Naked jetskiers, giant bells and a celebrity seagull! Venice Biennale’s wildest moments – in pictures

The Guardian presents a photo essay capturing the most eccentric and memorable moments from the 61st Venice Biennale, running until 22 November 2026. Photographer David Levene documents installations including a concrete 'Origami Deer' evacuated from war-torn Pokrovsk, Ukraine, by artist Zhanna Kadyrova; a seagull that became a minor celebrity after nesting outside the Polish pavilion; and the Holy See pavilion's immersive sound installation curated by Hans Ulrich Obrist and Ben Vickers. Other highlights include the Egyptian pavilion's touch-and-smell 'Silence Pavilion' and a Polish pavilion film featuring deaf and hearing singers.

What does a woman swimming in urine tell us about the state of the world? Lots! – Venice Biennale review

The 2026 Venice Biennale, curated by the late Koyo Kouoh under the theme "In Minor Keys," has been plagued by months of turmoil including countries withdrawing, artists being fired, exhibitions cancelled, funding pulled, and protests during the preview. A five-person curatorial team took over after Kouoh's death, resulting in what the critic describes as a disjointed, committee-driven exhibition that prioritizes quiet contemplation and healing over direct political engagement. The central shows in the Giardini and Arsenale feature a vast, poorly explained array of art from the global south, with installations of ceramics, textiles, slide projectors, and serene natural scenes that the critic finds anachronistic and dull.

Venice Biennale Special 2026—podcast

This episode of The Art Newspaper's podcast is a Venice Biennale special, covering the opening week of the 2026 edition. Host Ben Luke, along with Louisa Buck and Jane Morris, reviews the main exhibition "In Minor Keys," curated by the late Koyo Kouoh and realized by five collaborators. The podcast features interviews with artists Gabrielle Goliath, whose work for the South African pavilion was cancelled and is instead staged in a Venice church, and Lubaina Himid, showing in the British pavilion. It also includes conversations with writer Saidiya Hartman and Daniella Kaliada of Belarus Free Theatre about their collateral projects. The episode concludes with a focus on two restored Tintoretto paintings at the Basilica of San Giorgio Maggiore, funded by Save Venice.

Female nudity and art that stinks: key takeaways from Venice Biennale 2026

The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.

A Time of Transition

During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.

Across Venice, Artists Defy Censorship to Mourn and Memorialize Gaza

The 2026 Venice Biennale, titled “In Minor Keys,” features numerous artworks that mourn and memorialize the destruction of Gaza, despite censorship pressures. The main exhibition opens with a poem by slain Palestinian poet Refaat Alareer, and includes works by artists such as Theo Eshetu, Mohammed Joha, Manuel Mathieu, and Avi Mograbi that directly or indirectly address the conflict. Outside the official Biennale, South African artist Gabrielle Goliath’s performance series “Elegy” was censored by her country’s culture minister after she proposed a version honoring murdered Palestinian poet Hiba Abu Nada, leading her to present the work independently at a church in Venice.

Best in Show: 6 Standouts at the 2026 Venice Biennale

Artnet News writers highlight six standout exhibitions at the 2026 Venice Biennale, which opens to the public on May 9. Among the picks are Ei Arakawa-Nash's interactive installation "Grass Babies, Moon Babies" at the Japan Pavilion, featuring baby dolls and diaper-changing stations; Florentina Holzinger's provocative performance "Seaworld Venice" at the Austria Pavilion, involving nude performers, jet skis, and recycled wastewater; and Dayanita Singh's photographic exhibition "Archivio" at the State Archives of Venice, presenting intimate black-and-white images arranged as freestanding columns.

Art and politics clash at Venice Biennale, as world conflicts upstage exhibition's opening

The 61st Venice Biennale, the world's most prestigious art exhibition, opens under unprecedented turmoil. For the first time, its vision was shaped by the late Cameroonian curator Koyo Kouoh, who centered artists from Africa and its diaspora. However, political conflicts over Russia and Israel have overshadowed the art. All five jurors resigned after the Italian culture minister investigated their decision to withhold prizes from Russia and Israel over alleged crimes against humanity. Protests erupted at the Russian pavilion, with Pussy Riot activists denouncing Russia's participation, while the Israeli pavilion artist threatened legal action over the jury's snub. The Biennale will proceed without a jury, with visitors voting for two awards, and the fate of the Golden Lion remains uncertain.

Welcome to Venice: the shows you won’t want to miss at the 61st Biennale

The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.

