,716-square-meter structure, part of a major expansion, will transform the 6-hectare campus into a 131.52-hectare public preserve and garden designed with Field Operations. Construction is planned to begin in spring 2027, with an opening in fall 2029, adding 80% more exhibition space and integrating art, ecology, and conservation.

Kengo Kuma & Associates to expand campus of Pennsylvania’s Brandywine Conservancy & Museum of Art

Kengo Kuma & Associates has been selected to design an expansion of the Brandywine Conservancy & Museum of Art in Pennsylvania. The project will add new gallery spaces, educational facilities, and improved visitor amenities to the institution, which is known for its collection of American art and its conservation work along the Brandywine River.

The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA

The Los Angeles County Museum of Art (LACMA) commissioned Tokyo-based textile designer Reiko Sudō to create custom curtains for its new David Geffen Galleries, which feature floor-to-ceiling glass windows. Sudō developed sputter-plated chrome textiles—in matte and gloss finishes—that are both transparent and light-protective, solving the challenge of shielding light-sensitive artworks while preserving panoramic views of the surrounding city. The textiles, produced by Sudō’s company NUNO, are now installed as curtains and will also appear in her retrospective "Textile Alchemy: The Art of Reiko Sudō and NUNO" at LACMA opening September 20, 2026.

Some of DAM’s never-before-exhibited photos on display in new show

The Denver Art Museum (DAM) has opened a new photography exhibition titled "What We’ve Been Up to: People," featuring 60 never-before-exhibited photographs from its collection. The show includes works by renowned artists such as Andy Warhol, Richard Avedon, Graciela Iturbide, Dorothea Lange, Tina Modotti, and Andrea Modica, with images spanning from 1929 to 1999. The exhibition aims to highlight the behind-the-scenes work of curators—acquisitions, research, conservation—while offering the public a chance to see fresh acquisitions and overlooked treasures.

MIT List Visual Arts Center celebrates 40 years

MIT's List Visual Arts Center celebrated its 40th anniversary on April 10, 2026, with performances, receptions, and the opening of a new exhibition titled "Performing Conditions," which explores work, debt, and labor. Housed in the Wiesner Building designed by I. M. Pei, the museum manages public art across MIT's campus, including works by Olafur Eliasson and Sanford Biggers, and runs a Student Lending Art Program that loans about 700 works annually. An anonymous donor has launched a $1 million matching challenge grant for conservation of the public art collection.

The Los Angeles County Museum of Art's new central building is a 'machine of discovery'

The Los Angeles County Museum of Art (LACMA) has opened its new central building, the David Geffen Galleries, to the public. Designed by Swiss architect Peter Zumthor at a cost of $724 million, the 347,600-square-foot structure reorients the museum with a single, flowing second-story floor plan, eschewing a traditional main entrance or atrium to encourage wandering and serendipitous encounters with art. The galleries are named for major oceans and are designed to blend cultures and artworks from different eras.