olivia barrett chateau shatto

Olivia Barrett, co-founder of the Los Angeles gallery Château Shatto, is pivoting her business strategy to navigate a cooling art market and a post-boom landscape in Southern California. After moving to the Melrose Hill art corridor, Barrett is shifting away from the high-velocity art fair model to focus on a more curated, historical program. This includes integrating 20th-century estates and secondary-market works from artists like Alice Rahon and Emily Kam Kngwarray alongside contemporary voices like Aria Dean.

London galleries Edel Assanti and Emalin both announce expansions

London-based contemporary galleries Edel Assanti and Emalin have both announced significant expansions within the UK capital. Edel Assanti is opening a second, more intimate location in St. James’s to complement its larger Fitzrovia flagship, launching with a focused exhibition of works by Lonnie Holley. Simultaneously, Emalin is moving its primary operations from Shoreditch to a sprawling 5,000-square-foot space in Clerkenwell previously occupied by Modern Art, while maintaining its historic Shoreditch outpost.

Art Dealers Try Their Hand as Artists in This Unusual Exhibition

White Columns, New York’s oldest alternative nonprofit art space, has launched a unique fundraising exhibition titled “Art (by) Dealers.” The show features works created by over 90 art dealers and gallery professionals rather than the artists they represent. Organized by Kathy Huang and Will Leung, the exhibition presents uniform 12-by-9-inch works priced at $500 each, sold anonymously to benefit the nonprofit's programming.

1969 gallery space zero one wet paint

The New York art scene is witnessing a shift in the Tribeca gallery landscape as 1969 Gallery, a fixture known for championing emerging painters, has shuttered its physical space at 39 White Street. Founder Quang Bao confirmed the closure following the building owner's decision to sell the property, noting that he is currently operating from Barcelona with plans to pivot toward collaborations and residencies rather than the traditional gallery model. Meanwhile, the itinerant Ward Gallery continues to gain traction by hosting pop-up symposia at institutions like the International Center for Photography, signaling a broader trend toward real-estate-free dealership.

la louver gallery closes venice huntington archive donation

LA Louver, one of Los Angeles's longest-running galleries, is closing its physical space in Venice, California, after 50 years and shifting to private dealing. The gallery, founded in 1975 by Peter and Elizabeth Goulds, has shown artists including Marcel Duchamp, David Hockney, Ed Ruscha, and Doris Salcedo, mounting over 660 exhibitions. The Venice space will host select exhibitions by appointment, while the gallery will focus activities on a private warehouse in LA's West Adams neighborhood. The Huntington library, museum, and botanical garden will receive LA Louver's archive of photography, correspondence, and documents.

matt bangser art intelligence amy cappellazzo

Matt Bangser, a longtime director at Blum gallery (formerly Blum & Poe), will join Art Intelligence Global (AIG) as senior director on September 8. Bangser spent 16 years at Blum overseeing global sales and securing major estates like Robert Colescott, and previously held senior posts at Van de Weghe Fine Art, Phillips, and Christie's. His move follows the closure of Blum's Los Angeles and Tokyo galleries last month, when founder Tim Blum announced he was leaving the traditional gallery model. AIG co-founder Amy Cappellazzo said Bangser's experience across galleries, auction houses, and artist studios made him a rare hire.

tim blum unplugs from the gallery machine

Tim Blum, co-founder of the influential Blum & Poe gallery, is stepping away from the traditional gallery model after more than 30 years. He told ARTnews that the decision was driven by burnout with the relentless cycle of art fairs, openings, and obligations, not by financial strain. His Tokyo and Los Angeles locations will close after summer exhibitions, and a planned New York space may not open as a conventional gallery. Blum will instead pursue a more flexible model involving special projects and collaborations, while continuing to buy and sell art personally.

