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takashi murakami interview perrotin los angeles 1234774560

Takashi Murakami’s latest exhibition at Perrotin Los Angeles, titled “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis,” marks a significant return to his academic roots in Nihonga (traditional Japanese painting). The show features 24 compositions, including four monumental canvases that took over three years to complete, blending Edo-period woodblock aesthetics with 19th-century Impressionism and contemporary Pokémon imagery. The artist describes this body of work as a reflection on the non-linear nature of time and the physical manifestation of memory.

Japanese painting tradition meets street materials in new exhibition at the Spencer Museum of Art

The Spencer Museum of Art at the University of Kansas has launched "Street Nihonga: The Art of Jimmy Tsutomu Mirikitani," the most comprehensive exhibition to date of the late artist's work. Curated by Kris Ercums and Maki Kaneko, the show features 145 works that trace Mirikitani’s journey from his Nihonga training in Japan to his incarceration in a U.S. internment camp during WWII, and finally his years as a homeless street artist in Lower Manhattan. The exhibition is accompanied by a major scholarly catalog and documentary footage by filmmaker Linda Hattendorf.

Creativity through adversity: Kansas exhibition explores Jimmy Tsutomu Mirikitani's life and work

The Spencer Museum of Art in Kansas is presenting the largest exhibition to date of work by Jimmy Tsutomu Mirikitani, an artist who faced incarceration and homelessness. The show, titled 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' features drawings, collages, and mixed media works that explore themes of displacement, trauma, and resilience.

Spencer Museum’s spring exhibitions explore richness of Japanese and Asian American art

The Spencer Museum of Art at the University of Kansas is opening two major exhibitions on February 19: 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani' and 'Brush, Block, and Blood: Three Generations of Yoshida Women Printmakers.' The first is the largest assembly of works by Japanese American artist Jimmy Tsutomu Mirikitani, whose life was marked by incarceration during WWII and homelessness, and who adapted traditional Nihonga techniques with found materials. The second exhibition presents, for the first time in the U.S., the work of three generations of women printmakers from the renowned Yoshida family. These shows are complemented by a new video commission from Ayomi Yoshida and other smaller exhibitions focusing on Japanese and Asian American contemporary art.

Spencer Museum’s spring exhibitions explore richness of Japanese and Asian American art

The Spencer Museum of Art at the University of Kansas is opening two major exhibitions on February 19: 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani' and 'Brush, Block, and Blood: Three Generations of Yoshida Women Printmakers.' The Mirikitani exhibition is the largest assembly of the Japanese American artist's work, featuring 145 pieces that document his life of displacement, incarceration, and homelessness, created using traditional Japanese techniques with found materials. The Yoshida exhibition presents prints by three generations of women from a renowned Japanese artistic family, marking the first U.S. display of their work together.