What not to miss at the 2026 Venice Biennale

The article highlights five standout pavilions and installations at the 2026 Venice Biennale. Florentina Holzinger's Austrian pavilion features extreme, nude performances including a woman submerged in a urine-purified tank, drawing police attention. Sanya Kantarovsky presents eerie paintings and a Murano glass sculpture in a historic palazzo. Gabrielle Goliath's 'Elegy'—a hypnotic mourning performance for women killed in violence—was banned by South Africa but staged with London's Ibraaz. Carrie Schneider's 1.5km photographic curl in the Arsenale references Chris Marker's 'La Jetée'. Lydia Ourahmane's delicate sculptural show uses materials sourced from Venice, including a bead curtain made by inmates.

In Pictures: The Highlights of the 2026 Venice Biennale

En images : les grands moments de la Biennale de Venise 2026

The 2026 Venice Biennale, titled "In Minor Keys" and curated by Koyo Kouoh, opened on May 9, 2026, at the Arsenale and Giardini venues. Kouoh, who died suddenly in May 2025 at age 57, conceived the event as a counterpoint to global noise and fury, inviting visitors to slow down and tune into minor tonalities. The exhibition features works addressing colonial memory, slavery, and Gaza, with a team of four curators executing her vision. Highlights include Maria Magdalena Campos-Pons's tribute to Kouoh and Toni Morrison, Hala Schoukair's installation, and Gabrielle Goliath's "Elegy," alongside collateral shows like the Dries van Noten Foundation at Palazzo Pisani Moretta and the Victor Pinchuk Foundation's "Still Joy – from Ukraine into the World."

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

Dozens of Pavilions Close During Strike at 61st Venice Biennale

On May 8, 2026, a 24-hour strike organized by the Art Not Genocide Alliance (ANGA) and several Italian activist groups brought the 61st Venice Biennale to a standstill. Approximately 27 of the 100 national pavilions closed fully or partially in solidarity with protesters demanding Israel’s exclusion from the event, including those of Austria, Belgium, France, Great Britain, Japan, South Korea, and Ukraine. Over 3,500 people marched through Venice, with speakers including artist Gabrielle Goliath and curator Caroline Dumalin. The main exhibition, "In Minor Keys," curated by the late Koyo Kouoh, closed by late afternoon, and riot police were stationed outside the Arsenale. The Israeli pavilion, already shuttered during previews, remained closed.

The 10 best pavilions to see at the 2026 Venice Art Biennale. Artribune's top ten

I 10 migliori padiglioni da vedere alla Biennale d’Arte di Venezia 2026. La top ten di Artribune

Artribune presents its top ten must-see national pavilions at the 2026 Venice Biennale, which features a record 100 participating countries. The article highlights standout projects including Greece's escape room by Andreas Angelidakis critiquing nationalist populism, Belgium's participatory dance installation by Miet Warloop, and Canada's greenhouse-like pavilion by Abbas Akhavan exploring colonial botany. The Biennale, curated by Koyo Kouoh under the theme "In Minor Keys," is marked by last-minute jury resignations leading to public voting for the Golden Lions, as well as protests over the participation of Russia and Israel.

PinchukArtCentre opens new exhibition at the Venice Biennale

The PinchukArtCentre has opened a new exhibition titled "Still Joy — From Ukraine Into the World" as part of the official parallel program of the 61st Venice Biennale. The show, which opened on May 7 at Palazzo Contarini Polignac and runs through August 1, features works by over 20 international and Ukrainian artists exploring joy as an act of resilience and humanity. Central to the exhibition are testimonies from Hlib Stryzhko, a marine veteran who returned from Russian captivity, which are transformed into sculptural elements. Notable works include a protest performance by Yurii Hruzinov at the Russian pavilion, a video installation of Kyiv rave parties by Malashchuk and Khimei, and installations by Future Generation Art Prize laureates Ashfika Rahman and Zhanna Kadyrova.

At the 2026 Venice Biennale, pavilions shut down for pro-Palestine strike. The map of protests

Alla Biennale di Venezia 2026 serrata dei padiglioni per sciopero pro Palestina. La mappa delle proteste

On May 8, 2026, the third VIP preview day of the 61st Venice Biennale, a massive strike shut down numerous national pavilions and disrupted the exhibition. Led by the Art Not Genocide Alliance (Anga), the protest demands Israel's exclusion from the Biennale over allegations of genocide in Palestine, and also targets poor labor conditions in the cultural sector. Pavilions closed one after another due to staff shortages, and protest posters appeared around artworks at the Giardini and Arsenale. The strike involved the Biennale Foundation itself, along with about twenty contractors managing services and national pavilions, with unions Adl Cobas, USB Lavoro privato, and Cub supporting the action. Tensions rose when the UK Pavilion reportedly replaced striking staff to remain open, and the Foundation issued a statement falsely denying that its employees were covered by the strike.