Studio 54 Fine Art Is Betting on a More Nimble Gallery Model

Studio 54 Fine Art, founded and directed by Gary Williamson, is pioneering a nimble gallery model without a permanent brick-and-mortar space, instead meeting collectors through rotating physical exhibitions and behind-the-scenes matchmaking. The gallery is currently presenting the exhibition “Empire of Silence: The Untamed Majesty of Rowan Blackwell” in Switzerland, featuring large-scale photographs of wild animals by artist Rowan Blackwell, on view through August 31. Williamson, who transitioned from luxury goods and property investment to founding the gallery in Milan in 2016, emphasizes a focus on quality, provenance, and long-term value, with a roster of artists selected for technical mastery and distinctive vision.

art arne glimcher pace 125 newbury interview

Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.

Meet the Gallerists Trading White Cubes for Unconventional Architecture

A growing number of gallerists are moving away from the traditional 'white cube' gallery model, opting instead for spaces with unconventional architecture and distinct character. These include locations in repurposed industrial buildings, historic structures, and uniquely designed new constructions that actively shape the visitor's experience of the art.

Dealer David Schrader’s Case for a More Fluid Art Market: ‘Volume Begets Volume’

Art dealer David Schrader is launching a new secondary-market gallery in New York with partners Marc Glimcher and Emmanuel Di Donna. He argues the current market stabilization and renewed optimism, especially in the secondary sector, provide a favorable backdrop for their streamlined, focused venture that aims to avoid the overhead of historic gallery models.

a pay to play art show in marfa sparks controversy and more juicy art world gossip

The Marfa Invitational, a small art fair in West Texas, has sparked controversy after pivoting to a new format called the "Marfa Invitational Open." The fair issued an open call to Texas-based artists, charging a $75 application fee and later requiring an additional $150 "installation fee" not disclosed in the original terms. Over 500 artists applied, but many dropped out after the hidden fee was revealed, leading to a boycott campaign. Approximately 160 artists ultimately exhibited at the Saint George Hotel last weekend. The fair had previously faced scandal in 2023 when its tax-exempt status was revoked due to cofounder Michael Phelan's failure to file required paperwork.

'Hugging has replaced air kissing' – Inside America's new wave art galleries

A new wave of design galleries across the United States is redefining the traditional gallery model by prioritizing community, craft, and hospitality over sterile white-cube spaces. Galleries like Tiwa Gallery in Tribeca, Marta in Los Feliz, Blunk Space in Point Reyes Station, and Landdd in Portland are hosting opening-night dinners, sound baths, flower arranging, and workshops to create intimate, home-like environments. Curator Sonya Tamaddon, an alumna of LACMA and the Peggy Guggenheim Collection, notes a shift away from formal hierarchies toward richer dialogue between designers, artists, and collectors, with hugging replacing air kissing.

Market Maker

Amrita Jhaveri, a Brown University alumna, has transitioned from a pioneering role at Christie’s to becoming a central figure in the global promotion of South Asian art. After launching Christie’s Mumbai office in the 1990s—a time when modern Indian masterpieces sold for a fraction of their current multi-million dollar values—she co-founded Jhaveri Contemporary with her sister Priya. The gallery has gained international prestige by placing works by overlooked, female, and queer South Asian artists into the permanent collections of major institutions like the Tate Modern, the Met, and MoMA.

New gallery Slip House to open in 1,000sqft, three-story former carriage house during Frieze Week.

Slip House, a new gallery co-founded by Ingrid Lundgren and Marissa Dembkoski, will open to the public on May 9, 2025, during Frieze Week. Located in a 1,000-square-foot, three-story former carriage house at 246 East 5th Street in New York's East Village, the gallery's inaugural exhibition features a multigenerational roster of artists, including historic works by Jack Whitten and Claude Viallat alongside contemporary pieces by Anne Hayden Stevens, Lizzy Gabay, Max Guy, and others. Former Sprüth Magers Director Jessica Draper co-curates the debut presentation. The space includes a second-floor fireplace and kitchen, and a third-floor live/work area that will host a rotating artist residency, with co-founder Dembkoski living onsite during the first year.

new wealth 2026

The article examines the art market's struggle to attract new wealthy buyers despite a surge in global wealth. Marc Spiegler, former global director of Art Basel, argues that galleries have failed to recruit the newly wealthy, noting that inflation-adjusted art sales have declined over the past 15 years. He suggests the industry needs to reposition art as 'magical' and transformative to appeal to potential patrons.

