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Michelle Grabner, a Milwaukee-based artist known for examining overlooked visual languages, has created a new series of porcelain sculptures at the Kohler Company's MakerSpace in Wisconsin. These works, which mimic janitorial supplies like sponges, sinks, and mop carts, are being shown at the Independent art fair this week with Cleveland's Abattoir Gallery. Grabner, who co-curated the 2014 Whitney Biennial and served as the inaugural artistic director of FRONT International, continues to expand her practice beyond painting into industrial materials, while also holding two concurrent museum retrospectives: "Underdone Potato" at the Schneider Museum of Art and "Under the Sink" at the Haggerty Museum.

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Multimedia artist Doug Aitken will present his first exhibition in India, titled “Under the Sun,” opening December 6 at the Nita Mukesh Ambani Cultural Centre (NMACC) in Mumbai. The site-specific show, commissioned by NMACC and curated by Roya Sachs and Mafalda Kahane of TRIADIC, spans three floors exploring past, present, and future through hand-carved wooden sculptures, embroidered textiles, a light installation, and Aitken’s film NEW ERA (2018), created in collaboration with over a dozen Indian artisans.

Art for fall 2025: From the Art Institute to the Architecture Biennial, 10 exhibits for all kinds of realities

A Chicago-based art critic presents a curated guide to 10 exhibitions for fall 2025, ranging from a major traveling survey of activist artist Elizabeth Catlett at the Art Institute of Chicago to a textiles show exploring mourning and survival, a Helen Frankenthaler printmaking exhibit at the Block Museum, and the final programming at the Roman Susan Art Foundation in Rogers Park. Other highlights include a collaborative museum debut by artists Mayumi Lake and Bob Faust inspired by the Japanese design principle shakkei.

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Ana Pellicer, a Mexican sculptor celebrated for her monumental copper creations, has died at age 79. Mexico’s culture ministry announced her death this week without specifying a cause. Pellicer gained international recognition later in life for the oversized jewelry she created for the Statue of Liberty, including a 36-foot-tall necklace exhibited at MoMA PS1 in New York in 2018 as part of the show “Body Armor.” Born in Mexico City in 1946, she spent much of her career in the shadow of her husband, sculptor James Metcalf, and together they trained female artisans in Santa Clara del Cobre in ancient copper techniques, founding the Centro de Acción Educativa.

20 shows to see beyond India Art Fair

The article highlights 20 art exhibitions across India running concurrently with the India Art Fair, focusing on six key shows. Atul Dodiya presents 'The Gatecrasher' at Vadehra Art Gallery in Delhi, featuring 12 large-scale oil paintings that weave pop culture, art history, and personal memory. Sudarshan Shetty's 'A Breath Held Long' at GallerySKE explores the intersection of voice, body, and urban life through film and steel sculptures. Bikaner House hosts 'Typecasting: Photographing the People of India 1855-1920,' a critical exhibition of colonial ethnographic photographs. The Kolkata Centre for Creativity presents 'Convergences: A Shared Ground' examining artistic and architectural practices from eastern and northeastern India. Nilaya Anthology in Mumbai showcases a retrospective of architect Pinakin Patel, 'The Turning Point,' featuring 11 signature pieces.

Smithsonian American Art Museum Debuts Monumental New Commission by Nick Cave in February 2026

The Smithsonian American Art Museum will debut "Nick Cave: Mammoth," a monumental new commission by artist Nick Cave, in February 2026. This marks Cave's first solo exhibition in Washington, D.C., and represents the museum's largest-ever commission by a single artist. The installation combines sculpture, video, and found objects, drawing on Cave's childhood in Chariton County, Missouri, and exploring themes of family history, landscapes, and craft traditions. The exhibition will be on view from February 13, 2026, through January 3, 2027, and is organized by curator Sarah Newman.

12 art exhibits to explore this fall

Greater Boston's fall art exhibitions feature a range of shows that reflect on social issues and artistic traditions. Notable exhibits include Jean Shin's "Fabricated Imaginaries: Crafting Art" at the Rose Art Museum, which explores textile consumption and Asian stereotypes; "Sketch, Shade, Smudge: Drawing from Gray to Black" at Harvard Art Museums, showcasing monochromatic works; "Andrew Gn: Fashioning the World" at the Peabody Essex Museum, highlighting the designer's blend of Eastern and Western aesthetics; and "List Projects 33: Every Ocean Hughes" at MIT List Visual Arts Center, examining the process of dying through video installation.

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Palestinian Saudi artist Dana Awartani has been selected to represent Saudi Arabia at the 2026 Venice Biennale. Her pavilion will be curated by Antonia Carver, director of Art Jameel, with assistance from Hafsa Alkhudairi. Awartani, known for her material interpretations of conflict in the Middle East, draws on Saudi Arabia's craft and cultural legacies, often collaborating with local artisans or displaced craftspeople. Her recent works include a response to heritage site destruction at the 2024 Diriyah Contemporary Art Biennale and an archive of recreated stone carvings at the 15th Sharjah Biennial.

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Artist Antonio Pichillá Quiacaín, born in 1982 and based in San Pedro La Laguna, Guatemala, presents his solo exhibition “Umbilical Cord” at Elizabeth Xi Bauer gallery in London. The show, on view through August 2, 2025, features new and recent works that explore Maya visual culture, Indigenous craft traditions, and the knot as both a formal element and a metaphor for connection, life, and time. A 3:22-minute video from 2021 shows the artist in a forest with traditional weaving materials, while the exhibition also marks the gallery’s announcement of representing the artist.

