what to see milan best museums galleries 2026 winter olympics 1234772408

The 2026 Winter Olympics are set to begin in Milan, Italy, with an opening ceremony featuring Mariah Carey at San Siro Stadium. While most events take place across northern Italy, the article provides a guide to Milan's top museums and galleries for art-loving visitors during the three-week games. Highlights include exhibitions at Fondazione Prada (with works by Mona Hatoum and Hito Steyerl), Pirelli HangarBicocca (Nan Goldin's "This Will Not End Well" and Benni Bosetto's "Rebecca"), Pinacoteca di Brera (Italian masterpieces plus Giorgio Armani garments), and Museo del Novecento (sports-themed posters by Armando Testa). Several commercial galleries also feature solo shows by artists such as Emily Sunblad, Claudia Losi, and Jonathan Lyndon Chase.

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The Frick Collection reopens to the public on April 17 after a five-year closure and a $220 million expansion and renovation by Selldorf Architects. The project adds 18,000 square feet, including 10 new galleries in the family's original second-floor living quarters, a marble staircase, cafe, gift shop, and a new auditorium. The percentage of the collection on view has increased from 25% to 47%, and Ukrainian artist Vladimir Kanevsky has created porcelain floral arrangements for the reopening. New director Axel Rüger, who joined from London's Royal Academy of Arts, welcomed journalists at a press preview.

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Artist Harry Gould Harvey IV and others are reclaiming the frame as an integral part of the artwork, using found wood and elaborate designs to embed narrative, memory, and place. Harvey, represented by P.P.O.W., began making frames from a fallen black walnut tree, while artists like Jenna Rothstein create ceramic frames with spiky thorns. The New Museum Los Gatos recently honored Holly Lane, a pioneer who milled Renaissance-style frames in the 1980s, challenging the minimalist norm.

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Over 100 contemporary artists, including Jeff Koons, Paul McCarthy, Julie Mehretu, Camille Henrot, Claire Tabouret, and Julien Creuzet, were invited to create copies of masterpieces from the Louvre's collection. Their works are now on view in the exhibition "Copyists" at the Centre Pompidou-Metz, a satellite of the Pompidou in northeastern France. The show features reinterpretations of iconic paintings such as Eugène Delacroix's *Liberty Leading the People* (1830), Giovanni Bellini's *Portrait of a Man* (ca. 1475–1500), and Théodore Géricault's *The Raft of Medusa* (1818–19), among others. Co-curators Donatien Grau and Chiara Parisi emphasize that the exhibition is about the act of copying itself, not just the resulting copies, and that it creates a dialogue between contemporary artists and historical masters.

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Artnet News critic Christian Viveros-Fauné has published a personal list of the ten best works of art in New York museums, sparking debate among readers. The selection includes iconic pieces such as Giovanni Bellini's *St. Francis in the Desert* at the Frick Collection, Gerhard Richter's *October 18, 1977* at MoMA, Paul Cézanne's *The Card Players* at the Metropolitan Museum of Art, James Rosenquist's *F-111* at MoMA, Diego Velázquez's *Juan de Pareja* at the Met, and Pablo Picasso's *Les Demoiselles d'Avignon* at MoMA, among others.

Monumental Bellini Altarpiece Undergoes Major Restoration in Public View

Giovanni Bellini's monumental 15th-century altarpiece, the San Giobbe altarpiece, is undergoing its most extensive restoration in over 500 years at the Gallerie dell'Accademia in Venice. Deemed too fragile to move, the two-year, €500,000 project will stabilize the cracked wood panel and analyze pigments using advanced imaging, all performed behind glass in full public view.

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A painting of Saint Francis of Assisi, stolen from the Church of San Francisco de Asis in Teotihuacán, Mexico, in 2001, has been recovered and returned to the church. The six-foot-tall work, painted in 1747 by an unknown artist, was among 18 artworks taken in a nighttime theft. It resurfaced in 2018 when it was consigned to Mexico City auction house Morton Subastas, whose due diligence with the Art Loss Register flagged it as stolen. The painting, valued at 280,000 Mexican pesos ($15,000), was returned to the church in a ceremony led by Padre Teodoro García Romero.

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Sotheby's is launching its inaugural Old Masters Week at its new Breuer building location in New York with a special exhibition of works heading to auction. The centerpiece is the 'cimasa' (top panel) of Pietro Perugino's 'Decemviri Altarpiece' (1495), on an exceptional loan from Italy's National Gallery of Umbria and traveling outside Italy for the first time. After its display at Sotheby's, the panel will be exhibited at the Morgan Library and Museum alongside Giovanni Bellini's newly restored 'Pietà' (c. 1470), which is also making its U.S. debut.

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The Musée Marmottan Monet in Paris has opened a new exhibition titled "The Empire of Sleep," curated by neurologist Laura Bossi and museum director Sylvie Carlier. The show gathers 130 artworks from the 19th and 20th centuries, exploring how artists have depicted sleep, dreams, nightmares, and the bed as a site of birth, love, illness, and death. Featured artists include John Everett Millais, Eugène Delacroix, Jean Cocteau, Giovanni Bellini, Gabriel von Max, Evelyn De Morgan, Odilon Redon, Gustave Courbet, Francisco de Goya, and Claude Monet, whose painting *Camille on Her Deathbed* is a centerpiece.

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The Frick Collection in New York has opened its first-ever restaurant, Westmoreland, named after founder Henry Clay Frick's private train car. Located on the museum's newly renovated second floor, the 50-seat dining room features interiors by Bryan O'Sullivan Studio, a mural by artist Darren Waterston, and a menu of comforting, unadventurous fare like caesar salad, club sandwich, and avocado toast. The kitchen is led by Skyllar Hughes, a veteran of Danny Meyer's Ci Siamo, and operated by Union Square Events. Only museum ticket holders can dine, and reservations must be made in person.