tim blum gallery closure

Tim Blum, co-founder of the influential Los Angeles gallery Blum & Poe, announced the closure of the gallery last week. Blum, who took over after Jeff Poe left the business in 2023, cited personal burnout and a system-wide problem of over-expansion as reasons for the decision. In an interview with CULTURED editor-in-chief Sarah Harrelson, Blum reflected on his 35-year career, his role in building LA into an art-market capital, and his plans to stay involved in the art world in a new, alternative form.

nicolas nahab samy ghiyati ng interview

Nicolas Nahab and Samy Ghiyati, two seasoned art world professionals, have left their high-profile gallery positions to launch NG, an independent art advisory and exhibitions company. Nahab, formerly a director at Mendes Wood DM and previously at Marian Goodman Gallery and Yvon Lambert, will focus on curating, while Ghiyati, who worked at David Zwirner and Kamel Mennour, will handle advising. Their inaugural show will feature a solo exhibition of new work by New York–based Moroccan artist Meriem Bennani in Essaouira, Morocco, opening in December 2025.

Uncertainty in the Art Market is Currently Extreme

"Im Moment ist die Verunsicherung auf dem Kunstmarkt extrem"

Prominent Cologne gallerist Gisela Capitain is celebrating her 40th anniversary amid a period of significant market volatility. In recent interviews, she reflects on her career—defined by long-term artist relationships like that with Martin Kippenberger—while critiquing the current state of the art world. She notes that buyers have become increasingly hesitant and deliberate, describing the current level of uncertainty in the art market as extreme and calling for reforms to institutions like Art Cologne.

Why This Swedish Gallery Set Up Shop in a 19th-Century Chapel

Loyal, a gallery founded by Martin Lilja and Amy Giunta, has relocated from Stockholm to a 19th-century chapel in the university town of Lund, Sweden. The move represents a deliberate shift away from the fast-paced commercial art world towards a slower, more contemplative model of exhibition-making.

sperone westwater dealers lawsuit gallery closure

Three months before announcing the closure of Sperone Westwater after 50 years, co-founder Gian Enzo Sperone sued his partner Angela Westwater, alleging a "parasitic deadlock" and accusing her of wresting control of a corporation holding a 50 percent stake in the gallery. The lawsuit claims Westwater mishandled funds, withheld records, mismanaged rent payments, and increased her own salary without approval. The gallery, founded in 1975 as Sperone Westwater Fischer, has represented major artists including Bruce Nauman, Francesco Clemente, and Richard Long, and will close this December.

rosenfeld gallery miami

Rosenfeld Gallery, founded by Michelle Rosenfeld in New York in 1970, has undergone a significant transformation under the leadership of her son Jason Rosenfeld. In 2020, the gallery relocated from New York to Miami’s Design District, and in 2023 it shifted from a public gallery space to a private operation. The gallery now operates as a leading secondary-market contemporary art purveyor, dealing in works on paper, paintings, sculpture, and editions, with a focus on long-term relationships and bespoke client service.

Perfectly unusual settings for art in Los Angeles

Los Angeles is experiencing a surge in non-traditional exhibition spaces that bypass the conventional 'white cube' gallery model. Artists and curators are repurposing domestic apartments, former Vietnamese restaurants, vacant lots, and garages to host experimental shows. Notable examples include Greg Jenkins’s Paramount-Artcraft in the Fairfax District, Ian James’s Leroy’s in Chinatown, and David Horvitz’s 7th Ave Garden, which utilizes salvaged concrete from the Los Angeles County Museum of Art to create an outdoor installation and reading space.

