british museum fundraising gala interrupted by protestor 1234757948

The British Museum's inaugural fundraising gala on October 18 was interrupted by a protester from the group Energy Embargo for Palestine. The woman, who gained access to the Great Court by working as a waitress, took the stage next to board chair George Osborne holding a sign reading 'DROP BP NOW.' She criticized the museum for accepting a £50 million sponsorship from BP, an oil and gas company she accused of causing climate collapse and enabling genocide in Gaza. The gala, co-chaired by Isha Ambani of Reliance Industries, raised over $2 million from ticket sales and featured a silent auction, including a pet portrait by Tracey Emin and a private tour of Coco Chanel's Paris apartment.

berlin biennale evasive palestine paul klee angel histor 1234747787

The 13th Berlin Biennale opened amid controversy over its handling of the Gaza conflict. In a tense press conference, curator Zasha Colah faced questions about whether any invited artists had withdrawn in solidarity with the Strike Germany campaign, and whether she had experienced state repression for addressing the genocide in Gaza. Colah acknowledged one artist’s withdrawal but denied experiencing state repression, while the biennial’s title, “passing the fugitive on,” and its theme of “the fox” were criticized as evasive. The article describes the event as a case study in how German cultural institutions navigate political pressure and censorship.

Hyperallergic’s Guide to the 2026 Venice Biennale

Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.

Somali Artists Take Issue With Nation's First-Ever Venice Biennale Pavilion

Somalia's first-ever national pavilion at the 61st Venice Biennale has sparked controversy, with local cultural organizations accusing organizers of excluding Somalia-based artists. The pavilion, titled SADDEXLEEY, features only diaspora artists—Somali-Swedish painter Ayan Farfah, Somali-Danish poet Asmaa Jama, and Somali-British poet Warsan Shire—while the Somalia Arts Foundation (SAF) and queer collective Warbixinta Cidda have denounced the appointment of Italian co-curator Fabio Scrivanti, citing colonial tensions. SAF founder Sagal Ali and others allege that artists in Somalia were not meaningfully consulted, and that organizers used intimidation tactics against critics. The pavilion's organizers claim it includes Mogadishu-based painter 4C and will host accompanying events, but details remain unconfirmed.

Letter calls on Judy Chicago and Pussy Riot's Nadya Tolakonnikova to cancel Tel Aviv exhibition

More than 50 artists and cultural figures, many based in Israel, have signed a letter urging American artist Judy Chicago and Pussy Riot co-founder Nadya Tolokonnikova to cancel their collaborative exhibition "What if women ruled the world?" at the Tel Aviv Museum of Art. The show, which opened last week, features a digital quilt responding to the titular question. The letter, seen by The Art Newspaper, argues that holding the exhibition in Israel makes the artists "complicit" in what the signatories describe as genocide in Gaza, citing a recent UN commission finding. Tolokonnikova stated she is not involved in the ongoing project, while Chicago declined to comment. The museum defended the exhibition as a space for reflection and dialogue, not an endorsement of any political position.

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

Culture Workers Announce Venice Biennale Strike in Israeli Pavilion Protest

Cultural workers, unions, and grassroots groups are planning a 24-hour strike on Friday, May 8, at the Venice Biennale to protest Israel's participation amid the ongoing genocide in Gaza. Organized by the Art Not Genocide Alliance (ANGA), the action includes a rally on Viale Garibaldi and calls for a boycott of Israel's "genocide pavilion." Participating groups include Biennaleocene, Sale Docks, Mi Riconosci, Vogliamo Tutt’altro, and several Italian trade unions. The strike follows months of activism, including a letter signed by over 200 event participants, and comes after the Biennale jury resigned over award eligibility rules that initially excluded Israel and Russia.

Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists

New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

The Palestinian artist channelling ‘rage, love and hope’ into her paintings

Palestinian artist Malak Mattar presents her new solo show "Falasteen" at Central Saint Martins, featuring works created during her MFA that respond to the ongoing genocide in Gaza. The exhibition marks a synthesis of her earlier vibrant style and the stark monochrome she adopted after Israel's latest assault, with colors cautiously returning alongside themes of hope, resilience, and freedom. The show includes large-scale paintings, a concertina book, and new techniques like photo transfer and collage, including her 2024 painting "No Words," a black-and-white mural recalling Picasso's "Guernica." This is the first solo show by a Palestinian artist ever held at Central Saint Martins.

There are 21 artists supporting the new voyage of the Global Sumud Flotilla that set sail from Sicily with painted sails

Ci sono 21 artisti a sostegno del nuovo viaggio della Global Sumud Flotilla salpata dalla Sicilia con vele dipinte

A new humanitarian mission by the Global Sumud Flotilla set sail on April 26 from Augusta, Sicily, with 59 Italian and Spanish boats heading toward Gaza. The flotilla, which follows a first attempt in September 2025 that ended with activists arrested by the Israeli military, aims to deliver humanitarian aid by early May. Twenty-one artists have joined the initiative, called Vele d'Arte, painting the sails of the boats with symbolic artworks. Among the participating artists are Gio Pistone, Antonio Curcio, Escif, Lydia Giordano, Glenda Costa, Millo, Elia Novecento, MP5, Matteo Todeschini, Alleg, Sam3, Okuda, Antonella Santonocito, Fabrizio Foti, Igor Scalisi Palmiteri, Andrea Sposari, and Salvo Ligama. The project was conceived by Carlo Alberto Giardina, who hopes the energy painted on the sails will transform into positive forces.

61st Venice Biennale: Cultural workers and artists strike and protest against the Israeli genocide in Gaza

Thousands of artists, cultural workers, and protesters marched through Venice on May 8, 2026, one day before the opening of the 61st Venice Biennale, to protest the Israeli genocide in Gaza and Lebanon. The strike, organized by the Art Not Genocide Alliance (ANGA), led to the closure of approximately 27 of the Biennale's 100 national pavilions, with signs reading "We Stand with Palestine." The Israeli pavilion remained closed and guarded by armed police, who clashed with protesters. Meanwhile, the European Commission threatened to suspend €2 million in EU grants to the Biennale Foundation over its decision to allow Russia to participate, citing incompatibility with EU sanctions and the invasion of Ukraine.