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Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

I wanted to hate the new LACMA. Then I went back

The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.

Inside the new David Geffen Galleries at LA County Museum of Art

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a $724 million building designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The structure features a floating floor, floor-to-ceiling windows, and minimalist concrete interiors that create a calm, light-filled space. The inaugural exhibition presents 26 interconnected galleries with no set path, displaying artworks from ancient Egyptian hieroglyphs to contemporary installations like Do Ho Suh's "Jagyeong Hall, Gyeongbok Palace" (2026), aiming to eliminate hierarchies of time, place, or genre.