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The Frick Collection has reopened after a $220 million, five-year renovation, featuring a new installation called "Porcelain Garden" by Ukrainian-born artist Vladimir Kanevsky. The display includes over 30 handcrafted porcelain floral pieces, such as a lemon tree, lilies of the valley, and a wild artichoke, placed alongside masterpieces by Vermeer, Rembrandt, Goya, and Bellini. Kanevsky, a 74-year-old Jewish-Ukrainian émigré who moved to New York in 1989, originally trained as an architect and turned to porcelain as a side project, which unexpectedly became his career. All the flowers at the Frick have been sold, with prices ranging from $5,000 to $500,000, though his secondary market remains minimal.

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The article examines Giovanni Bellini's painting *The Feast of the Gods* (1514–29), a mythological scene depicting Roman deities at a feast, which was later reworked by Dosso Dossi and Titian. Commissioned by Duke Alfonso d'Este for his private gallery, the work is notable for including what is believed to be the earliest painted example of Chinese porcelain in European art. The painting draws from Ovid's 'Fasti' and was Bellini's last completed work, finished when he was in his 80s.

Masterpieces of Art Modeled and Printed in Ultra-High Definition: The Challenge Met by LITO

Des chefs-d’œuvre de l’art modélisés et imprimés en très haute définition : le défi relevé par LITO

Beaux Arts Magazine partnered with the Austrian printing and publishing company LITO to stage a challenge at its 500th-issue launch party. Guests were asked to identify the authentic 15th-century painting by Giovanni Bellini's circle from among four seemingly identical works, three of which were ultra-high-definition reproductions created by LITO. The company's patented modeling and printing technology replicates the texture of brushstrokes, varnish sheen, canvas grain, and even craquelure with unprecedented precision.

The New Installation of the Querini Stampalia Foundation in Venice Is a Game of Combinatory Art. Interview with Director Cristiana Collu

Il nuovo allestimento della Fondazione Querini Stampalia a Venezia è un gioco di arte combinatoria. Intervista alla direttrice Cristiana Collu

The Fondazione Querini Stampalia in Venice has unveiled a new permanent installation titled "The Dreamer," curated by director Cristiana Collu and opening May 5, 2026. The exhibition repositions over 170 works from the foundation's collection—including Giovanni Bellini's *Presentation of Jesus at the Temple*, Luca Giordano's *San Sebastiano*, and Palma il Vecchio's *Madonna with Child*—in dialogue with works by six contemporary artists: Giusy Calia, Silvia Giambrone, Daniela De Lorenzo, Davide Rivalta, Emanuele Becheri, and Chiara Bettazzi. Inspired by the dreams and passions of founder Giovanni Querini Stampalia (born May 5, 1799) and his sister Caterina, the installation is conceived as a non-chronological, emotionally driven journey likened to a "reverse cinema" where visitors move through space like directors constructing their own narrative.

April Book Bag: from a Matthew Wong catalogue to a history of dogs in art

The Art Newspaper’s April book roundup highlights four significant new publications spanning art history and contemporary practice. Featured titles include Thomas Laqueur’s visual history of dogs in art, a study of marble depictions in Late Gothic and Early Renaissance painting edited by Karl Kolbitz, a comprehensive overview of Antony Gormley’s drawings, and a new catalogue focusing on Matthew Wong’s interior scenes.

Patricia Li: An Art And Design Guide To Venice

Patricia Li, writing for Vogue Circle, shares a curated guide to art and design destinations in Venice beyond the main venues of the Venice Biennale. Her recommendations include the Peggy Guggenheim Collection, Gallerie dell’Accademia, Palazzo Grassi and Punta della Dogana (part of the Pinault Collection), the newly opened Fondazione Dries Van Noten, and Fondazione Prada, each hosting special exhibitions timed to the Biennale.

Italian Renaissance masterpieces debut in Beijing exhibition

An exhibition titled 'Homage to the Virtuosos: From Leonardo da Vinci to Caravaggio - Masterpieces of the Italian Renaissance' has opened at the National Art Museum of China in Beijing, featuring 36 Renaissance masterpieces from Italy's Uffizi Galleries. The show includes works by Leonardo da Vinci, Michelangelo, Raphael, and Caravaggio, with many pieces traveling to China for the first time. The exhibition is jointly curated by the National Art Museum of China and the Uffizi Galleries, and is divided into three thematic sections tracing the evolution of Renaissance painting, from early Florentine masters through Mannerism to Venetian and Caravaggio's revolutionary works.

Commentary | Art is more than its original context

Comment | Art is more than its original context

This commentary explores the tension between historical context and the immediate, physical experience of viewing art in the modern age. While art historians often focus on restoring works to their original origins—such as the rare, unmoved Giovanni Bellini altarpiece in Venice—the author argues that over-emphasizing biographical or political context can reduce a masterpiece to a mere illustration or a token in a power game.

The Big Review | The reopening and rehang of the Sainsbury Wing, National Gallery, London ★★★★★

The National Gallery in London has reopened its Sainsbury Wing after a renovation led by architect Annabelle Selldorf, designed to create a more welcoming entrance. The wing, originally designed by Robert Venturi and Denise Scott Brown in 1991, now features a transformed ground floor with double-height spaces, improved lighting, and a new piazza linking to Trafalgar Square. The reopening coincides with the gallery's bicentenary and a major collection rehang titled "C C Land: the Wonder of Art," sponsored by a Hong Kong property developer. Old favorites like the chapel-like space for Piero della Francesca's works are restored, and new commissions, including Richard Long's "Mud Sun," greet visitors.