An Exhibition of Peter Schlesinger’s Ceramics Inaugurates a Playful New Gallery in Hollywood

Mariposa gallery has officially opened its permanent location in Hollywood’s historic Beachwood Canyon, housed in the 1923 storybook building originally built by the Hollywoodland Realty Co. Founded by Alec Smyth, a former David Zwirner staffer, and interior designer Noah Ruttenberg, the gallery moves away from the traditional 'white cube' aesthetic in favor of a cozy, domestic environment. The inaugural exhibition features a series of swan-shaped ceramic sculptures by the Los Angeles-born artist Peter Schlesinger.

Meet the Lawyer-Turned-Dealer Opening a Jewel-Box Gallery Uptown—and More Juicy Art World Gossip

Artnet News's Wet Paint column reports that former David Zwirner director Felix Rödder is opening his own gallery, Rodder (no umlaut), on September 18 at 22 East 80th Street on the Upper East Side, in the same building as Sprüth Magers. The jewel-box space, formerly Barbara Mathes Gallery, will debut with a solo show of sculptural paintings by Wyatt Kahn. Rödder, a lawyer-turned-dealer, plans to mix contemporary programming with historical exhibitions, keeping overhead low and avoiding art fairs for now. The column also teases a mention of Aby Rosen's involvement in the New York mayoral race.

Taxidermists—prized by Damien Hirst—open museum in Amsterdam

Two artist-taxidermists, Ferry van Tongeren and Jaap Sinke, have opened the Art Zoo Museum in a restored canal house in Amsterdam, in partnership with the Vrije Academie cultural education institute. The museum, opening on 26 June, is described as a "modern wunderkammer"—a contemporary cabinet of curiosities—featuring taxidermied animals that died natural deaths, arranged in surreal poses alongside preserved flowers and ornate interiors. Van Tongeren, a former advertising agency owner who retrained as a taxidermist, gained international fame after he and Sinke sold their first collection to Damien Hirst in 2016. Their collective is named Darwin, Sinke & Van Tongeren, reflecting the influence of Charles Darwin.

harlesden high street mayfair

Jonny Tanna, founder of the London gallery Harlesden High Street, has launched a pop-up project in Mayfair during Frieze Week, in collaboration with Düsseldorf- and Berlin-based gallery Setareh. The inaugural exhibition, “Forces of Nature,” features London-based artists Abbas Zahedi and Jamiu Agboke, presenting conceptual installation and atmospheric painting. Tanna emphasizes that this is not a permanent relocation but an itinerant extension of his gallery, which exclusively shows artists of color and is known for its community-focused, unvarnished approach.

art galerie sardine hamptons

Valentina Akerman and her husband, artist Joe Bradley, founded Galerie Sardine in Amagansett last summer, operating out of an 18th-century farmhouse. The gallery's debut season includes residencies and exhibitions with artists such as Jean Prounis, Julian Kent, Joline Kwakkenbos, Tenki Hiramatsu, and Nate Lowman, along with special events like a Beni Rugs residency and garden dinners. Akerman also curated a Sardine program at Le Consortium Museum in Dijon, France, while Bradley shows new work at David Zwirner's London gallery.

Tim Blum will phase out traditional gallery model, close Los Angeles and Tokyo locations

Tim Blum, co-founder of the influential Los Angeles gallery Blum (formerly Blum & Poe), announced he will phase out the traditional gallery model, closing the gallery's permanent public spaces in Los Angeles and Tokyo. Blum cited burnout from the relentless demands of art fairs and gallery openings, emphasizing the decision is about the system, not the market. The gallery, which introduced American audiences to Japanese artists like Yoshitomo Nara and Takashi Murakami and gave early shows to Mark Grotjahn and Anna Weyant, will shift to a more flexible model involving collaborations and special projects. A previous New York space closed in 2023, and a Tribeca space's future remains undetermined.

Inaugural Medina Triennial in Western New York Will Include 39 Artists

The inaugural Medina Triennial has announced its artist lineup for its debut edition running from June to September in Western New York. Featuring 39 participants, the walkable exhibition will showcase site-specific works by international and local figures including Tania Candiani, Lina Lapelytė, and Asad Raza. Installations and performances will be integrated into the town's civic fabric, utilizing non-traditional venues such as a railroad museum, local churches, hospital corridors, and a century-old high school.