Meg Molloy, founder of the Working Arts Club, discusses the systemic barriers facing working-class professionals in the art world. Launched last year, the independent network provides social and professional support for arts workers from lower socioeconomic backgrounds, a demographic often excluded by the industry's reliance on unpaid internships, low entry-level salaries, and expensive urban hubs like London.
Roland Rudd, chair of Tate, insists the institution is thriving despite recent leadership changes, citing record visitor numbers of 6.2 million, strong exhibition attendance (Turner and Constable at Tate Britain, Lee Miller, and Tracey Emin at Tate Modern), and 155,000 members. However, Maria Balshaw has stepped down as director after nine years, leaving her successor to confront a financially strained organization hit by pandemic losses, multiple redundancies, and low staff morale amid culture war battles.
The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Kengo Kuma & Associates, along with landscape architects Field Operations and Schwartz Silver Architects, to lead a $100 million expansion project. The plan includes a new 40,000-square-foot museum building, renovation of the existing 19th-century grist mill museum, and a ten-mile loop of walking trails connecting the two buildings to the historic studios of artists N.C. Wyeth and Andrew Wyeth. Construction is expected to begin in spring 2025, with completion in autumn 2029. Nearly half the funding has been raised, including contributions from the Wyeth Foundation for American Art and Wyeth family members.
Refik Anadol and Efsun Erkılıç will open DATALAND, a museum dedicated to AI art, in Los Angeles on June 20, 2026. Located in the Grand LA complex designed by Frank Gehry, the 25,000-square-foot venue will feature five gallery spaces plus 10,000 square feet for supporting technology. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses AI trained on ecological datasets to generate sensory experiences, including a version of Anadol's Infinity Room with a 1987 recording of an extinct Hawaiian bird and AI-generated scents. Membership starts at $350 per year.
Qui sont les membres du jury de la Biennale de Venise ?
The 61st Venice Biennale, opening May 9, 2026, has announced its international jury, which is composed entirely of women. The five members are Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, hailing from Brazil, Thailand, Spain, the United States, and Switzerland. Their backgrounds span the Global South, feminist studies, and transnational curatorial practices.
Sarah Miriam Peale, a member of the prominent Peale art dynasty and arguably the first professional woman artist in the United States, is finally receiving long-overdue institutional recognition. Despite a prolific sixty-year career painting portraits of political figures and still lifes in Baltimore and St. Louis, her legacy was largely overshadowed by her uncle Charles Willson Peale and her male cousins. Her independence as an unmarried woman who supported herself entirely through her craft marked a radical departure from the gender norms of the 19th century.
Fair Warning, the members-only online sales platform founded by former Christie's rainmaker Loïc Gouzer, is staging a rare live auction on May 20 at Tiffany & Co.'s flagship store in New York. The centerpiece is Banksy's *Girl and Balloon on Found Landscape* (2012), a work from the artist's 'Crude Oils' series that has never been publicly exhibited. Consigned by a private collector, the painting carries an ambitious estimate of $13 million–$18 million, one of the highest ever for a Banksy. Gouzer argues that Banksy is among the most consequential artists of our time, comparing his trajectory to Jean-Michel Basquiat, and sees this sale as a landmark moment for the artist's market.
The New Art Dealers Alliance (NADA) has announced the 12th edition of NADA New York, taking place from May 13 to 17, 2026, at the Starrett-Lehigh Building in West Chelsea. The fair will feature over 121 galleries, art spaces, and non-profit organizations from 15 countries and 46 cities, including 45 NADA Members and 51 first-time exhibitors such as Brigitte Mulholland (Paris), The Address (Brescia), and Central Server Works (Los Angeles). Returning initiatives include the TD Curated Spotlight, organized by Anthony Elms of the Mattress Factory, and NADA Presents, a series of conversations and performances. Highlights include solo presentations by Malcolm McCormick, Jonathan Torres, Effie Wanyi Li, Xiaoyi Gao, and others.