Smithsonian American Art Museum Debuts Monumental New Commission by Nick Cave

The Smithsonian American Art Museum has unveiled "Nick Cave: Mammoth," a major new commission by artist Nick Cave. The exhibition, which opened on February 13, 2026, is the museum's largest-ever commission by a single artist and marks Cave's first solo show in Washington, D.C. It transforms a suite of galleries into immersive environments featuring a massive hand-beaded tapestry, towering sculptures incorporating mammoth skulls, and a large light table displaying thousands of found objects.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

Lillian Blades' first solo exhibition sparkles and shines at Sarasota Art Museum

Lillian Blades' first solo exhibition, "Through the Veil," is on view at the Sarasota Art Museum (SAM) through October 26. The Bahamian-born artist presents large, quilt-like mixed-media installations made from found objects such as toys, jewelry, utensils, and mirrors, wired together and hung from PVC piping. Her work is displayed on the museum's third floor, while a concurrent exhibition of Gee's Bend quilts occupies the second floor, creating a thematic dialogue between the two shows.

Pinta Lima Offered Curated Content–and Context–for the Curious

Pinta Lima, the 13th edition of the art fair, opened with a vibrant VIP preview and strong attendance of 16,000 visitors. The fair features around 50 booths and special presentations, with a curation-driven approach that includes sections like NEXT (curated by Juan Canela) and RADAR (curated by Ilaria Conti), as well as FORO panel discussions. The fair emphasizes Latin American art, particularly Peruvian contemporary art, and is part of the broader Pinta network that stages fairs and Art Weeks across Latin America and the U.S. Textile, fiber, and ceramic works are notably prominent, recontextualizing indigenous craft traditions.

Scrappy: By Any Means Necessary

MotherShip Studios in San Marcos, Texas, announces its upcoming group exhibition "Scrappy: By Any Means Necessary," running from December 13, 2025, to February 7, 2026. Curated by Jennifer Moore, the show features works by eleven artists—Hollie Brown, Ellen Crofts, Lisa Guevara, Julia Hungerford, John Le, Elisa Lendvay, Niloofar Mofrad, Hilary Nelson, Gyan Shrosbree, Jim Shrosbree, and Narong Tintamusik—who explore the concept of "scrappiness" in artistic practice, embracing improvisation, process, and resourcefulness over polished finish.

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Belgian fashion designer Dries Van Noten and his partner, chef Patrick Vangheluwe, have acquired the historic 15th-century Palazzo Pisani Moretta on Venice’s Grand Canal to establish the Fondazione Dries Van Noten. The nonprofit foundation, set to open in April 2026 just before the 61st Venice Biennale, will host exhibitions, residencies, and events dedicated to the art of craftsmanship, blending traditional techniques with modern forms like AI and 3D printing. The 43,000-square-foot palazzo, known for its Carnival masquerade balls and film appearances, contains artworks by Tiepolo and was sold only to a buyer with a strong stewardship plan.

Miller Art Museum Announces Student Award-Winners

The Miller Art Museum in Sturgeon Bay, Wisconsin, announced the award winners of the 52nd-annual Salon of Door County High School Art at a free public reception on April 6. The exhibition features original artwork by 105 students from five local high schools—Gibraltar, Sevastopol, Southern Door, Sturgeon Bay, and Washington Island. Awards of Excellence were given to Abigail DeMeuse, Lilian Saltou, Audrie Schley, Rowan Ploor, and Thomas Pratt, while honorable mentions went to Molly Virlee, Lola Georgenson, Angelina LeCloux Herrera, Ryan Felhofer, and Teagan McGrane. Gianna Roman of Sevastopol won the fourth-annual Jim Rericha Legacy Award, named after a longtime art teacher, which included a $100 cash prize. The museum also announced a Potter’s Panel on May 9 featuring master potters discussing the legacy of Abraham Cohn, and the return of its Art and Treasures fundraiser starting May 30.

Clutch City Craft at Houston Center for Contemporary Craft, Houston

The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.

THE TRANSFORMATIVE SOUND ACCORDING TO BENGOLEA AT C3A

Argentine artist Cecilia Bengolea has unveiled her latest project, "El Ruido que Habita" (The Noise That Dwells), at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba. Developed during a residency in early 2025, the exhibition features site-specific drawings and ceramic works created in collaboration with the Dionisio Ortiz School of Art. The installation integrates visual art, technology, and performance, inviting visitors to engage with sound as a transformative language that bridges cultural and material divides.

M’barek Bouhchichi: Hands That Remember

Moroccan artist M’barek Bouhchichi presents 'Les mains des poètes' at Foundation H in Antananarivo, Madagascar, running until 17 October 2026. The exhibition stems from a residency in Madagascar where Bouhchichi collaborated with local artisans—blacksmiths, weavers, ceramists, and musicians—to create works that resist singular authorship. Central to the show is the revival of sorabe, the Arabico-Malagasy script, treated as an embodied, gestural practice rather than fixed writing.

Artist recreates snapshots of 1950s resort with colorful quilts, paintings at WAM

The Wichita Art Museum (WAM) is presenting a new exhibition by an artist who recreates snapshots of a 1950s resort using colorful quilts and paintings. The works draw on vintage photographs to evoke the leisure and social life of mid-century American resort culture, rendered in textile and paint.