Polish artist Aneta Grzeszykowska is presenting two photo series in New York: "Mama" (2018), featuring a life-like doll of herself played with by her young daughter, and "Daughter" (2025), for which she wears a mask of her 14-year-old self and poses with family members. "Mama" is included in the "New Humans" exhibition at the New Museum and previously appeared in the 2022 Venice Biennale's "Milk of Dreams." "Daughter" is on view at Lyles & King gallery on the Lower East Side through May 9, and also in the group show "Adolescence" at the Zachęta National Gallery of Art in Warsaw. The series extend Grzeszykowska's long-standing practice of manipulating family photographs, which began with her 2005 series "Album," where she removed herself from old family pictures.
The Los Angeles County Museum of Art (LACMA) is set to open its highly anticipated David Geffen Galleries to the public on May 4, 2026, following a members-only preview starting April 19. Designed by Swiss architect Peter Zumthor, the $724 million, 110,000-square-foot concrete structure spans Wilshire Boulevard and houses the museum's permanent collection in a single-floor layout. The opening will be celebrated with a public block party on June 20, featuring free admission, tours, and live performances.
Jurors from the Kunstfonds Foundation, a major German contemporary art funding body, have accused Minister of State for Culture Wolfram Weimer of attempted intimidation and political interference. The conflict erupted after Weimer requested the names of the independent jury members, a move the foundation views as a threat to artistic freedom. This follows a separate controversy where Weimer reportedly consulted domestic intelligence to exclude bookstores with left-wing leanings from a national award.
The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.
Yu-Chi Lyra Kuo, an entrepreneur, investor, and Harvard-educated lawyer, is profiled for her pioneering work at the intersection of frontier technology and art. A former Princeton academic and one of the youngest board members of the Shed in New York, Kuo began collecting art as a child with a jade gourd from her grandfather's museum of Asian carvings. She was an early entrant into blockchain in 2011, co-founded OpenSea 2.0, and now advises frontier tech companies like Orchid Health. Kuo believes technologies such as AI and robotics can enhance human creativity, enabling individualized artworks, autonomous creations, and robot performances, rather than replacing human cultural meaning.
La révolution Martin Parr
The Jeu de Paume museum in Paris is presenting a major exhibition of the late British photographer Martin Parr, on view until May 24. The show coincides with the release of a documentary film, "I am Martin Parr, le photographe so British," which follows the artist and features interviews with his wife, gallerists, and fellow Magnum Photos members.
The Arts Club of Chicago, founded in 1916, continues to balance its historic legacy with contemporary relevance under executive director and chief curator Janine Mileaf. The club, which gave Pablo Picasso his first solo institutional exhibition in the U.S. in 1923 and hosted figures like Gertrude Stein and John Cage, now operates as both a public space and a private membership club. Mileaf’s programming emphasizes Dada and surrealist roots while showcasing experimental, site-specific works, including a recent installation by Korean artist Haegue Yang. The club maintains a close relationship with Chicago’s arts community, aiming to expose audiences to challenging and surprising art.
Cowley Abbott Fine Art, a Toronto-based auction house, has opened its first permanent western Canada gallery in Calgary's East Village. The new space launches with a three-day public preview of museum-quality artworks heading to its Spring Live Auction on May 27 at the Globe and Mail Centre in Toronto. Highlights include rare works by Pierre-Auguste Renoir, Vincent van Gogh, Emily Carr, and members of the Group of Seven such as Lawren Harris and A.Y. Jackson. Among the standout pieces is Emily Carr's 1936 canvas "Wind," estimated at $500,000 to $700,000, and a Lawren Harris painting valued similarly. The gallery aims to attract both collectors and casual visitors, with Peter Ohler, Western Canada Representative and Director of Private Sales, emphasizing that the space is open to anyone interested in art.
Since 2024, the nonprofit organization Artists & Mothers has been addressing a critical gap in the art world by offering grants for nine months of childcare to New York-based artists with children under three. The organization was founded by Julia Trotta and Maria De Victoria, with board members including Camille Henrot, Bridget Donahue, Maia Ruth Lee, Sarah Goulet, and Elizabeth Karp-Evans. In a Q&A format, the group discusses their motivations, influences, and hopes for a more equitable art world, highlighting works such as Lea Lublin's 1968 performance "Mon fils" and anticipating Ei Arakawa-Nash's Japanese Pavilion at the Venice Biennale.
Le primitivisme pour réinventer l’art
Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.
Art in the Berkshires, founded in 2024 as an online resource, has opened a physical gallery and studio space at 8 Castle Street in Great Barrington, Massachusetts. The venture is led by Shany Porras, an abstract painter and founder who serves as gallery director, aiming to make Berkshire creativity more accessible through artist directories, venue listings, and a weekly newsletter.
This week’s roundup of essential art reading highlights a diverse range of global initiatives, from the development of a new arts center in Compton by formerly incarcerated painter Mr. Wash to a mural project for displaced children in Lebanon led by artist Abed Al Kadiri. The report also covers a guerrilla projection protest at the Museum of Fine Arts, Boston, where activists criticized the institution for laying off staff members of color despite a massive endowment, and a poignant look at medical students graduating amidst the ongoing crisis in Gaza.
Warren Feeney's article highlights 10 exhibitions opening in May 2026, primarily in Christchurch, New Zealand. Featured shows include Stone Maka's 'MONO' at Jonathan Smart Gallery, exploring Tongan tapa cloth traditions; Jess Nicholson's 'Ka maumahara te uku (the clay remembers)' at CoCA Toi Moroki, focusing on Ngāi Tahu culture and land connections; and a group exhibition 'Indigo' at Art on the Quay, featuring seven Central Otago artists. Other notable shows include Jane Barry, Sandra Hussey, and Laurie Roodt's 'Three Exhibitions' at Chambers Art Gallery, and Stephanie Postles' 'What These Walls Remember' at City Art Depot's new Up Stairs space.
On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.
Heather Hubbs, executive director of the New Art Dealers Alliance (NADA), reflects on the organization's evolution from a grassroots initiative into an international coalition with over 250 gallery members and fairs in New York and Miami. The 12th edition of NADA New York returns to the Starrett-Lehigh Building from May 13–17, featuring more than 100 galleries and the return of the Curated Spotlight, organized by curator Anthony Elms in partnership with TD Bank. Hubbs discusses the fair's growth, its commitment to supporting galleries and artists year-round, and highlights 51 first-time exhibitors and experimental works by artists like Chang Sujung and Douglas Rieger.
Pussy Riot staged a dramatic protest at the Russia Pavilion during the Venice Biennale, releasing pink smoke and waving Ukrainian flags while chanting slogans like 'Blood is Russia’s art.' Around 50 protesters, including members of Femen, occupied the area. Pussy Riot founder Nadya Tolokonnikova called for the pavilion to be closed and given to oppressed peoples, challenging Biennale president Pietrangelo Buttafuoco to meet her. The protest lasted about 20 minutes, with performers climbing the pavilion and exposing political slogans on their chests.
Photographer Ron Timehin discusses a standout image from his documentary project in Labadi, Accra, featuring five local community members and a horse against a ruined farm building. The project, commissioned by My Runway Group, aims to move away from traditional documentary tropes by portraying West African communities in a collaborative, dignified, and elegant manner.
"Ein alter Mann, dessen Ich-Sucht keine Grenzen kennt"
More than 30 current and former jury members of the Stiftung Kunstfonds have issued a formal protest against German Culture Minister Wolfram Weimer, accusing his office of political interference and intimidation. The controversy stems from reports that the ministry requested lists of all jury members across various art institutions and bypassed jury decisions to exclude specific recipients from awards based on intelligence service reports.
Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.
On the second day of the Venice Biennale preview, the activist group Pussy Riot staged a chaotic protest at the Russian pavilion, forcing it to temporarily close. Wearing pink balaclavas and carrying flares, about 40 activists—including members of Femen—gathered outside the pavilion, shouting slogans like "Blood is Russia's Art" and attempting to enter before being pushed back by police. Founding member Nadya Tolokonnikova led the protest, condemning Europe for allowing Russian participation despite the war in Ukraine. Separately, the Art Not Genocide Alliance (Anga) demonstrated outside the Israeli pavilion, which was locked from inside, over Israel's war in Gaza.
Artist Lauren Halsey has unveiled a new installation titled 'Sister Dreamer' Park in South Central Los Angeles. The work features stone monuments that elevate familiar faces from the neighborhood, celebrating local heroes and community members. The installation is part of Halsey's ongoing practice of centering Black and brown communities in her art, using architecture and sculpture to create spaces of empowerment and memory.
A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.